Un virus infectó a la población del Reino Unido hace seis meses. El ejército de Estados Unidos ha acordonado una zona de Londres para que los supervivientes puedan empezar de nuevo, pero las... Leer todoUn virus infectó a la población del Reino Unido hace seis meses. El ejército de Estados Unidos ha acordonado una zona de Londres para que los supervivientes puedan empezar de nuevo, pero las cosas no salen como estaban planeadas.Un virus infectó a la población del Reino Unido hace seis meses. El ejército de Estados Unidos ha acordonado una zona de Londres para que los supervivientes puedan empezar de nuevo, pero las cosas no salen como estaban planeadas.
- Dirección
- Guión
- Reparto principal
- Premios
- 3 premios y 16 nominaciones en total
Jordan El-Balawi
- Boy in Cottage
- (as Beans Balawi)
Resumen
Reviewers say '28 Weeks Later' features characters engaging in irrational actions for plot convenience as detrimental to the story's realism. However, some appreciate the film's intense action sequences and performances, which offer entertainment and excitement. The use of such plot devices is common in horror movies to heighten suspense and advance the narrative.
Reseñas destacadas
I think I'm supposed to be the core demographic of this film. I like Zombie films and I don't even require them to be anything more than popcorny entertainment. Also I don't expect them to necessarily fall squarely into the Horror genre, Action is fine with me.
Despite all this, 28 weeks was not an enjoyable offering at all. Theoretically, there is plenty of action, but the camerawork is so shaky and the editing so jumpy that you hardly see what's going on. The writing isn't just nothing special, it is glaringly lacking in every respect: the dialogue (and especially the military lingo) is often cringeworthy, and, as others have pointed out, the story makes absolutely no sense in very crucial aspects. The fact that the director doesn't realize the movie never had potential for anything more than mindless action makes everything worse. I'd like to tell you that you'll enjoy yourself if you don't take the movie seriously, but unfortunately the movie takes itself completely seriously and that's painful to watch.
Four stars for the four actors that I like and that somehow agreed to do this...
Despite all this, 28 weeks was not an enjoyable offering at all. Theoretically, there is plenty of action, but the camerawork is so shaky and the editing so jumpy that you hardly see what's going on. The writing isn't just nothing special, it is glaringly lacking in every respect: the dialogue (and especially the military lingo) is often cringeworthy, and, as others have pointed out, the story makes absolutely no sense in very crucial aspects. The fact that the director doesn't realize the movie never had potential for anything more than mindless action makes everything worse. I'd like to tell you that you'll enjoy yourself if you don't take the movie seriously, but unfortunately the movie takes itself completely seriously and that's painful to watch.
Four stars for the four actors that I like and that somehow agreed to do this...
The deadly virus has decimated the city of London, exception a little zone where live people no-infected. The US army controls the city and is repopulating with good people. A family formed by a father named Don(Robert Carlyle) and sons, Tammy(Imagen Poots)and Andy(Mckintosh)are reunited .But one of them spreads the epidemic, the rage virus outbreaks and re-ignites the infection infiltrating in the secured zone , causing wreak havoc and death .Those exposed cruel biting suffer a complete transformation turning into meat-eating sickos. The sons escape and are helped by a soldier(Jeremy Renner) and a military doctor(Rose Byrne).The military take on zombies and the survivors are surrounded , facing the world destruction by deadly epidemic.
This moving film contains chills, thrills, horror and lots of blood and gore.The flesh-eating mutants appearance deliver the goods plenty of screams, shocks and tension.The horror moments are compactly made and fast moving .The make-up assistant create a truly frightening zombie cannibals. Terrifying and astonishing frames about apocalyptic events with deserted streets, and creepy mood at London without people totally uninhabited , similarly to classics movies, such as ¨Quatermas and pit, Omega man and Lifeforce¨. I think this movie is better than previous original, because packs more action and more breathtaking images. Casting is frankly well, along with distinguished players, Robert Carlyle, Catherine McCormack, Rose Byrne, Harold Perrineau, appear young promises,as Imagen Poots and Mckintosh.Nice cinematography , using steadycam and photographed in videotape by Enrique Chediak. Atmospheric and haunting musical score by John Murphy ,composed in the same style from '28 days later'by Danny Boyle(also producer along with Alex Garland) . The flick is surprisingly realized with startling visual style by Juan Carlos Fresnadillo(Intacto). Rating : Better than average, this horror story will leave you stunned.
This moving film contains chills, thrills, horror and lots of blood and gore.The flesh-eating mutants appearance deliver the goods plenty of screams, shocks and tension.The horror moments are compactly made and fast moving .The make-up assistant create a truly frightening zombie cannibals. Terrifying and astonishing frames about apocalyptic events with deserted streets, and creepy mood at London without people totally uninhabited , similarly to classics movies, such as ¨Quatermas and pit, Omega man and Lifeforce¨. I think this movie is better than previous original, because packs more action and more breathtaking images. Casting is frankly well, along with distinguished players, Robert Carlyle, Catherine McCormack, Rose Byrne, Harold Perrineau, appear young promises,as Imagen Poots and Mckintosh.Nice cinematography , using steadycam and photographed in videotape by Enrique Chediak. Atmospheric and haunting musical score by John Murphy ,composed in the same style from '28 days later'by Danny Boyle(also producer along with Alex Garland) . The flick is surprisingly realized with startling visual style by Juan Carlos Fresnadillo(Intacto). Rating : Better than average, this horror story will leave you stunned.
Not as strong as 28 Days Later, that's for sure but a rating of 1,2, or 3 for certain is undeserved and no serious rating. Some logic issues, yes, but still better than 90% of the movies published under the banner of the zombie/walker genre. I watched tons, and I know what I am talking about - 28 Weeks Later, good, but could have been much better with a more plausible story and with less ueber-life dramatic action scenes (like that car chase and poisoning gas in the streets).
A sequel to 28 days later and you don't need to watch it to understand this one. The infection has died off and the UK population has been reduced to a few, being backed by US forces living on the Isle of dogs in London. We follow one family haunted by what they saw in the outbreak, some of these demons return. You rarely see the aftermath of an apocalypse with this interesting premise and conflicted characters it really starts well. But once the inevitable returns so does the usual clichés in this genre.
Having seen 28 Days Later I thought I was prepared for this, but I was not. Somewhere near the beginning of the film is a scene that goes from zero to psycho in about 2 seconds flat. The beginning of 2004's Dawn of the Dead also had a wildly chaotic kick-off scene, but unlike that film, which was a great film to laugh through while chomping your popcorn, this film is no laughing matter.
When there's no violence, there's fear and tension.
When there is on-screen violence, there is absolute shock and horror. Scene after scene shows ordinary people placed in impossible situations from which they cannot escape. This time, of course, there now two implacable predators out there hunting them down: the rage virus from the first film, and the military which is attempting to maintain control of any outbreak, but is willing to visit unspeakable horrors upon innocent people if they cannot keep that control. The horror and scale of the virus is so severe, that the plans the military implements are completely plausible.
The actions scenes are masterfully done, effectively placing the viewer in the points of view of both the victims and the crazed, but still scarily human, zombies. The portrayal of the violence pulls no punches; people of all age groups and walks of life are destroyed without remorse. No attempt is made to soft-pedal it. The fragility of human life on Earth and its vulnerability to just the right nasty virus are thoughts that stay with you after you've left the theater, and add a nice "after taste" of fear. The soundtrack, as with the first film, is amazing in conveying the tension and dread and sadness of the scenes. The story is fairly tight, as well. My only complaints might be with the acting of some of the soldiers, which just didn't feel authentic to me for some reason.
Overall I'd say this is one of the best zombie films I've ever seen, in fact, one of the most effective thrillers I've seen, as well.
When there's no violence, there's fear and tension.
When there is on-screen violence, there is absolute shock and horror. Scene after scene shows ordinary people placed in impossible situations from which they cannot escape. This time, of course, there now two implacable predators out there hunting them down: the rage virus from the first film, and the military which is attempting to maintain control of any outbreak, but is willing to visit unspeakable horrors upon innocent people if they cannot keep that control. The horror and scale of the virus is so severe, that the plans the military implements are completely plausible.
The actions scenes are masterfully done, effectively placing the viewer in the points of view of both the victims and the crazed, but still scarily human, zombies. The portrayal of the violence pulls no punches; people of all age groups and walks of life are destroyed without remorse. No attempt is made to soft-pedal it. The fragility of human life on Earth and its vulnerability to just the right nasty virus are thoughts that stay with you after you've left the theater, and add a nice "after taste" of fear. The soundtrack, as with the first film, is amazing in conveying the tension and dread and sadness of the scenes. The story is fairly tight, as well. My only complaints might be with the acting of some of the soldiers, which just didn't feel authentic to me for some reason.
Overall I'd say this is one of the best zombie films I've ever seen, in fact, one of the most effective thrillers I've seen, as well.
¿Sabías que...?
- CuriosidadesIt is stated on the DVD extras that all the actors who are playing infected people come from a "movement background": they have a history in dance, gymnastics, circus or mime. They also followed workshops to learn more about the infection and what they were supposed to do.
- PifiasThere is no security of Alice's quarantined room. No guards, not even a single security camera. Don is not scrutinized when he enters her room. The Americans did not even know there was a danger until bodies were found when the now-infected Don escapes. The entire outbreak hinges on this major oversight.
- Créditos adicionalesLike the first film, there are no opening credits of any kind once the company logos have appeared. Also like the first film, the title of the film appears only as a descriptive subtitle.
- Versiones alternativasThere is an alternate version when Andy is sitting in a subway station and a train comes with all his undead or uninfected family and he gets on but then it is a hallucination.
- ConexionesEdited into Cent une tueries de zombies (2012)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Exterminio 2
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 15.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 28.638.916 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 9.807.292 US$
- 13 may 2007
- Recaudación en todo el mundo
- 72.304.846 US$
- Duración1 hora 39 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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