Pu-239

This movie was OK. It was not quite great, but interesting enough to be a bit above average. It starts out great, but then settles into a kind of blandness for the rest of the film.

Basically, the movie is about a man who is exposed to a lethal dose of radiation in a nuclear power plant in Russia. Knowing he is going to die soon, he absconds with a small amount of plutonium and attempts to sell it on the black market ... all to help provide for his family.

If the plot sounds interesting, the movie somehow drains the intensity out of it. The middle 90% of the movie is basically uneventful and focused on a slightly deranged mob-related fellow that the main character meets. More than anything, the movie depicts the degenerating state of affairs of two very different individuals who get linked up.

The movie is somewhat interesting and unusual, but I can't find a good reason to recommend it. If you end up watching it for a little while, just keep in mind, it won't get any better.

In Russia, the technician and family man Timofey (Paddy Considine) is exposed to 1,000 REMS (Radiation Exposure Monitoring Systems) of radiation in the nuclear facility where he works. The facility director hides the level of exposure from Timofey and tries to force him to assume the blame for the accident and puts Timofey in unpaid leave.

Aware that the exposure is lethal and feeling the sickness of radiation, Timofey steals 100 mg of plutonium and heads to Moscow expecting to sell it in the black market per US$ 30,000.00 to give to his wife Marina (Radha Mitchell) and his seven year-old son Tolya (Danya Baryshnikov).

Meanwhile, the smalltime criminal Shiv (Oscar Isaac) and the gangsters Vlad (Jason Flemyng) and Yegor (Jordan Long) need to pay US$ 6,000.00 to the powerful mobster Starkov (Steven Berkoff) in 72 hours. When Shiv meets Timofey trying to sell the PU-239, he sees the chance to pay his debts and make some money. But he is incompetent and gets in trouble with powerful mobsters.

"PU-239" is a dark and depressive story about a family man that is exposed to lethal doses of radiation. His desperation with his situation leads him to try to raise money to improve the lives of his wife and his son selling plutonium that he has stolen from the nuclear plant. But his useless associate is unable to sell the good. The result is tragic and ironic, with a questionable black humor, in a weird combination of drama and comedy. My vote is seven.

Title (Brazil): "PU-239"

PU-239 is one of those movies where you find yourself without much to say about it. Paddy Considine, Oscar Isaac, Stephen Berkoff, and Radha Mitchell give decent performances and the film is not badly directed, but what cinema should do that PU-239 does not is leave you with a passionate reaction. I found that after having watched it, it was more like it was something on a list that I could check off and move on rather than an experience or an entertainment. It isn't even boring. It just doesn't reach. That's the reason why one feels so indifferent towards it. The plot is interesting:

Considine plays a family man who works at a top-secret, worryingly shabby plutonium plant in a Russian town after the fall of the Soviet Union, and he's exposed to radiation while trying to stop a malfunction. The facility's managers try to convince Considine and also themselves that his exposure was a survivable 100 REMs, while accusing him of sabotage and suspending him without pay, but his colleagues help him discover the truth, which is that he was exposed to ten times the amount of radiation that the managers maintained he had. It's stated by one character in the movie that people in Hiroshima were exposed to less.

So, with only days to live, and not letting his wife, played by Mitchell, know of his fate, Considine goes to Moscow. He hooks up with a small-time gangster, played by Isaac, who is in a great predicament himself, in hopes of finding someone to whom he can sell a vial of weapons-grade plutonium he has stolen from his plant so that he can send money back to his family to secure their future, though he states various times that his town is not on the map, which makes it unfeasible to send his letter home, much less any money. What's interesting about the dynamic between Considine and Isaac is that they never really form a bond, one being earnestly cooperative in his final days of life and one being frantic for his own interests to survive an almost as likely fate. Yet, they both have the interests of a wife and child in mind and have the same drive under those circumstances.

But the Russian mobsters are too cinematic for a story as real and historical as this one. They do things only Guy Ritchie, Quentin Tarantino, and David Mamet characters do, especially Isaac's boss, who delivers a silly, unrealistic monologue when he first appears that in reality would have his listeners lost.

This is not a bad film. It just minimizes the effect it could've had.

I don't know what it is this weekend, but I have tasted films from France (La Haine), Korea (Boksuneun naui geot), Canada (Eve and the Fire Horse), and now, Romania, albeit a US film. Three have revenge themes, two have multicultural themes, two deal with needed kidney transplants, and they all deal with family. There are many things in these films that make you want to think and think hard. Sure, there is also a lot of humor, but it never gets in the way of the themes.

Paddy Considine (The Bourne Ultimatum, Hot Fuzz) gets screwed big-time at work. He is exposed to 1000 rems of plutonium. He knows he only has days to live and his bosses are not interested in doing anything but covering their butts. Sound familiar? Anyway, he steals 100 grams of PU-236 to help his family.

At the same time, there are three low-level thugs who are also dying. They have 72 hours to pay off the big boss for their mistake. One of them, Shiv (Oscar Isaac) comes in contact with Timofey, and stumbles through a plan to solve both their problems.

A comedy of errors ensues with Shiv's partners, Jason Flemyng (The Red Violin, Transporter 2) and Jordan Long. These two are just about the dumbest thieves in the business and they get a fantastic high at the end that will have you rolling on the floor.

Comedy and tragedy mix well in Scott Z. Burns's (The Bourne Ultimatum, An Inconvenient Truth) film. It is a shame that it probably won't get a theatrical release.

And, it's a real treat to see Radha Mitchell (Silent Hill, Man on Fire).

I had great expectations for this movie. The story was promising and I thought that the great Paddy Considine as the protagonist would mean a compelling execution.

This is basically two different movies edited together. One part is great, the other not so much.

There are some great scenes in the first half of the movie. But the script is honestly a terrible mashup. It starts as a heartfelt dramatic depiction of a family cast into great troubles but then out of nowhere appears a bunch of thugs that even Guy Richie cut out for being too ridiculous. Considine together with parts of the cast are great, doing the best of the disjointed and sometimes plain stupid script. However, not even he can save this movie.

The writer/director very much would have needed a producer that could tell him to get his stuff together. Trying to combine drama and stupid dark comedy doesn't work unless the director is a genius. Scott Z Burns is not a genius.

Also, please lose the stupid "russian" accents.