Do Not Resuscitate
- El episodio se emitió el 23 ene 2000
- TV-MA
- 51min
Añade un argumento en tu idiomaJunior leaves prison due to ill health and placed under house arrest, while Livia's health also declines. Pussy begins talking with someone interested in learning more about Tony.Junior leaves prison due to ill health and placed under house arrest, while Livia's health also declines. Pussy begins talking with someone interested in learning more about Tony.Junior leaves prison due to ill health and placed under house arrest, while Livia's health also declines. Pussy begins talking with someone interested in learning more about Tony.
- Dirección
- Guión
- Reparto principal
- Matt Bevilaqua
- (as Lillo Brancato Jr.)
- Reverend James Jr.
- (as Gregalan Williams)
- Bobby 'Bacala' Baccalieri
- (as Steven R. Schirripa)
Reseñas destacadas
This is an intriguing and reflective episode with a number of memorable moments.
The interaction depicted between two very self-serving characters feels somewhat entertaining as it sets up a potential clash of the titans. However, when I remind myself of their relationship to each other it ultimately feels sad to watch such poisonously mistrustful and calculating behaviour. Especially when you know of people and relationships similar to this in real families.
As ever, there are plenty of enjoyable moments, particularly when Janice shares the screen with Tony. Aida Turturro once again makes a very recognisable type of character, who should be deeply unlikeable, quite amusing during her interactions with James Gandolfini.
Tony's fondness for the past and the older generation is a strong theme in this episode. Ironically the two characters depicted in his life from the 'Greatest Generation' previously conspired to kill him. This concept still amuses me on what is my forth rewatch of the episode.
Dominic Chianese has a great episode showing some of the frailties of old age. One scene near the end connects with me as it reminds me of my own father in his later years, particularly with his defiance.
As a story 'Do Not Resuscitate' is mostly character-driven, but there are some small but important plot moments that have a big effect on the overarching narrative of series two.
For me the stand out performance is Nancy Marchand who continues to make Livia compelling to watch.
For me it's an 8.5/10 but I round upwards.
James Gandolfini is, as ever, a compelling, larger-than-life presence who has some great scenes with Aida Turturro (the self-serving Janices' true intentions are made clearer here, as she determines to move Livia back into her old home) and the excellent character actor Bill Cobbs. We can see that Tony quickly develops a respect for Cobbs' character, as he does in general for the older generation. All in all, 'Do Not Resuscitate' is very affecting as it depicts the ravages of old age. Especially touching are late scenes with Junior as he will require some immediate medical assistance.
One thing I really liked was seeing just how sly Tony is; one revelation was particularly rich.
A number of the regular cast members are not seen here, or are seen fleetingly, but typically solid writing & acting makes you realize that you're still not missing anything.
Eight out of 10.
¿Sabías que...?
- CuriosidadesWhen Anthony Jr. goes to visit Livia at the hospital she comically complains to him, while watching Emril Lagasse, that he doesn't wash his hands when cooking. In a later episode of his cooking show Lagasse made it an obvious point to wash his hands hoping that the mean lady from the Sopranos would now leave him alone.
- PifiasIn the extreme closeup of Livia's forehead when she's in the hospital bed, you can clearly see the criss-cross pattern of the base of the wig she's wearing.
- Citas
Protester: We want to talk to your foreman.
Christopher Moltisanti: You want to talk to the foreskin?
Protester: You're a wise- ass motherfucker.
Christopher Moltisanti: Well keep your mother off the streets then I won't fuck her.
- ConexionesFeatured in The 52nd Annual Primetime Emmy Awards (2000)
- Banda sonoraGoodnight, My Love
(uncredited)
Music by Harry Revel
Lyrics by Mack Gordon
Performed by Benny Goodman with Ella Fitzgerald on vocals
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración51 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
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