Bienvenidos al Norte

This movie is easily the best French film that has come out in the last years. It is an excellent comedy with the two great actors Dany Boon and Kad Merad but the movie has also its philosophical, dramatical and sad parts.

This movie is extremely funny, it is really difficult to make me laugh but this film made me laugh really hard several times. The best examples are when the postman and his director are having some drinks with half of the town while they deliver the letters or the scenes in the old mining town of Bergues, This movie is extremely touching and emotional. When the excellent Kad Merad tells his new partners and friends about his lies and mistakes, you feel really sad and ashamed for him. The movie's finale is also very emotional and a perfect and really philosophical conclusion.

But the real star of the movie is the whole region, the Nord-Pas-de-Calais, where this movie is settled. This film presents strange and funny accents of the Sticks, their historical and charming towns, their way of living and thinking, their relation to the other parts of France and the clichés and prejudices about both sides. The Nord-Pas-de-Calais is more than just a part of France, it is a country within a country and a culture within a culture. I have been in this region for some weeks during an exchange program and I can tell that those people living there are mostly open-minded, very sympathetic and have many reasons to be proud of their region. I really like this movie as it reminds me of a few very positive and unforgettable memories. And I like the movie because it is different and finally a French film that doesn't present us Paris over and over again. The France is way more than just Paris and there are many beautiful and unique regions and people to discover and this successful and charming movie shows this to all the people out there.

For everyone that is interested in a touching, emotional and simply profound comedy movie or anyone that likes foreign cultures and lifestyles, this unique movie is an absolute masterpiece. I hope that other French regions will follow this example and make similar movies in the future and take the focus off Paris a little bit.

Finally a movie that is not the usual American comedies! Not judging the American comedies of course, I love them, but is a different movie for you to watch. Incredible story, different story, and really funny.

I would say that this movie is in the best ten comedies i've ever seen. A lot of adventure, comedy, a little drama, but amazing to watch.

I started watching this movie with no good expectations about it. I taught- French aren't funny- turns out they are really funny.

Again, don't listen to the bad reviews about this movie, even if you do, there's not much bad reviews about it(that's how good it is).

Be prepared for a good french movie. Good film!

A Parisian husband who is transfered to a town in north of France carrying a negative image about its people, but then he realizes the truth of his misperceptions.

The plot is kinda simple yet fun depicting stereotyping and friendship in a sweet and lovable way.

I really felt for the climax as I am one who is really attached to people and places. What helped more to enjoy WELCOME TO THE STICKS (BIENVENUE CHEZ LES CH'TIS) is the incredible work for the subtitles which captured the essence of scenes where different dialects have a role in the plot for non-French speaking.

Of course it's not a deep film, but nor is it pretentious. It might also not please everyone - if you don't want to have a good laugh, or if your French is challenged, you could find it dull. But true laugh-out-loud comedies that feel genuine and refreshing (like this one) instead of grotesque and vulgar are few and far in between. Moreover, and even more rare, the whole audience - me included - seemed to be howling in laughter, not just three people making a lot of noise.

While the pun is largely based on the local "ch'ti" dialect, it is not limited to it and humour works throughout, well timed and mastered by the actors. The dialect itself was ably used, and the audience are introduced to it nicely. Boon is wonderful, both touching and funny, and Kad Merad delivers a nice performance. More than the dialect or the actors, the region itself and its people are beautifully pictured, and the spirit is well captured. Clichés are used for comedic purpose, and are dispelled instead of being woven. Amateurs will also find an incredible short appearance by Michel Galabru (my favourite part of the film). The film never aims to be realistic, and never seems pretentious, but the feel of Northern France is genuine.

In the end, it is a truly pleasing film: funny, true to itself, fresh and nicely French (but not the part you are most used to seeing) is what you should expect.

With 17 million viewers, the 1966 comedic hit "La Grande Vadrouille" reigned on the French box-office for more than four decades. But the king was finally dethroned by a sleeper hit with a catchy title "Bienvenue chez les Ch'tis", starring Dany Boon and Kad Merad.

Both actors aren't on the same league than the iconic Louis de Funès and Bourvil duo. Yet for some reason, the film met with immediate success thanks to … call it as you want, Internet, buzz, word-to-mouth … something that definitely touched the hearts of 20 million viewers, one third of French population, which makes me realize that "La Grande Vadrouille" proportionally did better.

But let's not pollute this review with numeracy, like I said for "Intouchables", the film benefited from the virtual circle of success, becoming a phenomenon, something people came at less to see it, than to see what's so great about it. And as an aspiring film-maker, I've got to hand it to Dany Boon for having have made a film with such an effect. Where "Welcome to the Ch'tis" worked, many others have failed, especially those that tried to follow some guidelines for a successful comedy, I guess what the "Ch'tis" have is called sincerity and good intentions, a sort of Capraesque 'feel-good' quality, praising the unique charm of small little towns and their caring and loving inhabitants.

It's sincere because the film is set in the North, which is to France what the Midwest is to USA. To avoid repetition, I invite you to check my review of "Les Tuche" to get my idea about the region. Anyway, "Ch'tis" (referring to the inhabitants) had a story to tell, the story of a cocky and arrogant manager sleeping on the laurels of his success under Mediterranean sun until he's 'promoted' to the North, a place full of hard-drinking rednecks with incomprehensible accents, and a sky depressingly gray. The film does exaggerate the reputation of the North and make it sound like a sort of doomed place, I guess this is to be taken in a humorous light, a running gag that should have culminated with Michel Galabru's cameo, describing with his Southern accent, North as if it was a haunted mansion.

But as the singer said (quote from the 'Tuche' review) : "People from the North have in their eyes the blue lacking in their setting and in their heart the sun that is not shining". And that's the shining Philippe (Kad Merad) will discover. It's a coming-to-realization that thankfully happens very quickly, revealing that the man was prejudiced but not a bigot, he was probably troubled by his marital problems and sleeping in the house of his employee, a gentle postman named Antoine (Dany Boon) didn't help, nor facing the menacing stare of his mother reminding me of Agnes Skinner, and played by one of the most defining figures of the North: Line Renaud.

The breakfast is rather disastrous full of Maroualle (a particularly smelly local cheese) cheap coffee, and a series of dialogs whose accents are, so to speak, accentuated to have the same effects on the laughs. My wife, coming from the North, laughed more than me. There had to be a film about the Ch'tis, a sort of adventure in a new world with a heart inside. The ice is finally broken when Pierre decides to follow Antoine during his workday, to prevent him from drinking, naturally he ends up as drunk as him, contributing to the film's defining picture, an enchanting moment of male-bonding, friendship and mutual understanding. I can't blame a film for trying to evoke so many positive feelings.

But the plot weakens when Philippe tries to hide the truth from his wife (Zoé Felix) and to make it worse, she decides to visit him, and then comes a sequence belonging to another film, where all the local people act according to the very stereotypes that insult them, and the wife buys it (not too long, but still). Since the point is to prove that they're not dumb dim-witted people, would they take part of such a senseless joke if they weren't? The climax occurs when Antoine finally find the nerve to declare his love from the belfry where he works as the bell-ringer (what was so difficult anyway?), and as if Phillipe's bell was rang in the same time, he takes the trademark Post yellow trunk to the South in order to apologize to his wife. This is when the film gets too conventional for such a hit, and I felt like cheated a bit.

But I could have forgiven that if it wasn't for one thing, one thing the film lacks: a punch line. There's no comedy without a simple joke, a smile, a laugh at the end, but as if we hadn't enough emotions, it had to feature the cringe-worthy sight of Philippe weeping like a kid. And Antoine's triumph "see, we cry twice, when we come and when we leave", all right, when he told him that on the beach, we could see that coming from a mile, so why not just make an effort to surprise us? A film that ambitious could have at least been kind enough to have a small, a frail, a timid little twist. It's unfortunate when the funniest scene of the film I spoil (let's just say, it features a wheelchair) happens so soon in the beginning.

And the polemics raised when the film only grabbed one nomination for Best Screenplay earning the Academy of Césars an accusation of snobbishness, against popular cinema, which is not totally untrue, but still, how many nominations "The Visitors" had, or "Amelie", or "Intouchables" these are far superior film that deserved to be the number one. "Bievenue Chez les Ch'tis" was probably released at the right time, about the right place, and its genuineness touched people. But this is far from being the greatest French comedy ever, simply the highest-grossing.