So Long, Marianne

So Long, Marianne (2024) is a refreshing love story that steps away from the typical Hollywood formula. This series beautifully captures the highs and lows of a genuine relationship, portraying both the joy and the inevitable struggles of love. From the first episode to the last, I was captivated by the authentic characters and their emotional journey, which felt raw and relatable. The non-Hollywood setting adds to its charm, offering a unique visual and emotional experience. For those seeking a heartfelt, real romance, So Long, Marianne is a must-watch, showcasing love in all its raw, imperfect beauty.

We Norwegians who love arts have read about the love story between Marianne Ihlen and Leonard Cohen. And it made us proud that a song is about her. This movie is beautifully made, it is in beautiful settings with much deeper emotional flavour. I would say that his music and the characters and their feelings are so skillfully interwoven to a beautiful love story. I really hope that this series shall be bought by good streaming Chanel so many more people could enjoy it. I just have to say that this may be the most sincere and magical movie of love and it shadows I have seen for long time. I do recommend it a lot. But I have a bias since I love his music, I am from Norway and I enjoy psychological romances.

This one might have been great if it had been 5 or 6 episodes, instead of 8. Not that it's bad. The acting and cinematography are both excellent. Alex Wolff and Thea Sofie L. Næss do great jobs in the lead roles. The visuals and period details are beautiful.

However, as so often with shows nowadays, the material is stretched out, meaning too much repetition.

Plus, the episodes too often end abruptly, not really being stories of their own. A series isn't meant to be just a long movie divided up. See "The Crown" and you'll know what I mean. In "So Long..." the exception is Chelsea Hotel, by far the best episode. The two last ones, penned by Jo Nesbø, are in general the best. The dialogue also picks up here and becomes more realistic and witty.

If you're a fan of unhappy love stories or, like me, the inimitable Leonard Cohen, you might enjoy this. Just be aware that this is a young, hormonal, and immature version of Cohen. I always argue you should never have idols - you'll be disappointed - but this made me realize I had put him on a pedestal as the quintessential Good Person. Turns out he was a human being.

The series follows young Norwegian Marianne Ihlen as she travels to a Greek island with her husband, a lying, abusive, womanizing artist. She then leaves him for a sweet, depression-prone, womanizing artist. Oh, and both guys keep leaving her, a LOT.

They leave her and come back, Leonard plays with Little Axel and says something lofty, their friend Charmian talks dramatically about her wasted life, Leonard gets advice from Stellan Skarsgård. Repeat.

Seriously, the play scenes are cute, but half of them could have been cut. Same with Charmian's monologues. I missed actually seeing what she talks about, as well. Several times she says the local islanders have started to hate the foreign bohemians, but we never see it.

Along with this they all consume an unbelievable, ridiculous amount of cigarettes, drugs, and alcohol. I know there really was a lot of drug use, but this veers into parody. It's a wonder these people didn't die of acute poisoning.

To sum up, it's a decent show which, with some cuts, better pacing, and slightly better dialogue, could have been really great.

The ambiance and acting is just beautiful. Alex Wulff perfectly captures Cohens melancholy and quirky sense of humour while also looking exactly like him . Thea Sofie Loch Naess does a great job as his nordic muse and partner of nearly ten years. She might be the love of his life,but hopelessly lost in the waters behind a person on his way to legendary stardom. The settings and locations span from picturesque Hydra in Greece to cold and conformed Norway,where Leonard was the stranger,to even more conformed traditional Montreal where Marianne finds herself confronted and confused by the conservative Jewish values that have a tighter hold over Leonard than she previously could grasp back in the neutral free Hydra. I hope Cohen lovers find this.

I have just returned from a long awaited pilgrimage to Hydra to follow the footsteps of Leonard, Marianne, Charmian, George etc. We were not disappointed as, despite the large tourist numbers, the island still maintains its charm and authenticity. The series captures the island's beauty & mystique almost perfectly. Unfortunately, the casting of the male leads is responsible for its downfall. Alex Wolff is no doubt an accomplished actor & musician, but he lacks the aura and charm of the man he is portraying. The same can be said of Axel senior. His ability to charm and bed any female of his choosing is hard to comprehend when watching the portrayal by the young Danish actor. Likewise, fellow Aussie Noah Taylor is a much lauded actor, but he neither resembles or conveys the character of author George Johnston which I perceived from my own research. I know at least two other LC fans who stopped watching the series because of the lack of beleivability of the male leads. I've been fortunate enough to attend three live performances by LC which I shall always cherish, but I leave this series with the thought that it was a missed opportunity.