Nacidos en China

Greetings again from the darkness. You'd be hard-pressed to name or find anything cuter than a baby Panda, and the folks at Disneynature don't hesitate in taking full advantage of our affinity for such fuzzy black and white cuddliness. Am I upset with them after watching this documentary? Only because they periodically cut away to a herd of antelope.

This is the next in a line of Disneynature films dating back to 2007 (Oceans, Bears, African Cats) that usually hit theaters in close proximity to Earth Day. This particular screening was also affiliated with the inaugural year of EARTHxFilm, a Dallas-based festival dedicated to all things nature, natural and earthy. Acclaimed Chinese director Chuan Lu and his photography crew take us into some stunning wilderness areas and parts of China that we rarely, if ever, get to see … all to witness intimate wildlife moments in shockingly close proximity.

If what comes to mind are those charming Disney animal features from the 1960's – the ones that featured the great Rex Allen as narrator, you're in for a surprise. Hey, I loved Charlie, the Lonesome Cougar and Yellowstone Cubs as much as the next kid, but rolling down a leaf-covered hill with a baby Panda that can't walk yet is a whole new level of awe. Watching a mother Snow Leopard (what an incredible creature!) hunt so her two cubs can eat takes us to the highest standard of respect and admiration for this elusive species. Heck, even the rebellious Golden snub-nose Monkey teaches us about family and community within the monkey world … and how they don't appreciate cold weather any more than I.

Director Lu provides a loose ancient Chinese structure to the film by explaining that every time a crane takes flight, it's believed to be relocating the soul/spirit of one dying being into that of a newborn. The spectacle of watching these creatures majestically soar through the orange-sun soaked sky is merely one of the many breathtaking examples of spectacular photography during the film. We are bounced between mountains and forest and rocky vistas and are taken closer than you've ever been to a Great Panda scratching her baby, a Snow Leopard on the prowl, or a monkey rescuing his baby sister from an ominous winged predator. The only downside for grown-ups is the over-narration from John Krasinski, an admitted necessity for the youngsters in the audience who will appreciate the one-liners that go along with the cuteness. In Disney fashion, most of nature's violence takes place off screen, but what we do see are parts of nature that will amaze.

Be sure to stay for the closing credits for a glimpse at how the photographers managed to get some of their shots – as well as how they sacrifice for their work.

The DisneyNature documentaries are interesting enough though some are better than others, for examples 2011's 'African Cats' being very good and 2020's 'Elephant' being a let down. The most common plus points being that they are all amazingly photographed and the scenery and animals are every bit as awe-inspiring. But when it comes to narration (writing and delivery) and tone the documentaries vary in quality, some work and others don't.

2016's 'Born in China' is one of the DisneyNature documentaries that could have been a lot better and didn't work as well as it ought to have done. The production values are extremely high but when it comes to the narration (John Krasinski on paper sounded wrong narrating a nature documentary so that already raised alarm bells) it is near-disastrous all round. As far as they go, 'Born in China' is in the lower end and am saying this with regret, being a fan of both Disney and documentaries.

'Born in China's' best aspect is the photography, which is nothing short of stunning. Likewise with the scenery, where the colour literally bursts out while also showing that the habitats can pose challenges for the animals. The music is grandiose without being over the top, while having some nice variety of tone.

In terms of footage, the footage visually is a wonder and unlike anything seen before by me. The animals, a nice mix of familiar and not so much and a mix of prey and predator, look photogenic and have a lot of personality that is more than just cute (quite wide-ranging and individual).

So sad though that the narration and the pace are massive minus points. The writing of the narration, as well as too talky, is very childish, if it was trying to appeal to younger audiences it was taken to extremes here, and tends to have a talking down to people quality. There is little sincere about the content and nothing struck me as illuminating, not to mention like some other DisneyNature documentaries it has a bad habit of over-explaining what's going on in a contrived way. And then it was delivered by Krasinski in a way that does not fit with what is going on in the imagery, even for the writing it was like he was acting out a mild comedy sketch, and is well over-the-top.

Pacing is pretty poor in 'Born in China'. It feels incredibly rushed, as a result of being far too short (it needed to be at least 15 minutes longer) and trying to squeeze in too much content. As incredible as the footage and animals took, not enough time is taken to explore them properly, very "talk about one thing and then a few minutes later literally jump to another" quality. The editing also tended to be too gimmicky and choppy, with a feeling of incompleteness. 'Born in China' tonally is a muddle, we have childish narration and then we have scenes that will disturb younger viewers and make adults understandably question the target audience. The storytelling is too contrived, too underdeveloped, too rushed and at times too schmaltzy to allow me to invest emotionally in what was going on.

On the whole, a disappointment. 4/10

I got to see a special advance screening of this movie 6 months before its US release. I may mention certain specific moments of the movie, but I won't spoil anything.

One of the producers came onstage before the movie started and talked about how it took 4 years to film everything and then they edited everything together to form each of the stories. This is noticeable in at least one scene where it cuts back and forth between a panda and red panda to imply they're looking at each other, but that's the only noticeable instance that comes to mind.

Among all the animals they filmed, the three main stories center around families of Pandas, monkeys, and snow leopards. The narrator tries to anthropomorphicise everything the cute furry animals do. I know other nature documentaries sometimes do that, this one does it a lot, trying everything to make it more emotionally relatable, and I guess for the most part it works, but it might get a little annoying at parts.

Speaking of the narrator, I assume there was a technical difficulty at my screening since there was no narration for the first 10 minutes, then all of a sudden he started taking as if we already knew who the animals were. What's up with that?

It sorta goes without saying that the landscapes are beautiful and the footage is impressive. What really sets this film apart is how much footage they got of the snow leopards. If you didn't know, snow leopards are very rare and notoriously difficult to photograph, let alone film. Even Planet Earth didn't get anywhere near as much footage, or as close. I'd say this movie is worth checking out just for the snow leopard footage alone.

It's difficult for me to give nature films a numerical rating since they're so different from traditional movies, so all I can really say is its pretty good. I gave it a 7/10 because I ranked every movie I've seen in theaters in 2016 from best to worst, and this movie falls in the 7/10 block for me.

The cinematics were beautiful, but that was the movie's only good part. The rest just focused on the made up struggles of cubs and parents. This was so stupid though, since they made the cubs super angsty and the parents super mean. The worst part was the parts where they gruesomely focused on the deaths of the animals and then went on to recite some stupid saying about Chinese yin and yang and then that's it. Overall absolutely terrible, there are much better nature movies.

Disney: Nobody does it better, capturing nature seen for the first time by the general public. In Born in China, cuddly Pandas are featured along with a sleek snow leopard, young monkeys' business, and yak moms. Not to forget an occasional goshawk picking off careless youngun's even though more often than not the babies get away.

Yep, that's Disneyfied reality, keeping things sweet until it's necessary to do a reality check that is nonetheless about as sanitized as a Mormon cathedral. None of this visual manipulation is as distracting as the verbal honey director Chaun Lu and writers spread on John Krasinski's grade-school narration.

Touching moments abound, especially the family play and eat times. Making this documentary acceptable for the whole family are benign Darwinian search-for-food segments that may mislead children to think Tennyson was a blowhard when he called Nature "red in tooth and claw." The narration couches the rough moments in the usual Disney circle-of-life motif. It's beautifully- photographed propaganda for Mother Nature.

Regardless, it is gorgeous in a Disney way, bereft of the trauma the world faces every day. Go, if you will, just for the Chinese landscapes—they're impressive. Otherwise, it's a feel good date