A principios de la segunda guerra mundial, un capitán de la marina sin experiencia debe liderar a un convoy de los Aliados que al que acechan una jauría de submarinos Nazis.A principios de la segunda guerra mundial, un capitán de la marina sin experiencia debe liderar a un convoy de los Aliados que al que acechan una jauría de submarinos Nazis.A principios de la segunda guerra mundial, un capitán de la marina sin experiencia debe liderar a un convoy de los Aliados que al que acechan una jauría de submarinos Nazis.
- Dirección
- Guión
- Reparto principal
- Nominado para 1 premio Óscar
- 1 premio y 24 nominaciones en total
Jeff Burkes
- Shannon
- (as a different name)
Maximilian Osinski
- Eagle
- (voz)
- (as a different name)
Dominic Keating
- Harry
- (voz)
Reseñas destacadas
Loved the authenticity and general faithfulness to the technical side of naval warfare. For me, this is a great movie, I love seeing small little details in how the captain commands his vessel, and every crewman doing their job, and quick glances to the CiC trying to keep track of enemy vessels. The movie didn't need to show the crewman following the captain around and repeating every word that Sonar/Radar reports, but it does so and adds a very nice detail that I found to be great, and also helped build the stress and tension everyone was under.
My only complaint is that the movie could have been longer. I could definately have watched a 3 hour version of this that took it slower in the style of Das Boot. Other than that, I recommend this movie for anyone that loves the more technical parts of warfare and especially naval vessels.
My only complaint is that the movie could have been longer. I could definately have watched a 3 hour version of this that took it slower in the style of Das Boot. Other than that, I recommend this movie for anyone that loves the more technical parts of warfare and especially naval vessels.
This is a movie about the procedure of command. This is an innately more complex task than the more common episodic approach that buries the procedural reality under a mask of plot and character. But this film pulls it off, largely by not shying away from the task.
Guess what? Naval warfare, especially the sort of highly asymmetric warfare shown here, doesn't really revolve around the captain demanding more speed while the engineer says she canna take it. If you're looking for a movie that's truly respectful of the labours and sacrifices made in the Battle of the Atlantic, then this is a fitting tribute.
Don't expect a character movie, don't expect to spend time below decks exploring the usual stereotypes. This movie is seen through the eyes of the captain, and the captain alone. I can think of very few other films that dare to depict the loneliness of command quite so clearly. There's little time for thought, there's no time to process or even truly grasp the horrors that they encounter (something which forms one of the roots of PTSD). What there is is the fight.
The fight is relentless and deeply technical. We've become used to fight scenes carrying a few bits of technical gibberish followed by some visceral and personalised action. There's no gibberish in this film, and the latter consists of the captain cutting his feet on broken glass. The movie, like the mind of the captain, is consumed with the intricate technical and personal demands required to hunt down a submarine at that time. That was clearly the aim here, and the movie has succeeded admirably at showing that particular aspect of this type of warfare. This is not a common way to stage a war movie, but it's worth doing well on a few occasions, and this movie achieves its goal.
The reviews show that many come looking for something more conventional, and end up missing the point, which is a shame.
Guess what? Naval warfare, especially the sort of highly asymmetric warfare shown here, doesn't really revolve around the captain demanding more speed while the engineer says she canna take it. If you're looking for a movie that's truly respectful of the labours and sacrifices made in the Battle of the Atlantic, then this is a fitting tribute.
Don't expect a character movie, don't expect to spend time below decks exploring the usual stereotypes. This movie is seen through the eyes of the captain, and the captain alone. I can think of very few other films that dare to depict the loneliness of command quite so clearly. There's little time for thought, there's no time to process or even truly grasp the horrors that they encounter (something which forms one of the roots of PTSD). What there is is the fight.
The fight is relentless and deeply technical. We've become used to fight scenes carrying a few bits of technical gibberish followed by some visceral and personalised action. There's no gibberish in this film, and the latter consists of the captain cutting his feet on broken glass. The movie, like the mind of the captain, is consumed with the intricate technical and personal demands required to hunt down a submarine at that time. That was clearly the aim here, and the movie has succeeded admirably at showing that particular aspect of this type of warfare. This is not a common way to stage a war movie, but it's worth doing well on a few occasions, and this movie achieves its goal.
The reviews show that many come looking for something more conventional, and end up missing the point, which is a shame.
Not sure why there's so much criticism. This was a thoughtful showing of what must have been a terrifying time for all the crews in the Atlantic
It gave us nothing more than getting straight to the point kill or be killed in 24 hrs and to think the reality would have gone on for weeks .
I thought the effects were great and the realism worked well , really saw what a cold , wet and very hostile place and they were stuck in a very cramped tin tub without a break .
Because it was only about a day then the film is kept very short , especially compared to most nowadays.
Just watch and enjoy and thank it will never be like that for any of us
Tom Hanks is like a fine wine; he gets better with age. He was very entertaining when he started out several years ago, and now he is as good as any actor in Hollywood. And now, he is also an accomplished screenwriter. He did a great job with this one, and I look forward to his next work. Greyhound is about a convoy vs a wolfpack of German subs. Simple story; complex features. The cinematography and pacing is first-rate. Thankfully, the film is not bogged down by romantic devices often found in WW2 films; it is strictly meat and potatoes warfare. Don't miss this one, and don't forget the sacrifices that generation made for us.
I served on a destroyer during the Korean War. This movie really captured the excitement of being on the bridge during convoy duty.
¿Sabías que...?
- CuriosidadesWhen the Captain refers to "Huff-Duff," he is referring to high-frequency direction-finding. This was a key method of how Allied naval forces detected and tracked German U-Boats: the Kriegsmarine's U-boat fleet maintained a high amount of radio traffic with its shore command and with each other for their Wolfpack tactics against Allied shipping. Huff-Duff allowed Allied naval ships to detect those radio transmissions and determine the ___location of those transmitting ships to attack them.
- PifiasOne of the German U-boat commanders taunts Greyhound over the radio. This would never have happened in reality. Each Navy ship had a radio signal direction finder and if a U-Boat broke radio silence, triangulation would reveal its exact position.
- Créditos adicionalesDuring the first part of the end credits, some black and white WW2 era clips are shown.
- ConexionesFeatured in Half in the Bag: Blumhouse's Dirty Secret (2020)
- Banda sonoraIt Came Upon A Midnight Clear
Public Domain
Arranged by Bill Cunliffe
Performed by Bill Cunliffe
Courtesy of Black Toast Music
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- How long is Greyhound?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Greyhound: en la mira del enemigo
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 50.300.000 US$ (estimación)
- Duración1 hora 31 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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