Atormentada por una pesadilla violenta recurrente, una estudiante universitaria regresa a casa para encontrar a la única persona que puede romper el ciclo y salvar a su familia del horrible ... Leer todoAtormentada por una pesadilla violenta recurrente, una estudiante universitaria regresa a casa para encontrar a la única persona que puede romper el ciclo y salvar a su familia del horrible destino que inevitablemente les espera.Atormentada por una pesadilla violenta recurrente, una estudiante universitaria regresa a casa para encontrar a la única persona que puede romper el ciclo y salvar a su familia del horrible destino que inevitablemente les espera.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 nominaciones en total
- Aunt Brenda
- (as April Amber Telek)
Reseñas destacadas
When you make an instalment 14 years after the last, there's probably a sense that you have to do something a little different in order to justify it. And this film does mix the formula up - slightly. Just enough that it feels a little different, but not enough that it really alters the formula we have come to know and love.
The opening scene in this movie was really good. It was lengthy, fairly creative and had some great individual kills in the mix. From there thing go into a lull for a while, allowing the story to set itself up. Then the film goes bananas the rest of the way and we are treated to brilliant kill scene after brilliant kill scene. There are some really good ones in this film.
One thing that was a problem here - and something that has plagued the series in almost every film - is that it is riddled with unlikable characters. I can only think that's being done intentionally at this point to make people feel disposable and like no one is safe, but I can't help but feel the films would be slightly more impactful if the characters were a bit more likable overall.
All in all though I would say 'Final Destination: Bloodlines' was a lot better than it had any right to be 25 years after the original. 8/10.
It such a wistful moment because this was Tony Todd's last film and was extra impactful because it almost looked as if Tony broke the fourth wall and spoke directly to the audience. It was an extremely poignant moment, especially since Todd appeared to be in such ill health.
We all know the general premise by now - cheating death just delays the inevitable.
When a woman named Iris saves hundreds of people from death in a space needle like structure that's about to collapse what happens is that they eventually die but it takes decades instead of days and Grandma Iris's family is now on the chopping block. Her granddaughter Stephanie has been having these insane nightmares about her grandmother's death in the tower and when she goes to see her, Iris tells her that you can cheat death, but you can't escape it.
And well, you can't.
This sixth installment in the final destination series ranks up there with the logging incident in the second installment. The opening scene of carnage is nothing short of amazing and superbly well-crafted and choreographed and funny and, thankfully, the perpetrator who caused all the damage was immediately rectified. 71-year-old stuntwoman Yvette Ferguson came out of retirement for a fire stunt in the premonition scene, which some believe to be a world record for the oldest person set on fire on camera.
Let's face it, at its core, the final destination movies are Rube Goldbergesque slasher films, but this one really had the best sense of humor of all the films in the series. Whereas the first few movies had scenes in which you would laugh out of relief this movie has scenes that genuinely make you laugh out loud, not from relief, but because the sense of humor evinced by the writers and directors is just so spot on.
Does it break new ground? Other than the laughs it provides, probably not, but it is still a highly entertaining film.
I am going to give this an extra half star "In Memory of Tony Todd."
WATCH IT
4/5.
Let's start with the concept. Family has never been the center of this franchise. We've seen classmates, co-workers, and acquaintances on the run from death, but this time, we're watching people who genuinely care for each other fall into that cycle. That makes a huge difference. It hurts more. It hits deeper. And yeah, it makes us wonder, if it were your family, how far would you go to stop the inevitable?
Also, credit where it's due. The film tries something new with the opening accident. No highways, no planes, no race tracks or suspension bridges. This time, it all kicks off in a high-rise restaurant. That shift alone already breathes new life into the formula. It's unexpected. It's acrophobic. It's oddly elegant and terrifying at the same time. But don't get too excited, if you were hoping for the long-awaited ship or water-related disaster (like many of us were), this ain't it.
Now, let's talk about the gore. We know why you're here. And yes, the deaths are brutal. Bloody. Wild. There were moments we flinched, moments we squirmed, moments we covered our eyes and peeked through our fingers. But as great as some of those sequences were, they don't quite reach the unforgettable horror of FD 2 or 3. Why? Because it uses too much CGI. The deaths feel animated and not in a good way. There's something about practical effects that stick with you, that disturb you long after the credits roll. Bloodlines often trades that realism for spectacle, and in doing so, it loses a bit of its bite.
The suspense is honestly a hit or miss. Part of what made Final Destination so scary was how simple the deaths were. The log truck that caused generational trauma, the tanning bed that was caused by dripping water, the escalator that was merely simple but very traumatizing, the lasik eye surgery that could happen basically to anyone. They made you fear your own bathroom. But here, some of the deaths feel too 'engineered'. Like fate had to go through a hundred different steps and a sprinkle of miracles just to make them happen. That makes it less scary, less grounded. It becomes a "movie death," not a "this could happen to me" death.
And that brings us to tone. This one's tricky. Bloodlines has this weird, goofy energy that feels like it wandered in from another genre. While we have cloudy sombre mood in Final Destination 2 or gothic rock look in Final Destination 3, this one felt goofy overall. It's still horror, yes, but it sometimes flirts a little too hard with comedy and not in the smart, dark humor way. Some of the jokes land, but a few feel way out of place. Like they belong in a Nickelodeon teen movie, not a franchise built on dread and doom. It felt comical and fantasy-like. You can definitely feel the directors' Disney Channel DNA in there especially in how some of the dialogue is written and delivered (Remember, they directed the live-action Kim Possible Movie fore real). A few lines honestly made us laugh, not because they were funny, but because they felt awkwardly placed or just plain corny.
But even with the tonal whiplash, the movie does do a few things really well. The balance between drama and horror is actually quite solid in some scenes. There are moments where you do care about the characters, their grief, their confusion, their desperation. There's one particular scene involving a sibling that really tugged at the heart. And those are the moments where Bloodlines reminds us what this franchise can be when it isn't trying to be too clever or too loud.
There are also some nice throwbacks for longtime fans but it's blink-and-you'll-miss-it easter eggs like a passing log truck, a familiar hospital name (Clear River, anyone?), and references to past characters or deaths. It's fan service, sure, but in a sweet, subtle way. Not overbearing. Just enough to make you smile but in fear.
Unfortunately, the pacing could've been tighter. The first half is a slow burn, and if you came in expecting death after death like Final Destination 2 or 4, you might be let down. This feels more like the first film. The story drives the engine, and the deaths are pit stops along the way. The final climax was mid. It doesn't really feel like that was supposed to be the climax of the movie. They could have explored more on how they could have impacted the story or the deaths more but what we got was a mid climax that felt boring and meh. It just doesn't build up to that edge-of-your-seat tension we were hoping for. It fizzles, rather than explodes.
We need to be honest about the visuals. Some of the camera work, lighting choices and delivery of dialogues just feel... off. Almost like you're watching an 18+ TV show rather than a polished horror film. At times it looks cheap, which is disappointing because this series deserves to feel cinematic. The horror deserves weight. Gravity. Darkness. Instead, it occasionally feels like a high-budget student film with B to C-list actors.
Still, despite all of that, we can't lie. We had fun. It gave us chills. It made us look over our shoulder. And more than anything, it reminded us that the Final Destination series still knows how to make death feel terrifyingly inevitable.
Verdict: After five films and a long break, Final Destination: Bloodlines doesn't just bring the franchise back - it rewires it. It's flawed, yes. The CGI bleeds into the kills too much. The goofy tone doesn't always match the stakes. But it hits deep. This isn't just about death anymore. It's about love, guilt, and what it means to lose someone you'd die for. Sure, some deaths feel too engineered, and yes, the tone sometimes slips into Nickelodeon-territory, but there's a real beating heart underneath the chaos. The CGI may cheapen the gore, but it still made us squirm, look away, and nervously laugh all in the same breath. It's not the scariest entry but it might be the most 'human'. And for a series known for senseless carnage, that's a wild achievement.
I liked it.. Especially how the story carries on.. as a family curse plot. Some people find Final Destination movies repetitive.. true. I guess hardcore fans might expect/anticipate every single shot because it follows the same path as the old movies. But this one is very enjoyable.
Really keeps you at the edge of your seat. Most accidents were amusing to be honest. Especially the one in the MRI machine. Very creative.
Cons:
- The CGI blood and kills. Nothing takes me out of a scene more than dark red cartoon blood. With a film that is built PRIMARILY on deaths it should be quite limited on the usage of CGI. We've seen great use of practical effects which is why this feels like such wasted potential. The biggest reason these movies work is because no matter how ridiculous the set up is the death still feels real (4th sequel excluded). It doesn't have the same effect if the person dying sudden looks like an animated character.
- This might be the most useless protagonist since the 4th installment. The main character might be the blandest character in the whole movie, and she has some tough competition because only 3 people stand out in this movie. I can forgive throw away characters if the deaths are memorable but both are lacking here.
- There have been rumors that there were reshoots and I believe them because the final act has some pacing issues and ends somewhat abruptly.
Pros:
- I will say that this film had the 2nd best opening scene/disaster behind the pile up.
- Tony Todd's goodbye was moving and possibly the best dialogue he has given in the franchise.
- The hospital death scene involving an MRI machine has a great build up of suspense and emotion and is up there with other iconic final destination death scenes.
- While there is more cons then pros for me I still had a good time and still fun to see in theaters. While some FD sequels miss the mark there is always another sequel that can surpass it. Can't wait for the next sequels!!
¿Sabías que...?
- CuriosidadesTony Todd was allowed total creative control over his final scene, since he clearly didn't have much time left and the crew wanted him to have the final word of his career. His final monologue was one that the crew encouraged him to use to impart some last advice to fans.
- PifiasThe way the MRI machine works in the film is completely unrealistic to life. While the magnetic forces of MRI machines can be strong and pull in metallic objects, the way the film portrays the machine is far from reality.
For starters, MRI machines are in a shielded room due to their strong magnetic forces and not in an office that anyone (doctors or patients) can walk in and out of. They are also always switched on and never turned off.
Even if MRI machines were able to be switched on and off, it would take more than a simple keyboard command to activate it. Also, computers wouldn't be in the same room as MRIs due to them being affected by the strong magnetic forces.
There's no gauge to increase or decrease the machine's strength either, nor is there an override feature or a "Do not exceed" warning level.
The strong magnetic fields are only strong when in close proximity to the MRI machine (10-15ft away).
Most MRI machines across the US alone have a max Tesla strength of 3T (3 Tesla), with very few going to up 7T (7 Tesla) like in the film. The highest Tesla strength on an MRI machine can go up to 11T (11 Tesla).
- Citas
[his last words]
William Bludworth: I intend to enjoy the time I have left, and I suggest you do the same. Life is precious. Enjoy every single second. You never know when... Good luck.
[walks off]
- Créditos adicionalesTony Todd's credit in the closing titles is accompanied by a part of the "Final Destination" theme track.
- ConexionesFeatured in Geeks + Gamers: Final Destination Bloodlines Trailer: Reaction (2025)
- Banda sonoraBad Moon Rising
Written by John Fogerty
Performed by Creedence Clearwater Revival
Courtesy of Craft Recordings, a Division of Concord
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Destino Final: Lazos De Sangre
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 50.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 137.816.534 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 51.600.106 US$
- 18 may 2025
- Recaudación en todo el mundo
- 285.016.534 US$
- Duración1 hora 50 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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