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Calificación de tsatsas
Star Wars: Los últimos jedi

Star Wars: Los últimos jedi

6,9
5
  • 7 abr 2018
  • Very poor effort

    This poor attempt to recapture the episode VII fun has fallen short as nothing but a borderline offensive attempt to subversify a beloved franchise.

    Our new and intriguing characters that were introduced in the previous movie have now been spoilt and left with no intruigue and very little sympathy.

    Luke's return was a huge let down, Leia's role in the picture seems drawn out and just purely dull. The best part of the whole movie was Yoda's 30secods of screen time.

    Nothing seems fresh anymore in the Star Wars universe and it's going to take some real ingenuity to reignite this story and put it back on track.

    Come on Disney, use the star wars universe to create some fresh material like you did on Rogue One, a opposed to using the vehicle to rehash a very familiar story.
    Wicker Man

    Wicker Man

    3,8
  • 19 ago 2007
  • Does Labute's vision surpass the original? What do you think?

    Hollywood's flash of remakes isn't a flash at all. It's been going on for quite a few years now and some see it as a quick way to re-market a classic when it isn't needed. If only appreciators of the original films had the guts to admit to themselves that they are slightly curious to what a modern look to a classic tale has to offer them.

    It's a lot easier to say that a film, which has stood the test of time, as well as gained a strong backbone of fans, can never, and should never be remade. However it is a lot harder to swallow your pride and see for yourself. The most pleasant way to view this predicament, is to think of these remakes as the only way for a great story to reach a younger audience who deserve to see a cracking good film. With little hope of them digging through old video collections, or purchasing the over-priced 2-disc DVD, we can only assume its easier for them to sit back and enjoy a modern revision through a lens they understand.

    The new film to try and do this is "The Wicker Man' starring Nicolas Cage and Ellen Burstyn. Based on the 1973 British cult classic of the same title, the film looks to blatantly Americanise the original story of a police officers search for a missing girl, on an island inhabited by locals who follow a mysterious religion. The investigation is set under way, and our protagonist uncovers a strange trail of lies, which leads to a truly bold climax of cinematic horror and deception.

    Various changes to the script are made off course like most remakes and for the first 25 minutes this plays out well. The changes will be noticeable to those familiar with the story, the most obvious one being that director Neil Labute sets his scene in America just off an Island in the state of Washington, as apposed to the original taking place on an Island in Scotland.

    Nicolas Cage does his best as the eager police officer, and his enthusiasm for the role overflows to a degree where he really leads blind to how awful this film really is. Ellen Burstyn is convincing as the town leader and you can't argue that she was a bad choice for this new idea. She adds her own contrasting approach to a very different film, and it's a relief to see another person who can act in the picture, even if you are scratching your head wondering why she signed on for it in this first place.

    Tragically this film has nothing else going for it, and the director falls flat when it comes to directing his supporting cast, which was the key to successfully misleading the audience in the 73' version. Your left feeling angry and unfulfilled at how a decent character could be mislead so easily and unrealistically in this contemporary world, and this is a character played by a good actor no less. An actor who also thought it'd be a good idea to co-produce this abysmal calamity of film. As a stand-alone film this movie has a lot to answer for, which it really has no power or will to do so. As a remake of an oldie, you'll be injected with frequent spontaneous moments of discomfort and queasiness in amounts guaranteed ruin any film fans evening.

    The only way to deal with this feeling is to head down to your local retailer and snatch the closest copy of Robin Hardy's version if you haven't already seen it. For those already in possession of the film, hold it tight and ease your suffering as you sit down to watch it one more time. Both choices will make you realize how a remake has pushed you to love the original even more so unintentionally. Well at least it's good for something. Are such statements too harsh?? I think not. Find out for yourself and don't say I didn't warn you.
    El ultimátum de Bourne

    El ultimátum de Bourne

    8,0
    9
  • 19 ago 2007
  • More of the same makes this top notch fun!

    The last time we saw Jason Bourne, he was on a search to find the one's who killed his girlfriend, finding those responsible he dealt with them. Before that he was on a path to recovering his mind with questions flying everywhere. Fighting his way through two movies with a strong silent sadness, we all know what he's after. Answers. Where did he come from? How was he made? Is he just the product of a company running experiments on mind control, or is he something special? This is a man, who can't remember his past, or how he can kill the way he does. All he wants to do is remember…and he wants it very, very badly. If you've been living in a place that doesn't recognize some of the best spy-thrillers in recent years, The Bourne franchise is an espionage Hollywood actioner based on the books by Robert Ludlum, and helmed by director Doug (Swingers) Liman and since the second film, Brit maker Paul Greengrass. What makes these films affective is that it is blockbuster action, done by filmmakers who are very comfortable in the low budget independent world of film-making. Without the use of over the top special affects and unbelievable plot lines, we have a new franchise that is taking things back to basics, successfully drawing in the audience with its powerhouse rawness and suspense high enough that the skin around the tips of your fingers will surely bleed due to the absence of fingernails. So in the third and unlikely final installment of this now trilogy, how does director Paul Greengrass keep the hits coming? Merely days after The Bourne Supremacy, Bourne gets sucked into the killing of a British Journalist who was close to uncovering the truth behind the CIA's involvement within the Treadstone project. A new conspiracy emerges, people start chasing him again, and so Bourne follows his new leads with the help of some old friends. The story gives the audience answers, and since Greengrass has more than proved how capable he is at handling this material ("Supremacy", "United 93" anyone?) he raises the bar with the action even higher. The film moves with a pace so fast you can get lost in where a cut is made in the editing, and where another begins. The shaky camera work (although hated by many) stems from an independent field of movie making which beautifully and sometimes disturbingly puts the audience right in the middle of Bourne's confrontations. This is more than "edge of your seat action"; this is an adrenaline cocktail of stunning camera work, great choreography and state of the art stunt work. Its swallows other films of the genre with an expressionless modesty, with the director unwillingly proving to us something he already knew long before we did. Paul Greengrass has to be the most promising filmmaker of the genre today, and his time to shine is very much upon us. With a satisfying gulp of closure oozing down the throats of those going to see The Bourne Ultimatum, the long hard impatient time of waiting for the follow up will begin the moment the credits role. Or if we are lucky enough, our man from London may grab the reigns of another soon to be made project, which will undoubtedly hold infinite possibilities in the progression of indie film-making, and some solid action movies. This films holds a lot of what many of us have been waiting for, and feeds us more Bourne than many of us will know how to chew. An action trilogy is now complete, yet many of us will still shout out "Bring on Bourne 4", oh please do.
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