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A full upgrade with a T2 framework, M3GAN 2.0 is a first class , high octan output of sci-fi and chaos that twistedly entertains. This film has high production value M3GAN 2.0 had a significantly larger budget than the original M3GAN, one should "Buckle -up"
and enjoy the ride !!!
One of the summer's biggest surprises.
M3GAN 2.0 is a 2025 American science fiction action film and sequel to the 2022 film M3GAN. It follows M3GAN being rebuilt to combat a humanoid military robot built using M3GAN's technology that is attempting an AI takeover.
Ivanna Sakhno as AMELIA (Autonomous Military Engagement Logistics & Infiltration Android), a hostile new robot created from M3GAN's original design who becomes self-aware, serving as a rival to M3GAN.
One of the summer's biggest surprises.
M3GAN 2.0 is a 2025 American science fiction action film and sequel to the 2022 film M3GAN. It follows M3GAN being rebuilt to combat a humanoid military robot built using M3GAN's technology that is attempting an AI takeover.
Ivanna Sakhno as AMELIA (Autonomous Military Engagement Logistics & Infiltration Android), a hostile new robot created from M3GAN's original design who becomes self-aware, serving as a rival to M3GAN.
This Side of the Law is a thrilling ride of twists and turns in gorgeous Gothic settings. Kent Smith plays David Cummins, a bum arrested for vagrancy whose fine is paid by a stranger named Philip Cagle (Robert Douglas), an attorney who offers him a job to impersonate a missing millionaire named Malcolm Taylor whom Cummins resembles perfectly and for whose estate Cagle is executor. Despite not knowing Cagle's intentions, Cummins needs the money so takes the job, returning "home" to the man's clifftop estate to the shock of Taylor's wife, brother, and sister-in-law, who assumed him dead. We soon learn just how much hatred and deceit a household of merely four inhabitants can contain. The acting is mostly excellent, William Lava's score is eerily ahead of its time, especially during moments of heightened suspense, and Carl Guthrie's cinematography beautifully captures the atmosphere of the dramatic settings (cliff, beach, gazebo), especially since most scenes take place at night. Underseen and under-rated. 8/10
Viveca Lindfors Stunning beauty ......was a Swedish-born actress whose stage and screen career in the U. S. and Sweden spanned more than half a century. She was brought to Hollywood in 1946 by Warner Brothers in the hope that she would be a new Greta Garbo or Ingrid Bergman.
Viveca Lindfors Stunning beauty ......was a Swedish-born actress whose stage and screen career in the U. S. and Sweden spanned more than half a century. She was brought to Hollywood in 1946 by Warner Brothers in the hope that she would be a new Greta Garbo or Ingrid Bergman.
Night Nurse is a 1931 American pre-Code crime drama mystery film.
For anyone who isn't familiar, the Production Code '
Hays Code
Ran from 1934 to 1968 and censored the content of movies. Movies made after 1968 in the New Hollywood era are famous for their explicit subject matter, but pre-Code films are just as transgressive in their own way. Anyone who thought exploitation movies were invented in the 1960s will know better after having watched Night Nurse. It's a strange mix of comedy, drama and mild sleaze. Directed by William A. Wellman, and starring Barbara Stanwyck, Joan Blondell and Clark Gable.
Here nurses break the law, doctors violate their oath, and unless you go along, you don't work. Also included are gamey one-liners, mild strip scenes, and a really sardonic look at motherhood, along with a very scary Clark Gable. For a brief period from around 1930-34, Hollywood operated with the lid off, pressed by audiences with no work, no money and no prospects.
A great picture of the sleazy side of life in the thirties before the Hays commission took over. Barbara Stanwyck is fabulous as a tough streetwise girl turned nurse. Any rumors about her having some flaw in her figure should be finally put to rest by her slim form in her outfits . Joan Blondell makes an equal impact as her wise-cracking sidekick. And last but definitely not least, Clark Gable plays a tough chauffeur who menaces Stanwyck in a rather seductive way. This early Hollywood film is a great time capsule to open ! 7.5/10.
For anyone who isn't familiar, the Production Code '
Hays Code
Ran from 1934 to 1968 and censored the content of movies. Movies made after 1968 in the New Hollywood era are famous for their explicit subject matter, but pre-Code films are just as transgressive in their own way. Anyone who thought exploitation movies were invented in the 1960s will know better after having watched Night Nurse. It's a strange mix of comedy, drama and mild sleaze. Directed by William A. Wellman, and starring Barbara Stanwyck, Joan Blondell and Clark Gable.
Here nurses break the law, doctors violate their oath, and unless you go along, you don't work. Also included are gamey one-liners, mild strip scenes, and a really sardonic look at motherhood, along with a very scary Clark Gable. For a brief period from around 1930-34, Hollywood operated with the lid off, pressed by audiences with no work, no money and no prospects.
A great picture of the sleazy side of life in the thirties before the Hays commission took over. Barbara Stanwyck is fabulous as a tough streetwise girl turned nurse. Any rumors about her having some flaw in her figure should be finally put to rest by her slim form in her outfits . Joan Blondell makes an equal impact as her wise-cracking sidekick. And last but definitely not least, Clark Gable plays a tough chauffeur who menaces Stanwyck in a rather seductive way. This early Hollywood film is a great time capsule to open ! 7.5/10.