Not So Dumb

"Not So Dumb" is a movie you'll probably love or hate...and I could easily see someone hating it. After all, it's the story of a ditsy and obnoxious woman who talks nonstop....and a little of this does go a long way.

The story starts with Mr. Forbes and his family arriving in California for a big business deal with Gordy. Gordy's fiancee, Dulcy (Marion Davies) insists that she host Forbes and his family for the weekend. However, it's obvious Forbes isn't interested and only goes because his wife and daughter want to go.

From the minute the guests arrive, Dulcy talks nonstop and tries way too hard to make sure Forbes has a great time. But she also NEVER listens to him nor his body language and instead thrusts various things on him...insisting he'll have a great time...which he obviously is NOT having. So what's to come of this big business deal after Dulcy annoys Forbes half to death?

Marion Davies works very hard to be flighty and annoying....but the problem is that she really IS quite annoying. This made the film hard going for me....I found a little of Dulcy goes a long way...and making her less abrasive might have made for a better film. Apparently, I am not alone in this sentiment, as the film lost money and the public mostly avoided it.

By the way, if you do watch, you might be shocked when Dulcy tosses out the N-word in the middle of the movie. It seemed to come from the middle of no where and no doubt will offend some!

In 1930 taking advantage of the fact that sound demanded that the movies now have lots of dialog what was better than a play where the title character keeps a constant stream of chatter. Not So Dumb was the first sound version of the George S. Kaufman-Marc Connelly play Dulcy and had Lynne Fontanne as its star on Broadway. A silent version of the play was made in 1923 that starred Norma Talmadge.

Every reassessment of Marion Davies has always said that William Randolph Hearst's obsession with Davies had to do roles as the heroine in such costume drama as When Knighthood Was In Flower and Janice Meredith. Her real talent lay as comedienne and the role of Dulcy is a natural for Davies. Best line in the film was her ever so innocent put down of Franklin Pangborn about "it's the early worm that gets the bird". You got to wonder who actually thought up that gem, Kaufman or Connelly.

The play is set over a 24 hour period and it deals with a small party that Dulcy is hostess. It's to put over a business deal that her husband Elliott Nugent is trying to get William Holden to agree to. Nugent is repeating his role from the stage.

Dulcy was prototype of the dumb blond, a character Marie Wilson honed to perfection in several film and on radio and TV. In our modern era Jessica Simpson is the successor.

Watching this I also wonder why Burns&Allen never did a version of Dulcy for the screen. This was the perfect vehicle for them, Gracie was born to play the title role.

I'm surprised that this is never revived it seems. It would have been so right for Jessica Simpson.

Still adjusting to sound Davies really hones this one to perfection. Having not seen a later version with Ann Sothern I wonder how it compares?

This was an egregious misfire, considering the talent involved. I kept waiting for a belly laugh or even a chuckle, but I could barely force one throughout the picture. Marion Davies was a talented comedienne, but here her timing seemed off and she appeared ill at ease with the material. All I could think of was that this must have worked better onstage, as it was adapted from a play by George S. Kaufman and Marc Connelly, two of the biggest names on Broadway at the time. To top that, the Director was King Vidor, one of Hollywood's best. I thought the website rating was overly generous by half, which is what I rated it; half of it.

This early talkie is a bit creaky—sound recording technology certainly wasn't perfected yet, for one thing. It's also very evident that it's a movie version of a stage play—there's no doubt it's "stagey," which bothers some people. So it takes some doing, but Marion Davies' wacky performance eventually overcomes these distractions.

Davies is both nutty and charming as Dulcy, a wealthy young socialite who is determined to help her fiancé put over a big business deal.

Elliott Nugent is fine as the fiancé who would much prefer that Dulcy mind her own business; his performance, like his character, is pretty much overshadowed by the much bigger and bolder Davies personality. Old character actor William Holden is very good as the blustery and flustered business magnate with whom Davies is trying to match up Nugent.

Davies' extremely expressive face places her much more in a class with fellow comedians than with other female movie stars of the day; while her screen presence is nothing at all like, for example, Joan Crawford's—it's not entirely unlike Stan Laurel's or Harold Lloyd's.

Her appeal lies in a kind of well-meaning goofiness that other characters may find irritating but is both hilarious and endearing to us viewers. A great example: the drawing room scene in which a house guest sings a song while Davies aggressively shushes everyone and then noisily unwraps a box of candy.

The comic plot is okay and there is some funny dialog. But the main attraction of the picture is certainly the star—this is lots of fun for fans of Marion Davies and her other comedies.

Marion Davies stars in her second talkie feature as the scatterbrained Dulcy, who's engaged to dull Gordon (Elliott Nugent) and hosting a weekend party with hopes of furthering his business venture with old fogy Forbes (William Holden, not not that one) who arrives with his wife and daughter. Dulcy's brother Willie (Raymond Hackett) is also on hand.

As a surprise she's hired a new butler (George Davis) newly on parole as well as two surprise guests: the eccentric Van Dyke (Donald Ogden Stewart) who has shares in movie studios and the equally eccentric writer Leach (Franklin Pangborn).

Forbes turns out to be a sour old thing and Dulcy can't stop chattering in an effort to liven up the weekend party of mismatched people. After failed attempts at parlor games and billiards, Dulcy ends up helping Pangborn elope with Forbes' flaky daughter (Sally Starr) with the help of his wife (Julia Faye).

Eventually the daughter's pearls go missing, the butler/parolee runs off, and a stranger comes to the door with information on one of the guests.

Based on a 1921 play by George S. Kaufman and Marc Connelly that starred Lynn Fontanne, this was a starring film in 1923 for Constance Talmadge and again in 1940 for Ann Sothern.

Davies is fun and Pangborn is good as well. Everyone else is OK. Directed by King Vidor the film is awkwardly assembled with silent close-ups inserted into dialog scenes. This was a modest hit in 1930.