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A Life at Stake

  • 1955
  • Not Rated
  • 1h 18min
CALIFICACIÓN DE IMDb
5.8/10
1.1 k
TU CALIFICACIÓN
Angela Lansbury and Keith Andes in A Life at Stake (1955)
Please Murder Me: What Were We Talking About?
Reproducir clip2:46
Ver Please Murder Me: What Were We Talking About?
1 video
58 fotos
Film NoirDrama

Un arquitecto desempleado conoce a una mujer casada que le propone un negocio. El arquitecto empieza a sospechar que el interés de la mujer por él no es sólo económico y - que en realidad po... Leer todoUn arquitecto desempleado conoce a una mujer casada que le propone un negocio. El arquitecto empieza a sospechar que el interés de la mujer por él no es sólo económico y - que en realidad podría ser mortal.Un arquitecto desempleado conoce a una mujer casada que le propone un negocio. El arquitecto empieza a sospechar que el interés de la mujer por él no es sólo económico y - que en realidad podría ser mortal.

  • Dirección
    • Paul Guilfoyle
  • Guionistas
    • Russ Bender
    • Hank McCune
  • Elenco
    • Angela Lansbury
    • Keith Andes
    • Douglass Dumbrille
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.8/10
    1.1 k
    TU CALIFICACIÓN
    • Dirección
      • Paul Guilfoyle
    • Guionistas
      • Russ Bender
      • Hank McCune
    • Elenco
      • Angela Lansbury
      • Keith Andes
      • Douglass Dumbrille
    • 33Opiniones de los usuarios
    • 16Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    Please Murder Me: What Were We Talking About?
    Clip 2:46
    Please Murder Me: What Were We Talking About?

    Fotos58

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    Elenco principal17

    Editar
    Angela Lansbury
    Angela Lansbury
    • Doris Hillman
    Keith Andes
    Keith Andes
    • Edward Shaw
    Douglass Dumbrille
    Douglass Dumbrille
    • Gus Hillman
    Claudia Barrett
    Claudia Barrett
    • Madge Neilan
    Jane Darwell
    Jane Darwell
    • Landlady
    Gavin Gordon
    Gavin Gordon
    • Sam Pearson
    Charles Maxwell
    Charles Maxwell
    • Police Lt. Hoff
    William Henry
    William Henry
    • Myles Norman
    Kathleen Mulqueen
    Kathleen Mulqueen
    • Mary
    Dan Sturkie
    • Officer Biff
    Jeane Wood
    • Mabel - Maid
    • (as Jean Wood)
    Robert Haver
    • Mechanic
    Fred Aldrich
    Fred Aldrich
    • Suspicious Stranger
    • (sin créditos)
    Forbes Murray
    Forbes Murray
    • Businessman
    • (sin créditos)
    Bing Russell
    Bing Russell
    • Bartender
    • (sin créditos)
    Jeffrey Sayre
    Jeffrey Sayre
    • Bar Patron
    • (sin créditos)
    Bert Stevens
    Bert Stevens
    • Restaurant Patron
    • (sin créditos)
    • Dirección
      • Paul Guilfoyle
    • Guionistas
      • Russ Bender
      • Hank McCune
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios33

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    Opiniones destacadas

    6Ryu_Darkwood

    Mediocre thriller

    The main-character finds himself in a Hitchcockian situation when he suspects his female boss ( Angela Lansbury ) from wanting to kill him over insurance money. I didn't quite grasp how that works, it seems a bit far-fetched to me...Is he being paranoid? Or is there really a sinister plot to kill him over the dough? And what about the beautiful younger sister and her amazing story? The movie is as mediocre as a thriller can get, filled with illogical twists and weird choices from its characters. Angela Lansbury just doesn't convince as the seductress, but maybe that has to do with her current status as mystery solving-granny Jessica Fletcher. The main-character Keith Andes is decent enough. He's like any fifties ''hero''; a touch cynical, overly masculine and well-behaved.
    5Hitchcoc

    Characters are Contrived

    First throw in a character who is rather dull and afraid. Make him an architect who can produce nice little fifties houses that will sell. Hook him up with a millionaire who wants a 175,000 dollar life insurance policy on the guy's head in case he can't fulfill his commitment. Throw in a bored wife; or is she? Throw in police who have no respect for a dignified man who is concerned he is going to be killed. Remember, it happened before and insurance money was involved. Oh, yes, then there's the insurance company, which should be watching things like the respective hawks they are, since they got soaked the first time. Also, have everyone act stupidly, not able to figure things out. This is one contrived thriller. I'm not sure where Lansbury is in the picture. The guy should have dumped her early on. She is vapid and tiresome. She's reasonably attractive, but has more baggage than Northwest Airlines. Oh, well, it isn't Shakespeare and it does keep us guessing, sort of.
    6blanche-2

    Angela Lansbury - a sexy seductress

    Yes, once, Angela Lansbury was young with a good figure (which I think she still has) and a sexy way about her.

    In 1955's "A Life at Stake" she plays Doris Hillman, a woman who propositions a down-and-out architect, Edward Shaw (Keith Andes) with a business plan where she will buy property and he will put up houses. He had done this previously but he was bilked out of $37,000, (327,700 in today's money) some of which had been put up by friends. In the end he lost everything.

    The flirtatious and seductive Hillman says that her husband (Douglas Dumbrille) will put up the money but that Shaw will have to buy keyman insurance for $250,000, which is $2.2 million today. This is business insurance that compensates for financial losses that would arise from the death or incapacity of an important member of a company.

    Well it isn't hard to figure out what's going on, and it doesn't take Shaw that long either, even though he and Hillman fall for one another and begin sneaking around. He dodges several cars and a car where the brakes slip -- trying to stay alive is difficult around these people, but the police want proof. On top of this, he has met Hillman's sister (Claudia Barrett) and she's fallen for him.

    Pretty good noir. I noticed on the reviews that many people aren't familiar with Keith Andes. He had a small but decent film career, in films such as The Farmer's Daughter, Clash by Night, Tora Tora Tora, and And Justice for All, as examples. He starred on TV in a series, This Man Dawson, and was in dozens of prime time shows up until 1980.

    Most notably, he appeared on Broadway with Lucille Ball in Wildcat - he had a beautiful baritone voice; he also did Kiss Me, Kate on Broadway and toured in Man of La Mancha. At the age of 85, beset by health issues, he committed suicide.

    Definitely worth seeing for young Angela and Keith Andes was certainly a hunk - he had his shirt off a lot of the time.
    dougdoepke

    Spotty Script

    That early scene at poolside with Andes in a tacky suit and Lansbury in a revealing swimsuit is a fine slice of fateful seduction. The movie's remainder may not rise to that level, but it has its moments. Andes, an unemployed architect, is inveigled into an insurance scheme by an unlikely couple-- an aging Dumbrille and his young sexy wife, Lansbury. The narrative unfolds in none to clear fashion, but at least we know someone's trying to kill Andes, probably for the insurance payoff. It's almost certain Lansbury's a part of it, yet the actress's performance doesn't suggest moments of deception, unlike Stanwyck's tour-de-force in Double Indemnity (1944). Then too, a spotty script doesn't help. As a result the climactic scene lacks the emotional force it should have.

    In fact, the script, as others point out, contains a number of gaps—like Andes apparently walking away from a cliffside car plunge! Then too, director Guifoyle lacks any noticeable style that might lift the visuals. Had the production been done, say, 5-years earlier, I expect a 70-minute noir would have emerged. After all, the elements are there—a spider woman, a wobbly fall-guy, a fateful scheme. All in all, the potential is there, but muddy execution undercuts the result. (In passing, at least, worthy movie vet Jane Darwell picks up a payday in a tacked-on role. Thanks be to someone in production.)
    9non_sportcardandy

    low budget quality film

    Just viewed this film tonight for the first time.The basic plot is that the main character(keith andes) is concerned that some near accidents are attempts to do him in for $175,000 worth of life insurance.That is still a good amount of money today but in 1954 when this film was made it was near a fortune.Previously I read the main character was a husband,not so,he is single and concerned a husband and wife are trying to put him in an early grave.The plot is not really deep nor is the ending a great big surprise.What puts the movie over are the quality performances in this black and white drama.Not to often have I viewed the t v program "murder she wrote" but have seen Angela Lansbury in a few old movies,as in this one she shows a lot of talent.Her part is a seductive one and she does it well lounging around or near the swimming pool all day long.The target of her charms is Edward Shaw(Keith Andes).Her husband is played by Douglass Dumbrille a fine character actor with many screen credits.I have been a fan of his since seeing him play the pirate Israel Hands in the 1934 version of Treasure Island.He is so talented it's hard to believe it's the same actor in both these movies.The kid sister of Angela Lansbury is played well by Claudia Barrett,one year earlier Claudia was seen in the infamous "robot monster".Whatever happened to Claudia?Jane Darwell plays the part of the landlady,she gave a strong performance as the mother of Henry Fonda in "grapes of wrath".A good cast,big overcoats,shiny big cars(they called them boats back then)and a lot of other things made this movie enjoyable for me.

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    • Trivia
      The unusual convertible Doris Hillman (Dame Angela Lansbury) drove was a Kaiser Darrin. Only 435 production Darrins and six prototypes were built. Its entry doors slid on tracks into the front fender wells behind the front wheels, which was patented in 1946, had no side windows and a three-position Landau top. The car's only criticism by enthusiasts was the front grill, which looked like it "wanted to give you a kiss."
    • Errores
      If the bartender who carded Madge had looked closer, he would have seen that it had to be a fake: Her address is listed as "Las Palmas St., Hollywood," but the street in Hollywood named Las Palmas is actually an avenue, and would be designated as such on an official document. Also, Las Palmas runs north and south, so the street number would also require a north or south designation.
    • Citas

      Mabel, the maid: You better call out when you get to the guest house. Sometimes she swims in the nude.

      Edward Shaw: Don't worry about it. So do I.

    • Conexiones
      References Julio César (1953)
    • Bandas sonoras
      Summer Interlude
      Written by Hank McCune and Les Baxter

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    Preguntas Frecuentes14

    • How long is A Life at Stake?Con tecnología de Alexa

    Detalles

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    • Fecha de lanzamiento
      • 18 de marzo de 1955 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Streaming on "Timeless Classic Movies" YouTube Channel
    • Idioma
      • Inglés
    • También se conoce como
      • Key Man
    • Locaciones de filmación
      • 1508 N. Western Ave., near Sunset Blvd., Los Ángeles, California, Estados Unidos(Shaw's office)
    • Productora
      • Hank McCune Productions
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 18 minutos
    • Color
      • Black and White
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.37 : 1

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