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Opposite characters doomed to each other by handcuffs is an old theme in movies that goes back to at least "The 39 steps" (1935, Alfred Hitchcock). In that film the opposites where man and woman, in "The defiant ones" it is black and white. By taking racism as its subject the film is very liberal in a time that the civil rights issue was firm on the political agenda.

The film thanks a lot to its two main characters. In the first place Sidney Poitier as Noah Cullen. Poitier was the only black star actor of its time and was frequently cast in a film wit racism as its subject. Think of films such as "In the heat of the night" ( 1967, Norman Jewison) and "Guess who's coming to dinner" (1967, Stanley Kramer). This type casting can be interpreted as a sort of racism of its own kind.

Even more striking is the performance of Tony Curtis as John Jackson. In the beginning he was casted as the handsome guy. The year before "The defiant ones" he had proven with "Sweet smell of success" (1957, Alexander Mackendrick) that he was capable of serious acting too.

Director Stanley Kramer has the image of being more or less a moralist. In his films the social engagement is sometimes a bit to explicit. Apart from the earlier mentioned "Guess who is coming to dinner" (1967) one can think of films such as "Inherit the wind" (1960) and "Judgement at Nuremberg" (1961). In "The defiant ones" there is the right mix between social engamement, action and a sultry form of eroticism. In this respect the film has much in common with "In the heat of the night" ( 1967, Norman Jewison).

A great job by Stanley Kramer on this film. Tony Curtis and Sidney Poitier turn in stellar performances as two convicts who get an unexpected shot at escape but are held together by a length of chain. They must learn to overcome their racial dislike of each other in order to survive and gain their freedom. But will they? The film is shot in black and white and had it been shot in color it would not have been as good. A remake was done some years later which was passable but didn't match this original version.

Sidney Poitier continues to break race barriers with this formula jail-break drama. Teamed with Tony Curtis, the escaped prisoners encounter many situations, where their difference in color seems to matter more than the fact that both are fugitives from the law. Throughout the film, the viewer empathizes with the escapees, figuring that they always got a bum deal in life. A scene towards the end, where a single mother sees a chance to "hook up" with Curtis, shows how Curtis, although often disagreeing, even physically fighting with Poitier, still sees Poitier as an equal in their quest for freedom. Rather than "sell out" his friend, he would rather die trying to save him. The inevidable ending (remember that one of the rules in Old Hollywood was that the bad guys can never win)is quite moving.

Definitely among the established Hollywood Classics. Although many of the "old ways" have changed drastically since the late 50s, this film offers insight into a piece of Americana many people living today can still recall. An important piece of Film History, and highly recommended.

A prison truck is transporting a group of convicts when it runs off the road and crashes. Two convicts escape - Johnny (Tony Curtis), a white man, and Cullen (Sydney Poitier), a black man. They loathe each other, especially as Johnny is an ignorant racist. However, they are chained together and have to rely on each other to escape and survive. Meanwhile, the State Police plus the local Sheriff and a ragtag bunch of deputies, assisted by tracker dogs, are hot on their trail.

With enough thrilling action to keep it enjoyable today, this is an important film that provided Poitier with a breakthrough role and helped Curtis to escape the simplistic hero mode in which his talents had too often been wasted. If you look closely, you'll notice that the actor playing Angus is former Little Rascal Carl "Alfalfa" Switzer, making his last screen appearance. This is one of underrated producer/director Stanley Kramer's finest humanitarian films. The Defiant Ones won the Academy Award for Best Original Screenplay. The performances by Tony Curtis and Sidney Poitier are virtually flawless. Both Curtis and Poitier deservedly received Best Actor Oscar nominations. 9/10

... but no Charlie Potatoes: like the races they represent, two escaped cons battle through the swamps, and their prejudice, to demonstrate there's so much more to who we are than the colour of our skin.

Sydney Poitier and Tony Curtis are outstanding!