Un amor de otro mundo

When the film begins, a notorious womanizer, Charlie, is caught with another man's wife and is shot to death. Soon there's a funeral and his friend, George (Tony Curtis) arrives to do the eulogy. However, almost no one shows up...because Charlie spent his life using people, not paying debts and bedding any woman who fell for his spiel. Good riddance seems to be the mood of the day.

Soon there's a knock on the door to Charlie's home and since George is the executor, he answers. A young man (Pat Boone) is there with a naked woman in a blanket. He isn't sure who she is but she gave this address but was otherwise delirious. When she later awakens, it becomes obvious that this IS Charlie--reincarnated as a woman (Debbie Reynolds). At first, it's pretty obvious that Charlie had nothing but contempt for women and hates his new body. However, soon an interesting change comes over him. Perhaps he can use and take advantage of people BETTER as a woman and Charlie begins using her wiles to get ahead in life. She shamelessly flirts and blackmails some of the rich married women Charlie used to sleep with in his male days. Why George hangs out with Charlie throughout much of the film is odd, as George doesn't seem like a total jerk. Charlie, on the other hand, is gosh-darn awful both as a man and as a woman.

So what you have is a racy 60s sex comedy...minus the sex. The idea is pretty cute, original and I generally enjoyed the movie. However, I did think the film went on a bit too long and the picture lost a bit of its momentum as a result. For the first half, I'd give this one a 7 or 8...for the final half, a 4 or 5.

By the way, Walter Matthau's accent was just awful and I assume he must have been really embarrassed by this performance.

I saw this movie for the first time over twenty years ago but could never remember the title. I saw it again on AMC and recognized it immediately, but my memories of it have strayed quite a bit from what I thought it was. In fact, this movie takes an amusing idea, a man in a woman's body, throws in some funny lines, but misses the point and goes no where. Tony Curtis plays a very funny straight man to Debbie Reynolds, and while she may have been attractive for the time, the outdated values and generation gap haven't exactly endeared this movie to a whole new generation. While still more enjoyable than it's recent re-make, "Switch" with Ellen Barkin and Jimmy Smits, the movie almost immediately drags after the opening sequences and sets up a premise that really goes nowhere. Pat Boone's role is seemingly tagged on as is Roger C. Carmel's, but Walter Matthau is nearly unrecognizable as a worldly skirt-chaser giving Reynolds something to run from. While I can't in good conscience give this a ten, the movie is worth while a look as a seven.

GOODBYE CHARLIE was a slightly smarmy but very funny comedy from the 60's that I grew up with. This was the story of a womanizing cad named Charlie Sorel, who one night is partying on a yacht and romances a married woman. He is caught by her husband who shoots Charlie, who falls overboard into the ocean. Charlie's body is not immediately located but a memorial service is held, attended by his best friend George (Tony Curtis) and dozens of women Charlie romanced over the years. A couple of days later a woman (Debbie Reynolds) is found naked on the beach outside of Charlie's apartment, where George is sorting out Charlie's things. We soon learn that this woman is a female reincarnation of Charlie Sorel, apparently God's ironic way of punishing Charlie for the dreadful way he treated women all his life. Charlie initially freaks out at the idea of being a woman but soon shows he hasn't learned a thing and reverts to the old Charlie even though he is a woman now. I was just a kid when this film first hit theaters but I still thought it was pretty funny. Reynolds and Curtis are energetic in the lead roles and are well-supported by Walter Matthau as the guy who shot Charlie, Pat Boone as a schnook who found and falls in love with the reincarnated Charlie and Joanna Barnes and Ellen MacRae as two of the women in old Charlie's life. BTW, Ellen MacRae later changed her name to Ellen Burstyn. It's no cinematic masterpiece, but it will make you laugh. Remade many years later as SWITCH.

This is one of those movies that is fun to watch, the premise is of course impossible, but enjoyable none the less. If you liked THE LAST TIME I SAW ARCHIE or MERRILY WE LIVE you will be very pleased that you took the time to check out this gem. Tony Curtis and Debby Reynolds well, they live up to their comedic potential in this one.

Perhaps best known nowadays as the film that inspired Blake Edwards to write and direct the amusing 'Switch' with Ellen Barkin, this earlier comedy features the same idea of a shameless philanderer reincarnated in the body of a woman. Clocking in at close to two hours, 'Goodbye Charlie' takes an incredibly long time to warm up with over 25 minutes elapsing before the comedy really kicks in since the philanderer (in the woman's body) has amnesia at first. Once the film gets into the swing of things though, it is a decent ride. Debbie Reynolds does well acting tough and manly, casually ogling other women and so on. It is not as dynamic a performance as Barkin in 'Switch' (who nailed the mannerisms of her male self) as we never actually see much of Charlie before he is killed, but Reynolds is still dynamite. There are also several fascinating moments as he/she gets more used to being a woman, even allowing him/herself to be seduced. Additionally, in a daring move, he/she even tries to seduce his/her best friend, played by Tony Curtis. Speaking of which, Curtis does well with a tricky role here. At times, it seems like he is also about to fall for his macho best friend in a lady's body. The experience is let down by a tacked-on cop-out ending that fails to capitalise on all this sexual tension, but the film pokes enough at gender identity issues to remain interesting.