El show de terror de Rocky

A middle-class young couple, motoring in the country on their wedding night, have car trouble in front of a huge mansion… Wanting to use the phone, the two approach the house and go in just as its master, Dr. Frank N. Furter, is leading an experiment… His newly made creature, the body-beautiful Rocky, is ready to be unveiled, and the innocent couple is caught up in this strange household filled with the doctor's campy, exotically dressed admirers… Both the wife and the husband are seduced by this garter-belted "scientist."

The film's first half is fast and funny, with virtually every song a memorable one… But the second half tries to do too much and the film loses much of its potency… Nevertheless, the adorable characters make this a delightful entertainment

Moving on from the riotous cult stage show which was born in a small studio theatre in the early 70s, this movie version is a well-cast, outrageous romp showcasing the absurdity and sci-fi obsession of Richard O'Brien's inventive musical.

The small cast - the wonderful Tim Curry as Frank 'n Furter (the sweet transvestite from transsexual Transylvania'); Barry Bostwick and Susan Sarandon as the odd science students Brad and Janet; Patricia Quinn as Magenta ('a domestic'); Little Nell as Columbia ('a groupie'), Jonathan Adams as Dr Scott; Meat Loaf as Eddie; Richard O'Brien himself as the handyman Riff Raff; Peter Hinwood as the muscle man Rocky, created by Frank in a spoof on Frankenstein; and Charles Gray having a great time as the Criminologist - are all really good, and the songs are terrific, from the madness of 'The Timewarp' and 'Sweet Transvestite', to the ethereal 'There's a Light' and 'I'm Going Home', by way of the rocky 'Whatever Happened To Saturday Night?' and the film-reference heavy 'Science Fiction Double Feature'.

Great, great fun and the floor show sequence in particular, showcasing Frank's obsession with Fay Wray and the RKO cheapies, is exceptional, with its statues in basques and its huge swimming pool. Trash, yes, but classy trash, and most enjoyable.

As an 18 y/o stranded in a small, bible belt town in the sticks of Missouri, I would drive 120 miles every two weeks to St. Louis to the Varsity Theater to see The Rocky Horror Picture Show during the early 80's. For me, it was a chance to live, to breathe free, as anything went; there was no need to conform to any narrow minded conventions, as I felt I had to survive at home. The first time I witnessed Tim Curry flinging open his cape, proudly proclaiming "I'm just a sweet transvestite, from Transsexual Transylvania," I knew I'd found a place to be myself. Even now, some 18 years later, that sight still gives me a thrill. Sure, the plot is ridiculous (on second thought, it had more to offer than 80 percent of the crap coming out of Hollywood then and now) and it is loaded with technical flaws. Still, I consider it the greatest film of all time. How many films draw a crowd of regulars weekly, create a sense of community, especially for people who, more than likely, felt as if they were not a part of any community, as I felt? Over the years, I've seen the film 64 times, and when I'm 80 I plan on getting up on my arthritic legs and doing the "Time Warp."

It's fairly easy to see why "The Rocky Horror Picture Show" became such a huge cult-favorite so quickly... So huge even that the fans went to screenings all dressed up like drag-queens, singing along with the songs and waving around cigarette lighters. "The Rocky Horror Picture Show" simply is a tremendously inspiring movie and it's almost impossible not to start swinging yourself when the legendary songs such as "The Time Warp" and "Touch Me" are being sung by the vivid cast. The screenplay is adapted from Richard O'Brien (who also co-stars) play and it still comes across as very wit and all-knowing in its humor. There's spoofing and referring to everything from Universal and RKO-Pictures horror movies over typically 50's science-fiction to Hammer horror and the filming locations & set pieces are leftovers from other classic genre titles. The story is ridiculously simple and merely just introduces a young couple whose car breaks down near a ominous dark castle. When they go there for help, they're sucked into the eccentric world of transvestite Dr. Frank 'N Furter and his bizarre collection of servants and friends. The frenzied doctor created himself a muscled and blond-haired toy-boy and he's in the middle of presenting his creation when Brad and Janet (a great early role for Susan Sarandon) stumble in. The lines and song lyrics are often hilarious and far from politically correct and the lingerie costumes are quite nifty. All the acting performances are terrific but immensely divergent, since Tim Curry's Frank 'N Furter is extremely grotesque whereas Charles Gray's narrating character is straight-faced.

Or I should say, the Sweet Transvestite of all cult films!

To those who haven't seen Rocky Horror, don't bother reading reviews about it. It won't mean anything. Don't rent it on DVD which it recently came out on. It also won't mean anything, because it's missing the thing that gave it and the stage play that preceded it life... the audience. By definition, a cult film is meant to be seen by a group. Preferably, a large one.

I saw Rocky Horror 20-something years ago, and wound up playing "Brad" with the players next to the stage. Something I would normally never do. Why? The show's energy sucked me in. More accurately, the audience's energy sucked me in.

The show, with a revved-up audience, is almost like a dialogue between the movie and the people watching it. It celebrates sex, hedonism, even while playing out the danger, violence, and tragedy it can result in. It allows the audience of mostly young kids to exude and rejoice in their sexuality, whatever it is. And without ever taking their clothes off. I think that is the real appeal of the show. There's a joyousness, and a strange innocence, in throwing raunchy comments at the screen, watching the live performers on-stage act out the scenes in racy costumes, and sharing the energy anonymously in the dark with strangers.

The live show with the original actors must have been electrifying. Plays always have more energy than films because of the immediacy of the live actors, and the energy must have been even more intense. I'll always regret not having the chance to have seen it.

The movie itself has been described too many times for me to give a synopsis. I will however say that it is really a collage of feelings, ranging from fear, trepidation, excitement, lust, joyous sexual fulfillment, more lust, tragedy, and a strange sadness at the end. Basically, all the emotions that make life worth living, in an hour and a half. However, the visceral enjoyment of this film, and the emotions it brings, will only be experienced with a large, highly energized audience. If you get a chance, and if you can get your reserved ego out of the way, go to a midnight showing in your area when you know there's going to be a big showing. Don't go expecting a logical, coherent storyline. Its about experience, not narrative. You'll get an experience that you've been missing your whole life. At the end, there is a message here, hidden under all the seemingly blissful hedonism. It takes a long time for it to become clear, however.

I wonder if O'Brian, its creator, was clever enough to have put it there all along?

By the way, there is no nudity or actual sex in the entire movie. For a movie with its reputation, that's pretty amazing. Compared to the slasher/gore fests passing themselves off as film these days, the movie is strangely quaint and innocent. But then, that's what true enjoyment of sensuality should be.

For a cult film, 10 out of 10 stars. It doesn't get any better than this as cult films go.