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Yes! For a change in the horror genre this film does deserve all of the praise, hype, cult following and respect it receives, even from the critics. I would go so far as to even admit that I find this Joe (Gremlins, Innerspace, The 'burbs, Matinee, Small soldiers) Dante flick one of his best crafted works, followed by PIRANHA.

It's always been a toss up between THE HOWLING and AN AMERICAN WEREWOLF IN LONDON for the most effective lycanthropy picture of postmodern horror cinema (anything since Psycho). Where John Landis used comedy more blatantly, the humour in THE HOWLING is far more satirical and subversive. Undoubtedly, Rob Bottin's effects steal the show as well as they did for John Carpenter's THE THING. The transformation of Eddie Quist, especially on the revamped DVD is something to behold.

For anyone with a passing interest in the horror genre this is a film to include on that 'TO SEE' list. For fans of werewolf movies this should go on that 'MUST SEE' list.

I never understood why joe dante's movies are so unfairly rated here. Not even a 7? Most of his movies are great, they show how passionate he is about cinema, how he wants the viewer to be engaged and fascinated about what he's seeing. The special effects are great in general, and we're talking about 1981. It starts slowly, not in a boring way but a bit slowly, and it builds the atmosphere throughout the first hour. The last half an hour it's just pure fun that you see with a smile in your eyes, laughing and being scared at the same time.

It's just that type of movie where you get what you're waiting for, and your expectations are in place. Joe Dante knows how to build an amosphere, how to make the characters scary but not terrifying and mostly what i really love about it is how he's committed to the amusement of the audience. I liked this one as much as an american werewolf in london. It's not my favourite joe dante movie (i think matinee still wins) but it's cinema gold. Go and check it, it does deserve it. Dante is one of the most underrated directors ever,

Most of my favourite horror movies of the 1980s were small, indie movies made outside the major studio system e.g. 'The Evil Dead', 'Maniac', 'Basket Case'. Most of the "big" horror movies then (like now) were pretty lame. 'The Howling' is a notable exception. Watching it over twenty years after it was originally released is quite an eye-opener. It not only holds up well, it is in fact, a damn fine movie. Joe Dante must take the credit for this. For me in the 1980s Dante was like a smarter, more inventive Spielberg. Dante, who learned his chops working for Roger Corman as an editor, writer and director, is a knowledgeable horror buff (Universal, Hammer, Bava movies) with a sly wit and great sense of fun. 'The Howling' is full of in jokes and ironic nods, but never goes all the way into comedy. Dante takes the material seriously. This is a pretty scary movie and the werewolves are some of the best ever seen. Dee Wallace ('The Hills Have Eyes', 'The Frighteners') is a TV reporter who is traumatized after a close encounter with a serial killer (Dante regular Robert Picardo). Dr. Waggner (Patrick Macnee of 'The Avengers' fame), a charming psychiatrist she knows and trusts suggest that she and her husband Bill (Christopher Stone) join him at his therapeutic retreat "The Colony". I won't spoil the movie by going into detail about what happens next, but it's creepy and entertaining. Wallace is very good and Picardo, who usually plays comic roles, is convincing as Quist the psycho nut job. 'The Howling' was co-written by John Sayles, who pops up in a cameo, as does Roger Corman, and super fan Forrest J. Ackerman, former editor of 'Famous Monsters Of Filmland'. Dante is a loyal guy who always likes to acknowledge where he is coming from, so as well as Corman and Ackerman there are roles for horror legend John Carradine, Kevin McCarthy ('Invasion Of The Body Snatchers'), Kenneth Tobey ('The Thing From Another World'), Slim Pickens ('Dr Strangelove') and Dick Miller (as "Walter Paisley" his character in Corman's 1950s b-grade classic 'A Bucket Of Blood'). 'The Howling' is sure to be enjoyed by every horror buff and for me is one of the all time best werewolf movies along with Universal's 'The Wolf Man' and Hammer's underrated 'The Curse Of The Werewolf'.

After a bizarre and near deadly encounter with a serial killer, a popular television newswoman called Karen White (Dee Wallace) suffers an embarrassing breakdown during the live broadcast. In an effort to recover from her trauma, Karen visits her psychiatrist, Dr. George Waggner (Patrick Macnee). Meantime, Karen's colleagues Terry (Belinda Belaski) and Chris (Dennis Dugan), continue their investigation of "Eddie the Mangler". Then Karen is sent to a remote mountain resort whose residents may not be what they seem. It is a secluded retreat where the strange residents (John Carradine, Slim Pickens, Elisabeth Brooks, Noble Willingham), are rather too eager to make her feel at home. There Karen and his husband (Christopher Stone) discover a weird form of lycanthropes. There's a pack of werewolves who are trying to keep a low profile and really hidden under ordinary villlagers. What she has witnessed, she cannot escape. What he has become, he cannot control. And what you experience, no one will believe until they come face to face with the inhuman fear that is the howling. All your nightmares are about to be transformed into one single inescapable fear! They're out there - and you're in the middle of your worst nightmare...When the howling starts... the horror begins! Beyond anything human. Imagine your worst fear a reality.

A classy horror movie that gives the quirkness and wit of the vintage wolfman genre. The motion picture displays action, suspense, terror with fun touches. Crammed with inside jokes, this horror-comedy pioneered the use of the body-altering prosthetic make-up (by Rob Bottin) now essential for on-screen man-to-wolf transformations. In ¨The Howling¨ stands out a great support cast cast with plenty of familiar faces, such as: Patrick Macnee, Belinda Balaski, Dennis Dugan John Carradine, Slim Pickens, Elisabeth Brooks, Noble Willingham, Robert Picardo, Kevin McCarthy,Kenneth Tobey, Dick Miller, among others. The motion picture was competently directed by Joe Dante. Rating: 7.5/10, better than average.

Followed by six sequels: ¨The Howling 2, your sister is a werewolf¨ 1985 by Philippe Mora with Christopher Lee, Sybil Danning, Marsha Hunt, Reb Brown. ¨Howling 3, The marsupials¨ 1987 by Philippe de Mora with Barry Otto, Michael Pate, Frank Thring Jr. ¨The Howling 4, The original nightmare¨ 1988 by John Hough with Romy Windsor, Michael T Weiss, Anthony Hamilton. ¨Howling 5, The Rebirth¨ 1989 by Neal Sundstrom with Philip Davis, Ben Cole, Victoria Catlin. ¨The Howling 6, The Freaks¨ 1990 by by Hope Perello with Michelle Matheson, Brendan Hughes, Antonio Fargas. ¨The Howling 7, New moon rising¨ 1995 by Clive Turner with Romy Windsor, Jacqueline Armitage, Clive Turner, Elizabeth She.

Have an appreciation for horror and had been interested in 'The Howling' franchise for a while, with the first film being highly recommended. Also know that werewolf films have been done well on film, the obvious example being 'An American Werewolf in London' (over 35 years on and that film is still a classic). So decided to continue my "watching and reviewing all films from horror franchises" quest, and did so with 'The Howling' series.

While not as good as 'An American Werewolf in London', not quite a classic and not without imperfections, 'The Howling' managed to be a highly effective and solid film of the genre and as an overall film. If asked whether it seems like it has held up well, my answer would be it seems as though it has. It's entertaining and has unsettling moments, while also being surprisingly well made and made by someone with a clear love for the genre with quite a number of affectionate touches. As far as 'The Howling' franchise goes, this is by far the best having found the follow-ups a very mixed bag. When it comes to films centred around werewolves, it's also one of the better ones.

'The Howling' may take too long to get going, with a relatively uneventful first stretch, and is not without its dull spots.

Regarding the acting, it is variable with Christopher Stone looking as though he was not very interested in his role or the film, his acting resembles that of sleep-walking. Dee Wallace fares much better, she is appealing and looks engaged but she is not without her not so good spots, particularly in some of her reactions.

On the other hand, 'The Howling' does look great. There is a lot of atmosphere and it is very stylishly photographed, the secluded setting also adding a lot. In this regard though, faring best are the pretty amazing special effects/make-up. The score looms ominously very effectively and Joe Dante directs with an assured hand, never ill at ease or losing control of the material, and with clear affection of the genre.

Standing out too are the sharp and witty script, a very successful attempt at turning genre cliches on their heads and doing things fresh with them and some quite decent characters that don't bore or annoy, some named after horror incons such as Freddie Francis and Terrence Fisher. In particularly the second half when things do properly get going, there is a suspenseful and unsettling atmosphere and actually did think there were some nicely timed scares. The werewolf transformations are highly imaginative and look great even today. Although the acting is variable, the horror stalwarts involved fare very well, they are accomplished and clearly know what they were doing. John Carradine is the clear standout here.

In conclusion, solid atmospheric fun with bite. 7/10 Bethany Cox