CALIFICACIÓN DE IMDb
7.9/10
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TU CALIFICACIÓN
Dos niños viajan por el largo camino hacia Alemania para encontrar al hombre que creen que es su padre.Dos niños viajan por el largo camino hacia Alemania para encontrar al hombre que creen que es su padre.Dos niños viajan por el largo camino hacia Alemania para encontrar al hombre que creen que es su padre.
- Dirección
- Guionistas
- Elenco
- Premios
- 12 premios ganados y 5 nominaciones en total
Stratos George o'Glou
- Orestis
- (as Stratos Tzortzoglou)
Opiniones destacadas
A quest for an unknown father becomes an odyssey into adulthood for two illegitimate Greek children, traveling alone the length of their country in a hopeless attempt to trace the whereabouts of a man they know only from the bedside fairy tales told by their mother. The journey is often grim and brutal, but is also filled by occasional magic, transforming their search into a sometimes sweet, sometimes bitter reflection of childhood mysteries and adolescent pain.
The reticent screenplay and slow, deliberate rhythms will likely be tedious to anyone with a TV-damaged attention span, but the same understated detachment can sometimes have a devastating impact, for example during a rape scene made all the more chilling for taking place just out of view, and in total silence. Discriminating viewers able to avoid nodding off into their popcorn will find it a film of rare beauty, with an emotional resonance to match the often haunting imagery.
The reticent screenplay and slow, deliberate rhythms will likely be tedious to anyone with a TV-damaged attention span, but the same understated detachment can sometimes have a devastating impact, for example during a rape scene made all the more chilling for taking place just out of view, and in total silence. Discriminating viewers able to avoid nodding off into their popcorn will find it a film of rare beauty, with an emotional resonance to match the often haunting imagery.
To me, this is one of the greatest movies of all time. Art and a very touching and interesting story combine each other and create this masterpiece with some unforgettable scenes, images and a mesmerizing cinematography. At the beginning, we do not see the mother of the little sisters, only hear her voice. While watching this scene, I thought that it is to make us feel that the sisters are lonely, nobody cares about them, nobody worries about them. In another scene, the sisters visit a man who is probably one of their relatives. However, he looks disturbed when he sees them. The Petrifying truck scene is a story itself. This scene is horrible in terms of content, but enchanting in terms of cinema. And sharp realism. If there is a flaw in the movie, it is the final. It was obscure and not stunning as the rest of the movie. I mean the scene takes place at night. It could have been a bit different, less obscure. Instead of commenting the end of the movie, some say that it is one of the finals that everyone draws their own conclusion, but for such a content or story, it does not seem a good idea. By the way, always, especially critics say this is a story of getting conscious or growing in wisdom, if a movie is about a little girl or boy. Well, this is not actually, the movie is much more than that and much more different. And as you guess, no cliché. The older sister is conscious anyway. She is aware of everything like an adult, even if she sometimes falls. The both sisters are very courageous and at the same time naive. I wanted to help them in the times they need. However, the weather is cold, desolate ways. Unsafe and risky. The vehicles pass them carelessly and don't stop. Probably the best Angelopoulos movie.
A road movie about two children (Voula and Alexandre) searching for their father who is supposed to live in Germany. Their obsession for this father figure will take them to the boundaries between childhood and adolescence.
"Landscape in the Mist" was Angelopoulos' first film to be distributed in the United States, being distributed by New Yorker Films. This also happens to be the first of his films that I have seen, and one of the first Greek films, for that matter. (If I have seen more than ten Greek films I would be surprised.) The concept is great, but what really sells the film is some of the strong imagery. The most gripping part of the entire film was when a helicopter came and lifted something out of the water... it was captivating and seemed to possess far more meaning than it possibly should have.
"Landscape in the Mist" was Angelopoulos' first film to be distributed in the United States, being distributed by New Yorker Films. This also happens to be the first of his films that I have seen, and one of the first Greek films, for that matter. (If I have seen more than ten Greek films I would be surprised.) The concept is great, but what really sells the film is some of the strong imagery. The most gripping part of the entire film was when a helicopter came and lifted something out of the water... it was captivating and seemed to possess far more meaning than it possibly should have.
10sleex07
Seen the movie in HK International Film Festival over 16 years ago and still could not stop crying whenever I think of the kids in the movie. Be prepare for a sad story. Yet, the whole movie was filmed so artistically and many scenes are so creative (esp. at the age of the production.) This is the only movie still linger in my brain from time to time. Still miss the kids in the movie and wish to be there to get them out of the difficult situations. It is the power of the movie, the power of the director/writer, the little actress and actor. No more description can replace the movie itself. To fill up lines - being a mom of 2 now after the years, I miss the kids in the movie even more.
A journey is often the best way to find yourself, even if you are looking for something else. Greek director Theo Angelopoulos' film traces two runaway children – 11-year-old Voula (Tania Palaiologou) and her five- year-old brother Alexandros (Michalis Zeke) – as they search for a fictive father their mother made up stories about. On the road, they learn the realities of life – cruelty, violence and the crude struggle for survival, but also friendship and the first stirrings of romance. In a particularly startling scene, joy and sorrow are revealed simultaneously as a horse dies before their eyes, even as a marriage is mirthfully celebrated nearby. In another, the hand of a statue pulled out of the water could symbolise fragmentation, among several other things. In the end, the quest is hopeless. It's a desperate search for value, for meaning, for that indistinct dream you cling on to which gives life a sense of purpose.
¿Sabías que…?
- TriviaAfter the scene of the hand surfacing out from the sea, the young actor says the sentence 'Who, if I cried out, would hear me among the angels' hierarchies?'. This sentence is from The First Elegy by Rainer Maria Rilke.
- ErroresWhen the truck pulls up at the truck stop, (at around 56 mins) there is a red and blue sticker in the bottom corner of the windshield. When it pulls over later on the side of the road, the sticker is in the centre of the windshield.
- Créditos curiososOpening titles: The band "The Last Drive" is heard from their Hitch-hyke records' "Underworld Shakedown" album (credit appears on the same screen with those for photography assistants).
- ConexionesFeatured in Les enfants jouent à la Russie (1993)
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