Gremlins 2: La nueva generación

I rate both films exactly the same but for very different reasons, the first film was an enjoyable romp fusing horror and comedy to great effect. When I saw that there was to be this sequel 6 years later I was very pleased indeed. What I hadn't bargained for was the sharpness of the writing and the satirical structure that director Dante laid out for audiences to watch.

Focusing very much on the then modern obsessions like tearing things down to build state of the art monstrous complexes, or the need for a better world; be it the laboratory testings for better life forms, or machines to run our lives; Gremlins 2 plays out as a sort of morality tale that sees the creatures themselves as byproducts of the human condition. In true classic creature feature fashion, Dante manages to garner a level of sympathy for the Gremlins. These vile offspring of the offspring are party animals, they have fun, they like to sing and go nuts, they are in short, quite like a stag party on the Costa Del Sol! Throwing in as many film references as it can, Gremlins 2 may have a satirical slant at it's heart, but sure enough the fun from the first film segues nicely into this picture to make this one of the better, and more smarter sequels on the market.

And those darn Gremlins are nastier and uglier than ever as well! 8/10

Fancy some Gremlin Stew? Three underrated sequels came out in 1990. Predator 2, RoboCop 2, and Gremlins 2. I remember waiting in the lobby of a cinema in Orlando, Florida before a screening of Back to the Future 3, looking at the cardboard standees for Gremlins 2 and RoboCop 2 side by side. My 9-year-old self was a HUGE fan of the first movies and staring at a standee taller than me, featuring wonderful artwork, for those sequels was big deal for me. I pity kids nowadays who don't have the attention span to soak up little moments like that.

Dante takes everything that was great about Gremlins and cranks it all the way up to a zillion. The original movie was a dark xmas comedy horror with B-movie undertones. The sequel goes so over-the-top it launches itself into the stratosphere and doesn't come back down until the very, very end of the credits. It's just wall-to-wall mayhem with so many in-jokes it'll make your head explode. The movie even attempts to begin as a Looney Tunes cartoon.

Gizmo, now back with Mr. Wing, escapes the curiosity shop after the old man dies and is found by a scientist working at Splice of Life, a laboratory located in the Clamp Premiere Regency Trade Centre and Retail Concourse (a big skyscraper in Manhattan). Working in the art department of that skyscraper is Billy Peltzer, hero of the first film. Billy eventually locates and rescues Gizmo, but he gets wet before Billy can take him home, spawning a new generation of cute, fluffy, malevolent Mogwai (Mohawk, Lenny, Edward G. Robinson-lookalike George, and the absolutely mad Daffy). They eat after midnight at a Yoghurt stand in the lobby. The following day the Clamp building, and all of the tenants (from the Archery Channel to the movie print itself, leading to an amusing cameo from Hulk Hogan) are besieged by a horde of gremlins intent on mass destruction and good times at any cost.

One can accuse the film of having no story beyond giving the Gremlins a lively backdrop for their wild antics, but when you're having so much fun isn't that what matters most? Goldsmith's score (sadly underrepresented on the 22-year-old Varese Sarabande CD) has a lot more weight second time around, backed-up by a large orchestra and string-based action cues. You'll absolutely love it! Chris Columbus didn't return for this movie, leaving scripting duties to Charlie Haas. He uses the Gremlins and the ___location to skewer big city culture and satirize business tycoons. John Glover is brilliant as the easily excitable Daniel Clamp, a Donald Trump-like property magnate who has more money and power than he knows what do with.

It's amazing that a third Gremlins movie was never made. Despite it now being 22 years since Gremlins 2 and 28 years since the first movie virtually every kid knows what the Gremlins are and are familiar with Gizmo (who may well be the cutest thing that ever existed). It's still a huge cash cow and a recognizable brand, and why Warner never greenlit Gremlins 3 is puzzling to say the absolute least.

One last thing. Stay with this film until the end of the credits.

Years after the original outbreak, Gizmo and the gremlins return... and invade the Clamp building (a parody of Trump Tower). Luckily, Billy and Kate are on hand to stop them again, and Dick Miller is ready to fight them to the death. Now in many assorted varieties (thanks to a genetics lab), the threat is bigger... but the laughs are harder.

It's not unusual for horror sequels to become more and more humorous as they go. "Child's Play" slowly became a complete joke as the series went on. The same with "Leprechaun". With "Gremlins", it didn't take long at all -- Joe Dante not only mocks his first film but completely parodies it and turns it inside out. We are treated to an endless barrage of non sequitors, in-jokes, and homages to more than a few dozen movies. Most of the references are obscure (such as Dick Miller killing a gremlin in the same manner as his character Walter Paisley from "A Bucket of Blood"), but that's what makes the film viewable again and again.

Those who loved the first may dislike the second, but those who disliked the first may like the second. That Dante is able to switch gears so smoothly is incredible. With the main characters remaining constant, it should bring appeal from one to the other. How often does a sequel keep the core cast and the director? And dudes, this was during Phoebe Cates' adorably cute phase. Not the sexy seductress of "Fast Times", but a dollface you can't say no to.

I watched this one right after "Howling III" as I was beginning to sober up from drinking Passport Scotch. I switched to Clan MacGregor Scotch, but my belly was full so I didn't drink nearly fast enough. But I think that's quite alright, as "Gremlins II" is a timeless classic that should be enjoyed with a clear mind. (But if you want to drink, drink... it won't make the film any worse.) Did I mention Christopher Lee is in here? He is. Why does he have a pod from "Invasion of the Body Snatchers"? Who knows! But his role as a scientist (not a mad one) is perfect for him, and a nice change from his Hammer horror roles as Dracula (though we still get a nice blood drinking reference). It might be one of the appearances by Lee I enjoy the most.

If you mixed the original "Gremlins" with "Muppets Take Manhattan" (or maybe "The Great Muppet Caper"), it would be almost like this. Well, maybe not. I don't know. But if you get the chance to see "Gremlins II", see it. You've probably already seen it, though, so why am I telling you to see it? You already know. For that one person who reads this that hasn't seen it, you should. Both horror and non-horror fans will love it. Perfect date movie? Perhaps!

This here is Joe Dante's best film. It's a delightful and absolutely charming dark comedy. I begged my mom to take me to see this back in 1990 and thankfully I can say I saw this on the big screen.

Years later when I watch it, I can catch all of the little references and nods to other great films of the past. The Warner Brothers Looney Tune cartoons have obviously made an impact on the directorial style of Joe Dante. What's great is the combination of this type of humor blended with these devious little monsters wrecking havoc in the Clamp Building. Speaking of Clamp, John Glover was excellent as Daniel Clamp (a parody of Donald Trump). He's absolutely hilarious!

There are many terrific special effects and sequences in the film. It's hard to tell you which scene is my favorite because I adore every moment of the film. I will say one of the scenes that sticks out for me is when the Bat Gremlin flies out into New York City by day. I just love those excellent shots of him flying through the sky. Of course, the Brain Gremlin and the 'New York, New York' number is fantastic as well. "Is eeeverybody heere?" And who could forget when the Gremlins got their revenge for Leonard Maltin's lambasting of the first Gremlins movie?

All this is accompanied by a fantastic Jerry Goldsmith score (which happens to be one of my favorites of his as well). The collaboration between Goldsmith and Dante isn't unlike that of Hitchcock and Herrmann or Spielberg and Williams.

The film abounds with dark jollity and watching it you can tell that the filmmakers had a fun time making the picture. To include the audience as part of the goings on, is a real treat.

Out of all the thousands of films I have seen, none have been or ever will be more entertaining than Gremlins 2.

I LOVE it.

This film is often looked back on as not only the lesser of the two Gremlins flicks but not a very good movie in general. I just don't understand it -- I love this movie! It successfully continues the underlying theme of the original (unlike a lot of sequels which seem to forget their points entirely): "gremlins" are mythical creatures blamed for mechanical errors (if an appliance is broken, it must have been the work of gremlins). In this movie, the gremlins are loose in a totally automated high-rise office building, already suffering from its own malfunctions, which serves as the perfect playground for them. Charles Haas' script is absolutely hilarious, filled with more movie in-jokes than I can recall seeing in a single movie, and it even pokes fun at the more serious original. In fact, I think many people disliked this film because of its total irreverence compared to the first; it didn't try to be scary for a second and Rick Baker's creature effects turned out goofier than Chris Walas's original creature designs. Just realize...this is a comedy! Definitely worth seeing more than once to catch the barrage of jokes and references...and sit all the way through the credits!