Ciudad en tinieblas

Dark City is the best film of Alex Proyas. He uses the Gothic and claustrophobic themes commonly and dark colors prevail during the film like "The Crow" .The story doesn't follow a certain order of rule, instead there is some mind games and puzzles in the film, that causes watchers to be active in each minute and motivate to the movie..

The topic is about a man who loses his past and first finds himself in a bath tub, doesn^t know about himself and his life, but he has one ability that no one has, he can be alive when the evil forces stops the time and reshapes the world according to their own demand. The story is so fantastic and Proyas' nightmare world come true in that movie.

I can basically say that it's one of the best science fiction movies ever made, it opens doors to different dimensions and force human brains' capability....

"Mutlu Bahar"

John Murdoch (Rufus Sewell) wakes up in an eerie hotel, naked and in the bathtub, with no memories and blood on his forehead. (I couldn't imagine a more strange and frightening experience.) The ring of the hotel phone breaks the silence-- a strange man on the other end tells him he must leave because there are people looking for him. Many events such as this one unfold in Dark City, where "man has no past... and humanity has no future".

Dark City has been passed over by so many critics it's depressing. I think that it should at least have been up for "original screenplay" or SOMETHING at the Oscars to reward Alex Proyas for his fantastic vision. I fail to see why so many people label this movie "noir" like it's BAD or something. Being dark and twisted is not a crime, and despite some other people's comments, this movie is NOT just for the trenchcoat-wearing masses (or if it is, maybe the rest of you can learn something from Goths). If you like sci-fi, dark plots and having reality be so well distorted that you don't realize it IS, so you will love Dark City. (People who have seen the Matrix BEFORE this movie MUST see it, it is very similar in these three respects).

I gave it a 9 out of 10 ONLY because I thought the ending fight scene was a bit weak. Great for a fight scene, but because the rest of the movie focuses on John Murdoch's quest to discover his past and the eerie, ominous happenings in the city, the climax seemed hastily thrown together, as if the crew all of a sudden remembered they had a deadline to meet and could no longer continue the plot in the previous fashion.

The visuals in this movie were absolutely stunning. The effects were NOT used to substitute for the plot, like other movies such as Starship Troopers, Lost in Space and Alien: Resurrection. They were used only as needed and were breathtaking. The editing is NOT as choppy as is rumored, it only lends to the power of the movie. There are some heart-stopping images in Dark City. Watch for the Strangers' clock, views of the city and John's memories.

Proyas takes ideas and ambience from many other movies but integrates them all neatly into Dark City. Gotham City is clearly seen as is Metropolis and other influences such as Ed Hopper's "Nighthawks" dominate in the diner scenes. The forty-ish era (yet strangely futuristic) city is known to be populated, and yet it is ominously empty (hence one of Hopper's main themes, isolation in large cities). (It's especially quiet at midnight, hehehehe... ;D ) This 40's era ambience together with the sci-fi fantasy undercurrent makes for a very interesting feeling while watching.

I'm happy that Kiefer Sutherland, Richard O'Brien (of Rocky Horror fame) and William Hurt agreed to do this movie, it gave Dark City just that much more validation in the USA (I wish things weren't like this, but they are). Kiefer Sutherland is absolutely wonderful and convincing as the doctor/scientist Dr.Schreber, and Rufus Sewell is a properly confused yet determined John Murdoch. Many critics say that William Hurt's character, the detective, and Jennifer Connelly's Emma Murdoch could have used a little more development, but I think part of the point of Dark City was that you don't really know who people are (not to mention yourself). Richard O'Brien and his character's whole race creep me out every time I see the movie, but he's especially frightening and a strange character. I had to resist the urge to talk like a Stranger after seeing the movie a few times.

Trevor Jones, one of my favorite movie composers, did the score for Dark City, and I must say it's very apropo. The deep, bass vocals and frantic themes are some of my favorite aspects, but "Memories of Shell Beach" is a haunting, beautiful song as well. Some of my other favorite scores by him are the Dark Crystal and Last of the Mohicans.

Altogether, I think Alex Proyas had a stroke of genius in the making of this movie. One of the most original dark sci-fi movies I've seen in a long time. It deserves its place with the Matrix, 12 Monkeys and others, pioneers in a field so changed (usually for the worse) since Star Wars and since earlier sci-fi classics. I hope these won't be the last of a (dare I say it?) dying race of movies that have true creativity and originality.

For science fiction fans the late 90s were great years. The most famous and popular of all was The Matrix but Alex Proyas's much more thought-provoking(which is saying something as the Matrix, at least the first movie was very thought provoking itself) film is just as good. No movie can ever have too much atmosphere, and Dark City exudes it from every frame of celluloid. Alex Proyas' world isn't just a playground for his characters to romp in -- it's an ominous place where viewers can get lost. We don't just coolly observe the bizarre, ever-changing skyline; we plunge into the city's benighted depths, following the protagonist as he explores the secrets of this grim place where the sun never shines. Visually, this film isn't just impressive, it's a tour de force. Thankfully, Dark City doesn't have an "all style, no substance" problem, either, because there's a mind-challenging story to go along with the eye candy. Proyas hasn't written this film for the passive viewer. To become involved in Dark City, thinking is mandatory.

A presence down below seeks to affect, the lives of those above to cause effect, and observe the interactions, of various transactions, to ascertain, to verify and to collect. It's a process that's repeated every night, if you knew why, it might just cause a fright, as emotions are arranged, past lives remixed and estranged, try as you might, you just can't fight, or see the light. Then there's John Murdoch who's a mystery and a puzzle, his mind resists being altered and reshuffled, an ability to craft, to change, reflect, and cast, causing tremors down below, a big kerfuffle.

A far from unoriginal take on a simulated world we may or may not live in.

John Mudoch (Rufus Sewell) awakes in a bathtub completely naked, with blood dripping down his forehead, unaware of what is happening, he remembers nothing. In the next room he finds a dead body and a blood stained knife. What follows is john trying to piece together what is happening to him and what he unravels is one of the greatest science fiction stories ever put to film. There is a group called the strangers who have an ability to physically change surroundings of them and the people living in the city, they call this ability "tuning". They soon discover that john also has this ability, which is impossible as it would take a normal human a few lifetimes to gain the ability to "tune". Thats the most i can tell without giving away major plot points.

The movie is set in a 1940ish looking city where detectives are hunting John, along with the mysterious strangers. The tall buildings and the knowledge that the strangers could be anywhere in the city gives a menacing ambiance, heightening the tension in the movie and giving off a great effect on the viewer. The special effects in Dark City are stunning and realistic, especially when certain characters use "tuning".

Rufus Sewell gives a good performance as John Murdoch, though i could'nt help feeling he was holding back somewhat. I could think of a few other actors who could have gave a much better performance but he was generally good.

Kiefer Sunderland as Dr. Daniel Schreber was very good and seemed to have put all of his effort into his character, its quite an unusual role for Sunderland but he pulls it off pretty well.

Another performance worth mentioning is Richard O'Brien as Mr Hand, he gives a genuinely creepy performance as one of the main strangers, i thought i would see him and think crystal maze through all of his scenes but he does a pretty good job of playing a convincing character.

Overall the movie leaves a few unanswered questions, leaving the viewer to conduct their own theories about the outcome of events. I have a good grasp of the story as a whole but some people will find bits and pieces confusing. A great film anyways, i gave it an 8 because it tends to drag in some spots, but the end makes up for all doubts.