Buddy Boy

This disturbing and hilarious film achieves a delicate balance of the macabre and the absurd. At times it approaches satire, but its ultimate dramatic intensity belies a more serious study of faith and alienation. The performances of Aidan Gillen, as Francis, the lonely introvert voyeur, and Susan Tyrrell, his abusive mother, are exceptional. The production design and cinematography together create a strange and haunting world. One particularly interesting element is the use of sound to convey the protagonist's changing psychological perspective. Overall, this film has the unusual characteristic of staying with you long after you've seen it. I would highly recommend it.

Buddy Boy is an amazingly twisted and brilliantly written piece. Hanlon is obviously a man possessing exceptional skill and an enviable creative mind. The film requires that its audience possess the intelligence and acumen in order to appreciate its complicated, dark beauty. One can only hope that he continues to provide the movie-going community with such wonderfully challenging material.

A dark and disturbing film about Francis (Aiden Giillen), who lives a lonely introverted holy life with his bed-ridden stepmother Sal. But all is not what it seems, and the twisting plot of this story manages to make you feel very uneasy. Most of the time you find yourself on the edge of your seat trying to map out the film, but the unexpected twists and turns and the addition of odd and frightening sub plots make this film addictive from the first minute. This is a film that will stay with you for a long time after you have watched it. It is quite frankly terrifying and spooky at times, when Francis' neighbour, a strict self-proclaimed vegan, who he grows to love, is not all she seems when she is seen hacking away and eating raw meat, which is concerningly similar to a piece of human flesh. The film leads to an underlying and alarming suspicion of cannibalism, violence and murder. At the same time, freaky sub plots emerge and a startling shock appears when Francis' stepmother Sal becomes involved with a plumber, and after an incident emerges, Sal is not all she appears to be. The further involvement of another curious subplot about an abducted girl who Francis keeps seeing, adds even more suspense. The Plot thickens when you're left with the feeling that Francis may be imagining things, but is he? I loved this film and the ending is a brilliant and extremely scary, and leaves you wondering. I found myself asking everyone I knew if they had seen it just to hear their theory's about what was going on. Without a doubt a must see film.

This film offers such a vivid depiction of mental illness that I found myself slightly disturbed after I had done watching it (I'm OK now, though!!) It will appeal to those who are fans of unsettling psychological horror that explores one person's mental state. Other films that I'm sure this one carries the influence of, include: "The Driller Killer", "Psycho", "Bad Boy Bubby"...

I'm no psychiatrist, but it struck me how it might be possible to get so wrapped up in one person, that you begin projecting your issues onto them once they've let you down; because up until then they'd been the only reliable, stable figure in your life. Throw in religious crises, which have the ability to make you even more uncertain, and you've got the recipe for one seriously messed-up individual. There is imagery contained within to turn your stomach and make your head spin. Take a chance on "Buddy Boy" if you're in the mood for a walk on the wild side; I just hope you come back unscathed... !

Buddy Boy is a psychological thriller on the same scale of Roman Polanski movies. While seeing Buddy Boy it immediately reminded me of a particular Polanski movie, The Tenant. Both stories deal with men looking abroad to the windows of others and noticing bizarre happenings. Thus causes the men to slowly go insane and therefore indulge themselves within their own insanity.

The story deals with a stuttering young man who is very reclusive and lives with his stepmother. He spends most of the time locked in his room. A perverse pass time of his is to look inside the apartment of a beautiful woman, played by Polanski’s wife, Emmanuelle Seigner. He falls in love with the woman’s image without knowing her. As the story develops they eventually meet and become friends. The young man continues to spy on the woman due to his lack of trust in her. As he peeps into the woman’s apartment, he begins to notice that she cooks human flesh and eats it raw. He goes over the woman’s apartment, only to discover that she is eating vegetables, I forgot to mention the woman is a vegetarian. The young man begins to think God hates him for making him see terrible things. Apparently the only time he sees the acts of cannibalism is when he is at his Peeping Tom area. This is the beginning of one man’s decent into madness.

I expected to see a particular type of stylish psychological film, instead I witnessed something more disturbing than what I usually see. Nevertheless it was an interesting movie. The style is ugly, its not elegant it’s simply ugly. So far I have not learned to like this particular style, I prefer something more elegant, meaning I dislike movies that take place in the rural areas of a metropolitan city. Despite the settings I thought the film was decent. It’s definitely a change of pace horror film instead of watching the typical teenage slasher Hollywood flicks. Which I don’t see but I’m sure they are terrible. Buddy Boy is a film that allows you to have your own conclusion, it doesn’t give you the ending, you create it yourself by what you saw from the flick.