Un ex general romano se propone vengarse del corrupto emperador que asesinó a su familia y lo envió a la esclavitud.Un ex general romano se propone vengarse del corrupto emperador que asesinó a su familia y lo envió a la esclavitud.Un ex general romano se propone vengarse del corrupto emperador que asesinó a su familia y lo envió a la esclavitud.
- Dirección
- Guionistas
- Elenco
- Ganó 5 premios Óscar
- 60 premios ganados y 104 nominaciones en total
Resumen
Reviewers say 'Gladiator' is acclaimed for its epic scale, powerful performances, and emotional depth, especially Russell Crowe's Maximus and Joaquin Phoenix's Commodus. The film's visual spectacle, Hans Zimmer's score, and Ridley Scott's direction receive high praise. However, criticisms point to the script's simplicity, historical inaccuracies, pacing issues, and over-reliance on CGI. Some find it emotionally cold and overly predictable. Despite these flaws, 'Gladiator' is celebrated for revitalizing the epic genre and its significant impact on audiences.
Opiniones destacadas
How good is Russell Crowe though, easily one of my favourite actors. Joaquin Phoenix play the role of a little weasel very well. Absolute classic of a film.
I love history, and to me, Gladiator is a masterpiece. It is the most accurate picture of the Roman Empire Hollywood has ever put out. People declare Spartacus a masterpiece, but Gladiator far outdoes Spartacus in quality. The costuming, the acting, the screenplay, the scenery, and the fighting styles made me think that I had traveled back to 180 A.D. Russell Crowe is a true Hollywood tough guy, and he is superb in this movie. Joaquin Phoenix is outstanding as a villain, one of the best in movie history. He played his character as if it were a psychologist's dream case. Connie Nielsen plays one of the strongest female characters that I have ever seen. The choreographer of the action sequences was brilliant. Ridley Scott did an outstanding job in recreating the Empire, including the multitude of ethnic groups within the Empire and accurately depicting everyday life. If you're looking for insight into what the Roman Empire was like, this is a perfect depiction.
20 years on, the first DVD I bought is still a barnstorming, thrilling ride. There's so much to recommend this - Lisa Gerrard & Hans Zimmer's iconic score, the canny casting of Joaquin Phoenix as a foil for Crowe; the realisation that I quote this film in everyday conversation far more than I thought I did. If it should have won the Oscars is a moot point - this is another of Ridley Scott's superb worldbuilding - one of his primary film-making skills, giving us a Rome that feels recognisable yet still a break from the cliché's that had seeped in to popular culture before this. That the film's status was boosted by the DVD boom as it made its way to home release is undeniable, but this remains a film that thrills, absorbs and grips.
The epic blockbuster returns with the 21st Century's answer to Cecil B DeMille, Ridley Scott and his dramatic tale of courage and revenge, GLADIATOR - "the general who became a slave, the slave who became a gladiator, the gladiator who defied an emperor".
Once a great roman General, and as good as adopted son of Marcus Aurelius Caesar (Harris), Maximus (Crowe) is forced into exile by Commodus (Phoenix), heir to the throne, after the death of Marcus. Saved from death by slavers, he is purchased for use as a gladiator by Proximo (Reed) and ends up in the arena of all arena's, the Colloseum, where he proves unbeatable under his guise as "The Spaniard".
And with a budget of over $100m, Scott certainly delivers the goods. GLADIATOR transcends the notion of 'blockbuster' that we have become accustomed to in the age of electronic and special effects wizardry and instead offers a good old fashioned action film along the lines of Spartacus and and Ben Hur. Not only are we drawn into an archetypal story that contains all the classic elements a filmgoer could dream of (love, loss, courage, despair, good triumphing over evil etc etc) - also on offer is a visual feast of cinematic painting after painting - a rich tapestry of images that are breathtaking and ultimately visually satisfying. From the plains of Germania, to the desert stronghold of Zuchobar, and finally to great Rome herself, John Mathiesion, the cinematographer is to be commended highly for his general inventiveness and ability to capture so much on film. The opening battle scene is superb as a cast of thousands erupt across the screen and provide an indication that we are about to see a film that pays incredible attention to detail throughout its entirety. In every way, Scott has created a world for us that scuttles films of similar epic undertakings (and budgets!) and sends them to their dooms at the bottom of the murky depths of film history where they belong.
The cast is generally very strong. Crowe proves himself very suitable to the task with a great emotional range and depth of character. His accent ocassionally bugged me (as did the mish mash of accents on offer - but that is I guess a legacy of 'internationally casted films'), but this aside, he was well and truly up to the task. Phoenix is also excellent as the disturbed Commodus, as is Nielson as Lucilla, the daughter of Marcus who "should have been a son" and finds herself torn between loyalty to her brother and doing what is 'right'. The old guard thesps of Harris, Reed and Jacobi (Grachus) are uniformly strong as supporting characters, and Spencer Treat Clark (Lucius) does a fine job as the young heir to the throne.
Add to this great cast excellent editing and post production work, and an intricate soundscape (including a magnificent Hans Zimmer score), and you have a film that, despite its length, was highly palatable and had me in there from beginning to end. A must see.
Once a great roman General, and as good as adopted son of Marcus Aurelius Caesar (Harris), Maximus (Crowe) is forced into exile by Commodus (Phoenix), heir to the throne, after the death of Marcus. Saved from death by slavers, he is purchased for use as a gladiator by Proximo (Reed) and ends up in the arena of all arena's, the Colloseum, where he proves unbeatable under his guise as "The Spaniard".
And with a budget of over $100m, Scott certainly delivers the goods. GLADIATOR transcends the notion of 'blockbuster' that we have become accustomed to in the age of electronic and special effects wizardry and instead offers a good old fashioned action film along the lines of Spartacus and and Ben Hur. Not only are we drawn into an archetypal story that contains all the classic elements a filmgoer could dream of (love, loss, courage, despair, good triumphing over evil etc etc) - also on offer is a visual feast of cinematic painting after painting - a rich tapestry of images that are breathtaking and ultimately visually satisfying. From the plains of Germania, to the desert stronghold of Zuchobar, and finally to great Rome herself, John Mathiesion, the cinematographer is to be commended highly for his general inventiveness and ability to capture so much on film. The opening battle scene is superb as a cast of thousands erupt across the screen and provide an indication that we are about to see a film that pays incredible attention to detail throughout its entirety. In every way, Scott has created a world for us that scuttles films of similar epic undertakings (and budgets!) and sends them to their dooms at the bottom of the murky depths of film history where they belong.
The cast is generally very strong. Crowe proves himself very suitable to the task with a great emotional range and depth of character. His accent ocassionally bugged me (as did the mish mash of accents on offer - but that is I guess a legacy of 'internationally casted films'), but this aside, he was well and truly up to the task. Phoenix is also excellent as the disturbed Commodus, as is Nielson as Lucilla, the daughter of Marcus who "should have been a son" and finds herself torn between loyalty to her brother and doing what is 'right'. The old guard thesps of Harris, Reed and Jacobi (Grachus) are uniformly strong as supporting characters, and Spencer Treat Clark (Lucius) does a fine job as the young heir to the throne.
Add to this great cast excellent editing and post production work, and an intricate soundscape (including a magnificent Hans Zimmer score), and you have a film that, despite its length, was highly palatable and had me in there from beginning to end. A must see.
Gladiator is a historical epic from director Ridley Scott. After being betrayed by the new Caesar, Roman general Maximus is sold into slavery as a gladiator where he rises to fame as a people's champion and finds an opportunity to exact his revenge. Russell Crowe, Joaquin Phoenix, and Connie Nielsen lead the cast and deliver strong performances. Additionally, the gladiator fights are especially dynamic and exciting, featuring several different styles of combat. The costumes and sets are also remarkably well-done, and create a vivid depiction of ancient Rome. And, Hans Zimmer's score does an excellent job at capturing the tone of the film. Thrilling and action-packed, Gladiator delivers a compelling tale. "Are you not entertained?!"
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
¿Sabías que…?
- TriviaRussell Crowe admitted that he felt unworthy of all the praise and the Oscar for Best Actor that he got for this film. After seeing the completed film, he felt it was a "director's film," and that the Oscar should have gone to Sir Ridley Scott instead.
- ErroresRoman legions always fortified their encampments; they never camped on open space.
- Créditos curiososBoth the Dreamworks & Universal logos are altered to appear gold in color so they match the opening theme of Maximus walking through a wheatfield.
- Versiones alternativasThe 3 disc Special Edition VCD (Video CD) is edited:
- Excessive sexual and violent scenes, including profanities are censored.
- ConexionesEdited into Gladiator: Deleted Scenes (2000)
- Bandas sonorasPavor
Written by Walter Maioli and Nathalie Van Ravenstein (as Natalia Van Ravenstein)
Performed by Synaulia
Courtesy of Amiata Media, S.R.L.
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Gladiator
- Locaciones de filmación
- Ouarzazate, Morocco(on ___location)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 103,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 187,705,427
- Fin de semana de estreno en EE. UU. y Canadá
- USD 34,819,017
- 7 may 2000
- Total a nivel mundial
- USD 465,516,248
- Tiempo de ejecución2 horas 35 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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