Intacto

Juan Carlos Fresnadillo is a Spanish director who dares to be different to show us this visionary tale where chance, luck, passion and possibility are behind the action of this thriller. In doing so, he gets away from the formulas of the other Spanish filmmakers working in the Spanish cinema of today. He belongs to a new bred of creators with a sharp eye for detail and cinematic style.

This film pretends to be a game of wits between Federico and Tomas, who are connected in a strange way to the mysterious inhabitant of the casino, Samuel. Much of the early action is a bit confusing because the viewer doesn't have a clue as to what's going on. The scenery where the casino is located looks as though it could be on the moon, for its bareness and lack of life.

The acting if very good. Leonardo Sbaraglia is Argentina's gift to Spain. He's an interesting actor to watch; he has a very enigmatic look about himself. Eusebio Poncela is very effective as the shadowy figure of Federico. Max Von Sydow brings his royal presence as Samuel, the master player of the game that pits him against all the others that dare come close to him.

This film exudes intelligence and a film script above the mediocrity of what passes as Spanish Cinema these days, thanks to director Fresnadillo and his team.

This film puts you in the middle of a world where luck isn't all luck. In this world some people really *do* have more luck than others, and it can be transferred from one person to another by touch. But this isn't a film that spells things out-you're immersed and have to figure it out on your own.

Very early in the film we see Federico win several rounds of roulette in a row, betting on single numbers. He goes to see the owner of the casino, Sam (Max von Sydow), who hugs Federico (taking his luck) and then throws him out of the casino. Federico wants revenge, so he begins to look for a very lucky person to help him. He finds Tomás, the sole survivor of a plane crash.

To say more about the plot would give away too much, so I won't. The film is visually beautiful and unique, and there are a few scenes that will likely stick with you for weeks (I can say this with certainty since as I write this it's been over two weeks since I watched the film). I'm not normally someone who seeks out thrillers, but I'm very glad I saw this one.

Seen on 11/9/2002 at the 2002 Hawaii International Film Festival.

What is perhaps crucial about this movie is that it is shaped for a sophisticated cine-maniac,not so very keen about action and plot,rather willing to focus on the very atmosphere of the movie and the questions it puts in front of the viewer.

Whole idea of the movie is to find the real connection between love and luck,to investigate whether they are two sides of the same story. If one believes love could be a drug much more powerful than heroine , what to tell about luck - especially if one's life is all about taking advantage and satisfaction of luck possessed.

Slow,bit dream-like narration,avoiding obvious solutions,think-forcing movies and great photography makes Intacto my favorites.

To conclude I can quote Jill Scott:"gave me things to think about"

There is a strange atavistic, primitive even primeval core to this film. I spent part of my childhood in south west Ireland; I can clearly remember that people (men with a winning streak at the races or at cards or anything where luck is involved) would be touched by others to steal some of their luck. Those individuals with the lucky streak would do their best to avoid such contacts, often with threats of violence! This was all over sixty years ago. These primitive superstitions ought not to be easily discounted. Not so long ago man was much closer to the shadows of the forest than we sophisticates. The evil eye was a real force, the green man really existed. Our ancestors knew this. I loved this film I know something of what the film is trying to recapture before it's lost forever. It's not an easy film to sit through first time but stick with it. There's gold here. Technically it's making is first class. The acting is flawless and the directing to die for; it succeeds brilliantly on every front. This film will remain in my collection of great film memories. I recommend it to all and pay homage to those who made it.

For us "normal" people luck comes in streaks of good and bad, sometimes we have rotten luck, sometimes we fluke something and sometimes miracles happen. However for some people "luck" is a gift that is always with them but can be lost with the touch of another person with the same gift. When Federico is stripped of his gift by Samuel, a survivor of the concentration camps, he sets out to find another gifted as he was and use him as a way back into the series of games they play. He finds Tomas – the only survivor or a massive airplane crash that killed over 230 others. However, when Tomas flees his hospital bed he is pursued by a police officer, haunted by the loss of her husband and son, who also has the gift.

This film opens with a cool sense of atmosphere with people wearing hoods, long corridors, mysterious characters and so on, providing it with a good start but not one it builds on. That it manages to continue with a good visual style and a cool thriller atmosphere is what I will give it credit for but to me these are not enough to make this film work. The plot is very little more than a basic premise, which, although it acted as a very interesting hook, failed to serve anything in the way of substance or narrative up. The plot lacks logic and it relies on a series of reasonably good set pieces (the games) to keep the interest in the film up – I can see why Hollywood has bough the rights to remake it because it does have style and, if it gets a big name and a thriller director, the lack of substance shouldn't worry too many execs. The ending is good but by that point I wasn't feeling all that involved in the film and it had missed its chance to really get me on board.

In many ways the film reminded me of "Lucky Star", which some may remember was an advert pretending to be a trailer for a film about a man with impossible luck (played by Del Toro and directed by Michael Mann) but I thought the advert did it better. The characters are also pretty thin; I expected them to be complex and interesting considering the plot, but they were tools more than people. With this in mind, the cast actually did OK with what they have. Sbaraglia was a good presence with a good range; Poncela was coolly mysterious; Lopez was passionate and held the attention, but von Sydow just seems to be off in his own film somewhere, just filling time with the second unit director until the rest of the cast meet up with him.

Overall this has a concept that will bring many too it, but it doesn't do anything with it and it never really managed to get a good, involving story built up around it nor create characters to be held by. It is not terrible though, just hollow and unsatisfying – a few set pieces and consistently stylish direction and atmosphere all add value but this will be one time when I'm actually looking to a Hollywood remake to be an improvement.