A corazón abierto

Having just watched this film, I had to write something. Totally stunned by the film and its depth. The acting was superb, with totally believable characters involved with an amazing script. I would rate this as probably the most impacting film I have watched. I would recommend watching this film with a loved one. Don't miss any chance to watch this.

The music score is first class, and fits exactly with the tone of the film. Having not seen the actors before, my next task will be to find out what else they and the director have been involved with, in the hope that another gem exists of similar quality.

Another one of those small Euro digital films that explores human emotion so much better than the mega-bucks equivalents from the States.

When a loving couples unity is shattered by a horrific road accident that cripples the boyfriend, the story explores how a moment can destroy a lifetime or create alternate paths. Superbly acted with deep pathos and unflinching torment, I have yet to see a better performance this year of a female lead. You leave the cinema questioning how the happiest moment in your life can be stolen in a blink of an eye. Life is fragile and all too brief. Not a minute should be wasted.

I am not very much into dogma movies - but this one is really worth looking. As always, the danish acting is superb (by the way: can anybody explain me, why actors from Denmark are so convincing every time?) I also liked the open ending, which doesn't pretend to find a solution to a nearly unsolvable problem. Furthermore, the beginning was gorgeous. Susanne Bier presents her characters in slightly normal situations - but yet that charming and vivid, you just have to love the young couple. And so you also will suffer from the incident and its consequences for them. Another interesting aspect is, that there is absolutely no antagonist in this movie - and, surprise, surprise: you won't miss one! All the characters have two sides, are protagonist and antagonist at the same time - just like in real life!

A girl whose boyfriend went paraplegic because of a car crash falls in love with the husband of the woman that ran her fiancée over. Though the plot may look like a twisted soap opera the fact is that the movie of Akeson & Olesen is such an intense and wise portrait of human emotions. Feeling of guilt, love, infidelity... no flowery stuff and no useless decorations. "Open hearts" is a piece of life.

Despite the directors probe to know their job their movie wouldn't be the same without the impressive work of the extraordinary actors she chose. Propably none of them will won an Oscar, and they're not very popular, but they'd deserve to be big stars.

Another great contribution of DOGMA movement to last decade's cinema.

*My rate: 9/10

Enough has been said about the Dogme rules, and the many movies that have been made with the certificate. No matter if you like the concept or not, Dogme will always ad a great amount of realism into a movie. And in "Elsker Dig Forevigt"/"Open Heart" the realism is very strong. Probably stronger in any of the other Dogme-films I have seen.

Even more realistic the movie gets from the acting, which is outstanding. I found Mads Mikkelsen a bit under-achieving in the beginning, but as the drama gets more intense – so does Mikkelsen. He is Niels, the soft, modern, Danish family-man, who is as good with the kids as he is with his job. Other of Mikkelsen's parts has been very far from that, not least playing Tonny in Refn's "Pusher" and "Pusher II".

The wife of Niels, Marie, is well performed by Paprika Steen. Danish movies have had a reputation (in Denmark) that they are all dull, everyday-dramas with Paprika Steen in a leading role. "Elsker Dig..." has probably played a part in creating this reputation. It's not really fair, firstly because Danish movies are a lot more than that and secondly because Steen is really good. In "Elsker Dig…" she shows great dept in her acting, and in one of the best scenes in the movie Marie's 'house-wife-facade' breaks down, showing that Marie is a lot stronger than what you could have expected. It's a difficult scene, but Steen carries it out very well.

As the third corner stone of the triangle Sonja Richter is the young woman Cæcilie who's boyfriend Joachim (Nikolaj Lie Kaas) is severely injured, when he gets run down by Marie, driving a bit too fast. The performances by Richter and Kaas are as spotless as they are outstanding.

I have to comment on the children in this movie. It rarely works really well, because children aren't actors. But the teenage daughter of Niels and Marie, Stine (Stine Bjerregaard), has a lot to offer. She too has a big scene, again it works, and it's brilliant. The younger brothers, Gustav and Emil, works very good too. These kids aren't 'acting' they are 'living' their parts. Stop casting wonder-kids, and look this way!

This thing is normally not my thing. But still I rated this movie high – because it is a good movie. I generally like realism in movies (which I guess this review unveils) and that is 100% here.