El decadente

This wasn't a glamorized period costume drama that Hollywood loves to overdo and it wasn't NC-17 for nothing! There was some technical roughness and lack of continuity but they were minor quibbles in what I considered a triumph. The mood, the sets and cinematography, the script and, most of all, the acting were all of the highest and most innovative caliber. Depp was in almost every scene and was fascinating beyond anything I'd ever experienced. His force and range of emotion and naturalness were exceptionally powerful and moving from first to last. You hated him and loved him, were repulsed by him and felt pity for him. You were drawn to him almost against your will, like a vortex pulling you in. All else paled in comparison. This was a Johnny Depp that I'd never seen before but so hope I have a chance to again. This performance is the crowning glory to date of his illustrious career and I see no limits to what he can accomplish in the future. Everyone else was uniformly excellent although Samantha Morton didn't portray the allure the Elizabeth Barry in the play had.

My primary recommendation for improving this work in progress before theatrical release center around clarifying motivations up front for why these people were the way they were. This could be done by a combination of edits and additions. I found I liked it even better and was more moved by it the second time I saw it when I wasn't concentrating as much on following the storyline.

This was a movie I loved and can't get it out of my mind. It was stunning and compelling beyond anything I've seen in a very long while.

The Libertine was a brilliant period piece. It was a tragically realistic yet witty and humorous look at the Restoration period in England, but more specifically depicted the latter stages of the life of the Second Earl Of Rochester, a poet, who endured a short and debauched life. Here was a man so highly intelligent, yet so bored with life that he thrived by consistently pushing his limits and the boundaries of his relationships.

Johnny Depp eloquently and emotionally portrayed the Earl of Wilmot. This has to be by far his most brilliant achievement in a long line of unique and amazing performances. Mr. Depp's portrayal of the Earl showed a range of emotions, incredible nuances and a depth of empathy never before seen on screen, best illustrated during the scene where The Earl addresses parliament - which has to be the most gut wrenching scene, rife with fervor but with credibility. Suffice it to say by the end of this movie I had been reduced to tears and cheers, both at times coinciding. This is definitely an Oscar worthy performance. The golden statue is a must.

The supporting cast was also excellent; most notably, the actor who played the Earl's servant, and who appeared to have a great rapport with Mr. Depp, on screen. Samantha Morton, also superb as Mrs. Barry, gave a lovely and unobtrusive performance as was required for this character.

Laurence Dunmore captured the atmosphere of the period exquisitely with simplicity yet with a keen eye to detail. The reproduction of the 'family' Portrait of the Earl with the monkey is an excellent example. The lighting, the sets, the costumes all added to the reality of the movie. The musical score by Michael Nyman beautifully augmented the spirit of the times and of this production.

The Libertine was a work in progress when I viewed it twice at the Toronto Film Fest. I cannot imagine a scene being cut; even the more risqué dreams are required to impart the true emotional state of the Earl at that time in his life. Before passing judgment on this film I suggest that one see it at least twice so as to appreciate the full impact of the movie – to fully identify with the meaning and the thought behind this production.

The Libertine is a wonderful piece of art, representing the true raison d'être of this poet with incredible wit and insight. Congratulations to all who graced the production of the Libertine.

I was a little unsure about renting this movie at first, simply because it did not seem like the typical adventurous, fun-filled and slightly over-the-top Johnny Depp movie. I did eventually rent it and did not regret it one bit. "The Libertine" is a masterfully arranged movie that manages to capture the dirty, grimy feel intended to be associated with Rochester, the people he knows, and the places he frequents. The movie relies heavily on the characters and hence on the actors, who do a magnificent job of keeping the story on its feet. Each actors was greatly convincing in his/her role, giving each character a very 'real' feel and enhancing the movie's impact. Lighting and sets, while not particularly pretty to the eye, are fitting in every way. All in all, this movie was a great success and has managed to penetrate (no pun intended) the barrier between entertaining and interesting.

The libertine - What a film... Despite its murkiness, and turgid subject matter, Johnny gives what has to be, his most intricate and breathtaking performance. The first forty-five minutes focuses mainly on John Wilmot's drunken and lecherous ways, and the final forty-five minutes (roughly at around the time that Johnny removes his wig), the sad and awful truth of the life of Rochester kicks in, and from then on, its a cracking story. At the final scene as the light fades along with the haunting words of Rochester's final monologue, I don't think that I would be alone in saying that I was moved to goosebumps and spine chills. Depp is just so intense that frankly, he is beyond brilliant. If the academy don't recognise him this time, I will personally have 'words' with Mr Weinstein! On the whole, an absorbingly different film that deserves all credit.

'The Libertine' is a dark period drama that reminds one of Shakespearean tragedies. It can be watched as a wonderful character study as it takes a look at the Second Earl of Rochester during the Restoration period. He's a poet, a playwright and a tormented soul. He's a talented man but he's someone that dislikes life and his actions push 'cultural boundaries' that earn him more hatred from surrounding folks. We see in the initial stages of the film that he appears to be alright with being hated by so many but one thing, or person, changes it all...but perhaps it's too late for him.

Director Dunmore does a very impressive job of capturing the atmosphere of the time. The foggy melancholy, the brown poverty and the graying rot are some gloomy effects that finely contribute to this tragic piece. The costumes, lighting and set designs add to the gloominess. Though 'The Libertine' is a tragedy, it's filled with dark witty humour. The Earl's desire to have a painting with a monkey, the first scene at the bar and some of scenes between The Earl and Alcock are examples of such. However, Dunmore neglects many crucial parts of Wilmot's life which could have made the film and the character more interesting e.g. how much he loved his children and country, his relationship with his wife was very much a loving one etc...there are lots of historical inaccuracies.

Depp is both sublime and enigmatic and he brings the subtle humour and his character's torment, ambivalence and weakness with élan. One wonders why this performance didn't get as much recognition for in my humble opinion it's one of his best among the so many variety of wonderful characters he's articulately played. Samantha Morton indeed has a strong presence and of course delivers a fabulous performance. John Malkovich is adequate. It was great to see Richard Coyle and Jack Davenport in comedic roles that are upside downs of the characters they play in the famous sitcom 'Coupling'. Coyle is particularly effective as the Earl's loyal servant. Kelly Reilly does well in a small role and Rosamund Pike deserves special mention for giving her best performance and having a remarkable presence within an admirable cast.

'The Libertine' beautifully starts with a haunting monologue and ends with a sad one. It is a phenomenal study of a complex man, a man who rejected what he received but never got what he wanted. A superb film.