Una enfermera estadounidense que vive y trabaja en Tokio se enfrenta a una misteriosa maldición sobrenatural.Una enfermera estadounidense que vive y trabaja en Tokio se enfrenta a una misteriosa maldición sobrenatural.Una enfermera estadounidense que vive y trabaja en Tokio se enfrenta a una misteriosa maldición sobrenatural.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 10 nominaciones en total
Ryô Ishibashi
- Nakagawa
- (as Ryo Ishibashi)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This review is really a word of warning, if you've seen any of the earlier Japanese versions of this story you've seen this movie before. If you've seen all four of the earlier films, you've really seen everything (except the frightening opening with Bill Pullman) and you'd best wait for home video.
I understand that the film makers wanted to make sure that this film worked and made them money, so they repeated what worked, even casting the same Japanese actors for the kid and other roles; but it would have been nice if they had done more that was new beyond the opening sequence.
This isn't to say that the film is bad, its not, rather, its just that unless you're walking in to the film fresh odds are you're going to be like me and know what each five or ten minutes is going to bring because of the set up of the sequence.
For me it was a 6 out of 10, for fresh eyes probably higher.
I understand that the film makers wanted to make sure that this film worked and made them money, so they repeated what worked, even casting the same Japanese actors for the kid and other roles; but it would have been nice if they had done more that was new beyond the opening sequence.
This isn't to say that the film is bad, its not, rather, its just that unless you're walking in to the film fresh odds are you're going to be like me and know what each five or ten minutes is going to bring because of the set up of the sequence.
For me it was a 6 out of 10, for fresh eyes probably higher.
Metaphysical horror movie. Grudge was the beginning of a great franchise, from which many more films were inspired. Like franschise Rings, Grudge relies on Japanese films (Ju-on, 2000) and with its unique concept and style, they are a distinct kind of horror films in themselves. So according to tradition, if a violent death occurs, then the wrath of the victim will fall on the scene as a curse that will haunt everything in that area. The film is quite well-written, with very good effects, intensity and suspense from start to finish and does not get boring at all. The script, the directing, but also the actors were all excellent and are definitely among the most classic films in the genre, but also a reference film. Definitely in the top recommended horror movies.
According to The Grudge, there's a Japanese belief that when someone dies in a powerful grip of rage, then a curse is left behind. It's a "stain" that forever becomes a part of the place where the death occurred, and it will kill everything it touches. All I can say is if that were true then the movie-going public better hope I never die in a theater. The audience at this movie was probably the most obnoxious crowd I've ever had the displeasure of watching a movie with. Talk about being in a powerful grip of rage. More on that later.
Jump scenes rule the day here. That's right, this baby is stocked with jump scenes! If you're having a hard time deciphering my complicated terminology, then let me explain that a "jump scene" is one in which something startling happens to catch you off guard and makes you jump in your seat. Some people think jump scenes are cheap ploys to get a scare from the audience, but they're really well done in this movie. And they're manufactured frequently and shrewdly enough to keep you in a constant state of unease.
Unfortunately, when most moviegoers get scared they like to scream and then laugh and talk about it for 2 minutes afterwards. If you're gonna scream then scream. But then SHUT UP and WATCH THE MOVIE! This ain't a comedy and it certainly isn't a coffeehouse, so quit killin' my atmosphere.
Some of you might be a little agitated to know that The Grudge does follow some clichéd horror movie conventions, such as a character investigating a creepy noise in a dark attic with only a cigarette lighter to illuminate the way. And of course, one character has to slowly follow a strange figure that shouldn't be there in the first place. But it's forgivable. Keep in mind, characters aren't necessarily supposed to know they're in a horror movie. I'm sure we've all explored strange noises before, except rather than a horrific, disfigured ghost producing the noise, in real life the sound is usually coming from Uncle Larry's bathroom excursion. Never underestimate the horror of a night out at the Taco Bell.
Comparisons to The Ring are inevitable, so I'll just say that I personally feel The Grudge is the creepier of the two. This is a movie that's heavy on atmosphere and freaky imagery. The Japanese ghosts creeped me out even more than the time I caught some pervert staring at me in the men's bathroom stall back in my college days. Lucky for him, he took off before I had a chance to demonstrate what happens when a person is caught in a powerful grip of rage.
But The Ring has the better story and a much better ending. The Grudge does a great job of keeping you guessing. You never really know where it's going, and since the story isn't linear you really have to pay attention. I know a lot of you have the attention span of a goldfish (about 9 seconds, you just learned something today, thank me later), so this may be problematic. I think it works fairly well, but one of my complaints is that near the end everything is wrapped up and explained rather quickly.
As a result, I wish the movie had been longer. A longer running time could've produced more in-depth character development, a more clever way to explain what was going on, and maybe even a better ending. And there's my biggest complaint. Why do so many horror movies feel the need to use the I Know What You Did Last Summer-esque "look, there's gonna be a sequel" ending? Come on, how about some closure? It's similar to if you're waiting for me to close out my review in a witty and funny fashion, but instead, for some reason I just decide to end the review in mid sent...
THE GIST
If you're looking for some Halloween entertainment, then The Grudge will give you some good jumps and surround you with creepy imagery. But I strongly recommend that you see it at a time when there won't be a big crowd because I know I would've enjoyed the movie a lot more had I not been surrounded by a lot of stand-up comedians who felt the need to crack jokes at the most tense and inopportune times. Folks, this is a horror movie. Tension and atmosphere are a big part of it, so please keep your laughing and talking to a minimum. I look forward to watching the DVD in peace and quiet one day where the only idiots I'll possibly be surrounded by will be friends and family.
Rating: 3.75 (out of 5)
Jump scenes rule the day here. That's right, this baby is stocked with jump scenes! If you're having a hard time deciphering my complicated terminology, then let me explain that a "jump scene" is one in which something startling happens to catch you off guard and makes you jump in your seat. Some people think jump scenes are cheap ploys to get a scare from the audience, but they're really well done in this movie. And they're manufactured frequently and shrewdly enough to keep you in a constant state of unease.
Unfortunately, when most moviegoers get scared they like to scream and then laugh and talk about it for 2 minutes afterwards. If you're gonna scream then scream. But then SHUT UP and WATCH THE MOVIE! This ain't a comedy and it certainly isn't a coffeehouse, so quit killin' my atmosphere.
Some of you might be a little agitated to know that The Grudge does follow some clichéd horror movie conventions, such as a character investigating a creepy noise in a dark attic with only a cigarette lighter to illuminate the way. And of course, one character has to slowly follow a strange figure that shouldn't be there in the first place. But it's forgivable. Keep in mind, characters aren't necessarily supposed to know they're in a horror movie. I'm sure we've all explored strange noises before, except rather than a horrific, disfigured ghost producing the noise, in real life the sound is usually coming from Uncle Larry's bathroom excursion. Never underestimate the horror of a night out at the Taco Bell.
Comparisons to The Ring are inevitable, so I'll just say that I personally feel The Grudge is the creepier of the two. This is a movie that's heavy on atmosphere and freaky imagery. The Japanese ghosts creeped me out even more than the time I caught some pervert staring at me in the men's bathroom stall back in my college days. Lucky for him, he took off before I had a chance to demonstrate what happens when a person is caught in a powerful grip of rage.
But The Ring has the better story and a much better ending. The Grudge does a great job of keeping you guessing. You never really know where it's going, and since the story isn't linear you really have to pay attention. I know a lot of you have the attention span of a goldfish (about 9 seconds, you just learned something today, thank me later), so this may be problematic. I think it works fairly well, but one of my complaints is that near the end everything is wrapped up and explained rather quickly.
As a result, I wish the movie had been longer. A longer running time could've produced more in-depth character development, a more clever way to explain what was going on, and maybe even a better ending. And there's my biggest complaint. Why do so many horror movies feel the need to use the I Know What You Did Last Summer-esque "look, there's gonna be a sequel" ending? Come on, how about some closure? It's similar to if you're waiting for me to close out my review in a witty and funny fashion, but instead, for some reason I just decide to end the review in mid sent...
THE GIST
If you're looking for some Halloween entertainment, then The Grudge will give you some good jumps and surround you with creepy imagery. But I strongly recommend that you see it at a time when there won't be a big crowd because I know I would've enjoyed the movie a lot more had I not been surrounded by a lot of stand-up comedians who felt the need to crack jokes at the most tense and inopportune times. Folks, this is a horror movie. Tension and atmosphere are a big part of it, so please keep your laughing and talking to a minimum. I look forward to watching the DVD in peace and quiet one day where the only idiots I'll possibly be surrounded by will be friends and family.
Rating: 3.75 (out of 5)
In Tokyo, when the American student Karen Davis (Sarah Michelle Gellar) is called by a Japanese social support agency to replace her Japanese colleague Yoko (Yoko Maki) in the assistance of the American sick woman Emma (Grace Zabriskie), she realizes that something supernatural lives in the huge house. Inspector Nakagawa (Ryo Ishibashi) investigates a series of deaths of visitors of the subjected house, and based on a Japanese belief, he convinces himself that the place is cursed.
"The Grudge" is a different movie of haunted house. I have not had the chance to see the original "Ju-on: The Grudge" yet, but this story is much related to Japanese culture. The beginning of the film makes reference to a Japanese saying about rage, which is unknown in Western cultures. The non-linear screenplay works reasonably, but could be better and better. It gives me the impression that something is missing to be a great movie. My vote is six.
Title (Brazil): "O Grito" ("The Scream")
"The Grudge" is a different movie of haunted house. I have not had the chance to see the original "Ju-on: The Grudge" yet, but this story is much related to Japanese culture. The beginning of the film makes reference to a Japanese saying about rage, which is unknown in Western cultures. The non-linear screenplay works reasonably, but could be better and better. It gives me the impression that something is missing to be a great movie. My vote is six.
Title (Brazil): "O Grito" ("The Scream")
This movie definitely loses something in the translation. Unlike "The Ring" which equaled and even improved on the original story in some ways, this one just meanders along in an uninspired fashion.
The original Japanese film, "Ju-on", was pretty incoherent, mostly just a series of set pieces and great chills. The American version, directed by the same filmmaker, has done nothing towards clarifying the muddled story and, aside from the great opening sequences, is just a straight-forward recreation of the same suspenseful sequences that somehow don't play as well. I'd suggest renting the original instead.
5 out of 10.
The original Japanese film, "Ju-on", was pretty incoherent, mostly just a series of set pieces and great chills. The American version, directed by the same filmmaker, has done nothing towards clarifying the muddled story and, aside from the great opening sequences, is just a straight-forward recreation of the same suspenseful sequences that somehow don't play as well. I'd suggest renting the original instead.
5 out of 10.
¿Sabías que…?
- TriviaUnlike the other Japanese horror remakes like El aro (2002), Agua turbia (2005), Pulse - La puerta de los muertos (2006), and Una llamada perdida (2008), this was the only film out of all the others that actually remained in Japan instead of moving the story to America.
- Errores(at around 10 mins) At the cemetery, Karen tells her boyfriend that burning incense is a Buddhist ritual, and that the smoke carries their prayers to the spirits of the departed. Buddhism doesn't acknowledge everlasting spirits. It is actually a Shinto ritual.
- Citas
Kayako Saeki: Croakkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkk!
- Versiones alternativasThe rated PG-13 version is run 91 minutes, and unrated is run 98 minutes.
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Grudge: la maldición
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 10,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 110,359,362
- Fin de semana de estreno en EE. UU. y Canadá
- USD 39,128,715
- 24 oct 2004
- Total a nivel mundial
- USD 187,281,115
- Tiempo de ejecución1 hora 31 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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