2012

I loved the first half of the movie with Roland Emmerich seemingly back to form (from his disastrous "10,000 B.C."). But as the movie drags on, even the smallest character gets his "i have to say goodbye to my loved ones"-scene - which becomes quite annoying after you've watched this for the 5th time in a row. then comes a great destruction scene and then we're back in soap-opera territory. don't get me wrong, basically that can be said about most of Emmerich's movies - they are just popcorn cinema - leave your brain at the ticket counter. still, i enjoyed the likes of "Independence Day" or even "The Day After Tomorrow". But the one thing, he can't do properly is "good"-emotional cinema - which works fine in some of his other movies when his pathos-laden, goofy dialogue writing doesn't get in the way of the big explosions - it fit's, makes them funnier to a point. unfortunately this doesn't work for 2012. if somebody could actually cut this movie down to 90minutes running time, i'd even be lining up for a second ticket.

I had a lot of fun taking my 12 year old son and two of his friends to this movie. 2012 was no more far-fetched than; e.g., Independence Day, The Abyss, Armageddon, The Core.... I could go on and on. Further, the "Gremlins"-like touches of humor made 2012 go down much easier than the afore-mentioned films, which mildly insult by pretending to be plausible science fiction. I get annoyed reading the showy displays of "brilliance" by reviewers who point out that the events are ludicrous, melodramatic, over-the-top, etc. OF COURSE THEY ARE. So was King Kong in 1933. Such critics remind me of sullen adolescents who've just learned the moon isn't really made of green cheese. I recommend they have young children and take them to a Saturday matinée featuring a Jane Austen flick. I'm sure it'll be a swell time for all.

Roland Emmerich was armed with a $200 million budget, and this is what it produced. It's an easy film to dislike from an intellectual level, artistically as well, while the science fiction boffins no doubt had kittens where the science was concerned. It's also easily one hour too long in length, and come the second half of the marathon it starts to sag. There's only so many times you can watch your lead protagonists escape crumbling carnage - via various modes of transport - before the fun factor begins to wane. However.

The carnage effects are grade "A" stuff, eye popping and ear splintering, Emmerich is a master at this sort of thing, and with a likable cast comfortably chewing through the safe disaster film making screenplay, it's a very decent popcorn blockbuster. It also isn't afraid to explore some dark moments, all of which - while not all being a surprise - strike strong emotional chords. It knows its disaster movie roots and is happy to tug on them.

2012 made a $500 million profit, that's a figure not to be ignored. The blockbuster movie loving public lapped it up, they often love this stuff, they just want to see the world exploding and chases and crashes and humans imploding or being heroic. If you have to strip it bare on any sort of cerebral level, then of course it's naked. But fully clothed, attired purely in modern film popcorn clobber, then it's grand dramatic and exciting fun. And this even as you have to massage your buttocks at the two hour mark. 7/10

They had all the money, actors and special effects they needed so how did they manage to screw this one up? Obviously they thought exiting moments were more important than developing deeper characters and that's why this story that had great potential stayed so shallow. The dialog was always cheesy and none of the 'hero's' in this film really showed any real emotions nor did they give any of those speeches that give the audience goose bumps. Another thing that really bothered me was that so much was almost going wrong the whole time. Every second of the film had a 'close call' which made the film seem totally unrealistic. Examples are planes taking off just before the runway collapses or driving just fast enough to not get hit by an explosion. This can be very cool if it doesn't happen 100% of the time and I have never seen a movie abusing this way of creating excitement to this extent. So to sum up: If you feel like turning your brain off and watching special effects and big explosions with a very shallow storyline then this movie is for you. But if you feel like watching a movie with a bit of depth then go and see something else.

I went to an advance screening of 2012 a few nights ago and I have to admit that this movie was entertaining at best and that's it. The whole movie is almost entirely comprised of special effects. Of course you'll see all of the lead characters survive scenarios that a regular human being would not. Some of the scenes are so ridiculously unbelievable that you want to laugh at the fodder that's being expected of you to believe. Emmerich certainly pushes "suspension of disbelief" to its limit.

John Cusack and Woody Harrelson are the only actors that attempt to hold the film together, while Danny Glover and Thandie Newton were an utter and complete let-down considering their previous work history. You won't see any remotely Oscar-worthy performances here. The casting of this film seemed off and poorly executed. You could tell the bulk of the financial budget went to the special effects and not the actors.

The thing that I found thoroughly disappointing about 2012 is that it's almost entirely lacking of any interesting backstory or intellectual substance whatsoever. There's very little mention of the Mayan calendar, Mayan history, or any of the prophetic wisdom that has foreseen the supposed end of days. The fear, analysis, curiosity, and everything else you've ever wondered about this new mysterious year that is quickly approaching is almost entirely removed from this film. That would have and could have made this film closer to a 10 if I didn't feel like my brain was utterly wasted on this CGI and special effects bonanza. They try to cram so many explosions, eruptions, earthquakes, and natural disasters into two hours that I might be a little desensitized to the real thing if it ever happens. After awhile nothing felt realistic or interesting about it at all.

It's novelty entertainment at best and that's it. You won't wince at how painfully awful this movie is, and you won't walk away knowing anything meaningful about 2012, but hopefully you'll help repay Sony pictures for the exorbitant amount of money that they and Roland Emmerich spent on their special effects budget. Don't say you weren't warned.