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El agente de C.I.P.O.L.

Título original: The Man from U.N.C.L.E.
  • 2015
  • B
  • 1h 56min
CALIFICACIÓN DE IMDb
7.2/10
349 k
TU CALIFICACIÓN
POPULARIDAD
1,128
313
Henry Cavill in El agente de C.I.P.O.L. (2015)
In the early 1960s, CIA agent Napoleon Solo and KGB operative Illya Kuryakin participate in a joint mission against a mysterious criminal organization, which is working to proliferate nuclear weapons.
Reproducir trailer5:15
38 videos
99+ fotos
Globetrotting AdventureParodyActionAdventureComedy

A principios de la década de 1960, el agente de la CIA, Napoleon Solo, y el agente de la KGB, Illya Kuryakin, participan en una misión conjunta contra una misteriosa organización criminal, q... Leer todoA principios de la década de 1960, el agente de la CIA, Napoleon Solo, y el agente de la KGB, Illya Kuryakin, participan en una misión conjunta contra una misteriosa organización criminal, que trabaja para proliferar armas nucleares.A principios de la década de 1960, el agente de la CIA, Napoleon Solo, y el agente de la KGB, Illya Kuryakin, participan en una misión conjunta contra una misteriosa organización criminal, que trabaja para proliferar armas nucleares.

  • Dirección
    • Guy Ritchie
  • Guionistas
    • Guy Ritchie
    • Lionel Wigram
    • Jeff Kleeman
  • Elenco
    • Henry Cavill
    • Armie Hammer
    • Alicia Vikander
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.2/10
    349 k
    TU CALIFICACIÓN
    POPULARIDAD
    1,128
    313
    • Dirección
      • Guy Ritchie
    • Guionistas
      • Guy Ritchie
      • Lionel Wigram
      • Jeff Kleeman
    • Elenco
      • Henry Cavill
      • Armie Hammer
      • Alicia Vikander
    • 639Opiniones de los usuarios
    • 382Opiniones de los críticos
    • 56Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 8 premios ganados y 7 nominaciones en total

    Videos38

    The Man From U.N.C.L.E. Comic-Con Trailer
    Trailer 5:15
    The Man From U.N.C.L.E. Comic-Con Trailer
    New Trailer
    Trailer 2:19
    New Trailer
    New Trailer
    Trailer 2:19
    New Trailer
    Trailer #1
    Trailer 2:33
    Trailer #1
    A Guide to the Films of Guy Ritchie
    Clip 1:44
    A Guide to the Films of Guy Ritchie
    They Were Waiting For Me
    Clip 1:08
    They Were Waiting For Me
    It Doesnt Have To Match
    Clip 0:57
    It Doesnt Have To Match

    Fotos793

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    Elenco principal98

    Editar
    Henry Cavill
    Henry Cavill
    • Solo
    Armie Hammer
    Armie Hammer
    • Illya
    Alicia Vikander
    Alicia Vikander
    • Gaby
    Elizabeth Debicki
    Elizabeth Debicki
    • Victoria
    Luca Calvani
    Luca Calvani
    • Alexander
    Sylvester Groth
    Sylvester Groth
    • Uncle Rudi
    Hugh Grant
    Hugh Grant
    • Waverly
    Jared Harris
    Jared Harris
    • Sanders
    Christian Berkel
    Christian Berkel
    • Udo
    Misha Kuznetsov
    • Oleg
    Guy Williams
    • Captain Smith
    Marianna Di Martino
    • Desk Clerk
    Julian M. Deuster
    Julian M. Deuster
    • Assistant
    • (as Julian Michael Deuster)
    Andrea Cagliesi
    • Fishing Captain
    Riccardo Calvanese
    • Man 2
    Peter Stark
    Peter Stark
    • Guard (Checkpoint)
    David Menkin
    David Menkin
    • Jones
    Pablo Scola
    Pablo Scola
    • Harbourmaster
    • Dirección
      • Guy Ritchie
    • Guionistas
      • Guy Ritchie
      • Lionel Wigram
      • Jeff Kleeman
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios639

    7.2348.7K
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    Opiniones destacadas

    8adogcalledstray

    The Man from UNCLE is a spy comedy that Hammers out a Cavill-cade of Hugh-gely satisfying laughs

    When I first saw the previews for Guy Ritche's latest film, "The Man from UNCLE" – a remake of the series of the same name – I decided to approach it fresh. So I avoided watching any of the adventures of Robert Vaughn's Napoleon Solo and David McCallum's Ilya Kuryakin.

    I mean, to do otherwise just would not be fair, since my exposure to the original is limited to pop culture references. Why catch up to a show from decades ago only to rip apart the new one? Why give myself false nostalgia?

    That said, I cannot tell you whether this is a faithful recreation of the original, a tasteful homage, or perhaps a complete bastardization.

    However, I can say that, as a Guy Ritchie action-comedy, it works. The jabs at fictional representations of espionage are delivered with near perfect timing. Even the languishing takes meant to ridicule the tropes, stereotypes and clichés we have all come to see in every action spy thriller do not feel drawn out. All of Ritchie's trademarks are also there, from the diagetic sound that shifts to almost non-diagetic levels as the on screen action becomes a musical montage – a music video if you will – right down to the ubiquitous tongue in cheek, deadpan humour.

    While I am sure the more eagle-eyed of viewers could play a game of "spot the anachronism" (that tube frame 4x4 in the previews, for instance), I would actually fault this movie as being too period. They seem to have cherry picked all the things people imagine as from the era. The result is that the clothes are just too chic, the set pieces too on the nose.

    Then again, I guess that is the point: You are meant to fall in love with the aesthetics of that period as interpreted by Oliver Scholl's production design, and as captured by John Mathieson's cinematography. The fashion, the accessories... even the cars. Especially the cars! How could any depiction of the glamour of the sixties be complete without one Jaguar E Type? Also, watch out for the cameo of a $38 million Ferrari.

    Even with the attention to detail "Mad Men" put into shattering any preconceived notions of the so-called swinging sixties, as well as CNN's "The Sixties" television documentary series' unflinching look at the social turmoil of those times, somehow I still wish I could have lived back then.

    Or at least escape into the movie universe they have created.

    Because in our world where terrorist groups are committing heinous acts of barbarity that would put any of UNCLE's supervillain enemies to shame, where spy thrillers like "Homeland" had to up the ante because reality is scarier than the fictional world they have created, where the James Bond 007 franchise lost its playfulness long ago and just keeps getting grittier and grittier, and where Donald Trump is the most popular US republican presidential aspirant, the Cold War and its Mutually Assured Destruction definitely seem worth pining for. I mean what is the mere threat of a few megatons of thermonuclear annihilation compared to the Donald?

    The movie is cast satisfyingly well enough, with Armie Hammer's Ilya Kuryakin projecting a cold lethality that may have been a bit much. Luckily, this is a bickering buddy movie, where Henry Cavill's Napoleon Solo balances things out with borderline insufferable calm smoothness. For something with a bunch of Brits speaking in American accents, I am a bit surprised they toned down Gaby Teller's accent whenever the character speaks English – I'm sure the Swedish Alicia Vikander could lay an affectation of an East Berliner real thick.

    In all, "The Man from UNCLE" is an enjoyable comedy and an escapist fare which just happens to be seemingly set in our past. I even rank it as a solid tale of espionage, with the end reminding me of Roger Moore as Bond, yelling to General Gogol, "That's détente comrade. I don't have it. You don't have it."
    8Mr-Fusion

    Alright, now we've got ourselves a spy movie!

    I've never seen the original TV series (I feel obliged to offer some preface in these matters) but damn, there's just something so refreshing about "The Man from U.N.C.L.E.". Not just as a genre movie, which sets itself apart from modern spy fare with a certain restraint towards its action scenes (even the torture is unconventional), but as a '60s throwback. It creates a stylized Cold War setting, and it's one I totally wouldn't mind returning to; I love that Morricone/Schifrin score.

    The main cast (Cavill, Hammer and Vikander) shares a great chemistry and just seems to fit. This is another reason there should be a sequel. I mean, really, if there are two Sherlock Holmes movies, we deserve at least one more U.N.C.L.E.

    Some of Guy Ritchie's movies I do love, and this is one of them.

    8/10
    8kosmasp

    Fun watch

    I never watched the original TV show, but a friend of mine did, and he was really excited about this movie. Even I could tell they really put some effort in this. You get thrown back into an era you might (very likely) not know. But that shouldn't take away the fun you can have with this.

    It's a mystery why this underperformed at the box office, but might have to do with the fact, that people could not really tell what this is. The TV show is not as accessible as other (A-Team, Mission Impossible and so forth). If you get a chance and you like spy comedies, you should check this out. Even if it goes a bit overboard towards the end (a twist that doesn't make too much sense), it still pretty fun
    8Tweekums

    A fun movie reboot of a classic TV series

    This film is set in the early sixties and opens in East Berlin as CIA agent Napoleon Solo attempts to extract a German woman, Gaby Teller. Her father had worked for the Nazi missile programme before being taken to the United States; now he has gone missing and is presumed to be working for a group that will make atomic bombs for anybody who will pay them. A Soviet agent, Ilya Kuryakin, who is clearly highly skilled, tries to stop them but is ultimately unsuccessful. Shortly afterward, in West Berlin, the three of them are reunited and they are told that they will be working together in a joint US/USSR mission. Travelling to Rome, with Ilya posing as Gaby's fiancé and Napoleon posing as a thief they make contact with Gaby's uncle and attempt to find her father and infiltrate the criminal organisation.

    As a child I enjoyed watched repeats of the original TV show so was a little unsure about watching this new version. I needn't have worried. As it tells a story of Napoleon and Ilya's first mission together no prior knowledge of the characters is needed. The early scenes to a fine job of introducing the key characters and their mission. The action gets started early and continues throughout; it is exciting without being gory... in fact the style reminded me of early Bond films but with the level of humour turned up. The humour was unforced and didn't get in the way of the story. Everything about the film adds to the sixties feel without it becoming a pastiche. The cast is solid with Henry Cavill and Armie Hammer impressing as Napoleon and Ilya respectively and Alicia Vikander delighting as Gaby. Elizabeth Debicki also does a fine job as antagonist Victoria Vinciguerra. Overall I'd definitely recommend this to fans of lighter '60s spy thrillers; it captures the feel and delivers laughs and excitement... along with a few good twists.
    8Zbigniew_Krycsiwiki

    "When you hear something that sounds like a gunshot, drive."

    Never watched the show, so can't compare the two, or whether or not this is a faithful adaptation of it or not, but I loved this film. It perfectly rides the fine line between straight 1960s spy movie throwback, and satire of one.

    Villain is pure 1960s vamp/ femme fatale, Henry Cavill and Armie Hammer's chemistry alone makes this worth watching. Hammer's twitch as his anger reaches boiling point is a great bit of detail. Cavill really reminded me of Roger Moore's Bond, specifically from The Spy Who Loved Me. He has a suave, "Trust me, I know what I'm doing" attitude throughout.

    Several scenes creatively have the action taking place in the background, while the focus is on the foreground. A perfect example, and maybe my favourite scene in the film, is Cavill sitting in a truck, basically picnicking, with a large sandwich and bottle of Chianti, while boat chase is playing out in front of him, reflected on the windscreen.

    The film is rated PG13, but it doesn't look watered down to get that rating, ... Henchman's electrocution torture scene was both graphic and simultaneously funny- another case of the action playing out in the background, while Cavill and Hammer debate the fate while in the next room.

    The plot is a bit of a mess, especially toward the end, but a great cast, sharp dialogue, and great attention to detail, and good action makes this a winner

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    Argumento

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    • Trivia
      Napoleon Solo's trick of removing a tablecloth from a table while leaving all the objects undisturbed was not a visual effect. Henry Cavill actually performed it himself, having been trained in the trick by British variety star Mat Ricardo.
    • Errores
      When Victoria is approaching Solo after the security guard punches him, she is wearing two gold necklaces. After Solo stands up, he falls against her before regaining his composure, and she is still wearing two gold necklaces. A few minutes later as the two are walking and talking, she is now wearing one gold necklace and he hands her the other gold necklace. The subsequent conversation implies that he had removed it from her when he fell against her earlier, but that clearly was not the case.
    • Citas

      Illya Kuryakin: [as Solo cracks a safe] Did you disable the alarm?

      Napoleon Solo: There's no alarm on the 307.

      [alarm immediately begins wailing]

      Illya Kuryakin: ...Loving your work, Cowboy.

    • Créditos curiosos
      SPOILER: Part of the closing credits features images of Solo, Kuryakin and Gaby in Istanbul on their new mission.
    • Conexiones
      Featured in Celebrated: Hugh Grant (2015)
    • Bandas sonoras
      Compared to What
      Written by Gene McDaniels (as Eugene B. McDaniels)

      Performed by Roberta Flack

      Licensed courtesy of Warner Music UK Ltd

    Selecciones populares

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    Preguntas Frecuentes22

    • How long is The Man from U.N.C.L.E.?Con tecnología de Alexa
    • Is there going to be a sequel?
    • Is "The Man From U.N.C.L.E." based on a book?
    • Do any cast members from the TV series appear in the film?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 3 de septiembre de 2015 (México)
    • Países de origen
      • Reino Unido
      • Estados Unidos
    • Sitios oficiales
      • Official site
      • Warner Bros.
    • Idiomas
      • Inglés
      • Ruso
      • Alemán
      • Italiano
    • También se conoce como
      • The Man from U.N.C.L.E.
    • Locaciones de filmación
      • Brockwell Park, Londres, Inglaterra, Reino Unido(Exterior)
    • Productoras
      • Warner Bros.
      • RatPac-Dune Entertainment
      • Wigram Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 75,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 45,445,109
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 13,421,036
      • 16 ago 2015
    • Total a nivel mundial
      • USD 110,045,109
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 56 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Datasat
      • SDDS
      • Dolby Digital
      • Dolby Atmos
      • IMAX 6-Track
    • Relación de aspecto
      • 2.39 : 1

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