Los niños del maíz: la génesis

There has been a spate of movies of late it seems that want to take us back to the origins or beginning of a successful series. And so here is another. Before this, I only saw one in the series and I don't remember it. All I remember is that there was a bunch of grungy looking kids with no sense of humor and a corn field. Well in this movie they're still grungy-looking and trying their best to look evil.

A man and woman are stranded out in the middle of nowhere because their car broke down. They see some telephone lines and reason that they could follow it to a phone. It takes them to a dusty old shack. They knock and world weary Billy Drago as the "Preacher" eventually comes to the door. At first they are refused help, and as she is storming off in anger and frustration while her boyfriend is trying his best to placate her, the woman mentions her pregnancy and the preacher --being a man of God-- takes pity and invites them in.Things are a bit strained once inside; the couple are trying to have polite conversation seated across from the Preacher but he's oddly uncommunicative. Just sits there thinking WHO KNOWS WHAT while the couple look at each other nervously, desperately trying to fill the silence. A younger woman enters at some point with an accent and we learn later that she's from the Ukraine and that it was kind of a mail-order-bride kind of situation. She takes the man to a phone in another room and charges him almost everything he had in his wallet to use it while imploring him not to tell the Preacher.

After a meal where the Preacher continued his silent ways and it was time to go to their rooms the Preacher breaks his silence and tells the couple in essence to respect his privacy; that they shouldn't go wandering around beyond the outhouse in back. Thus warned, they repair to their room where they feel free to communicate the strangeness of their situation. Shortly the woman indicates that she needs to use the outhouse. At this point reader you're probably saying "Oh-oh!" Well your're right.

Well she goes out and pauses in front of a dingy outhouse a moment, hesitant. Her business is pressing so she puts her reservations aside and goes in. After a nervous p!ss she exits. She hears something; a cry of some kind. She decides to play Nancy Drew and investigate. Later, she frantically reports the findings of her investigations to her boyfriend who seems a bit incompetent to me. He challenges her; wants to make sure there is no mistake. She's miffed and challenges him back. The guy relents as if the last thing he wants is for her to lose it. She sort of towers over him like Wonder Woman dressed in shorts and combat boots so I don't blame him.

Things begin to happen; psychokinetic events. Possibly precipitated by Nancy Drew a.k.a Wonder Woman's investigations. The couple are in a panic and wanting answers. From the preacher they get something about an "evil seed" and that it wants the woman's baby. This movie is not particularly scary, or innovative, just so you know. Notwithstanding, it's not too bad. If it were a TV movie I'd give it a 7 or 8. A good movie if your're home in your socks and underwear, then. But as it is, I can only give it half that. Love, Boloxxxi.

A young couple spend the night at a preacher's home, and soon begin to suspect that he has a child locked up in his barn. Can they save the child from this imprisonment?

Pretty much the nicest thing I can say about this film is that it features Billy Drago, who is a decent actor and under-appreciated. The makeup department did a good job making him look old and rustic, and he he has much less of an exotic look about him than usual.

That positive note aside, I am a bit confused what is going on with the Children of the Corn franchise. This one has very little to do with children and very little to do with corn. Some efforts are made to connect it to the series by attempting to offer a back story (presumably why this one is called "Genesis"). But it could be changed and not affect the overall story at all.

Obviously by stamping it with the Children of the Corn label, more people will rent the film and possibly even buy it. But it does the movie a disservice in the long run. I suspect that if the franchise aspects were changed slightly, this could have been a fairly respectable stand-alone story.

Sadly, it was not the last one made in the franchise...

Right, well I am not on to the eight movie in the franchise, as part of my "Children of the Corn" marathon. I had never actually heard about this 2011 movie from writer and director Joel Soisson. But then again, I haven't been actively keeping up with this franchise, as it never really had much appeal with me.

But as I had the chance to watch the franchise here in 2023, of course I did so.

And I have to ask, why is this 2011 movie titled "Children of the Corn: Genesis"? A more fitting title would be "Adults of the Corn: Genesis", because this movie really steps further away from the lore and core essence of the franchise than any other movie have done thus far.

The storyline in "Children of the Corn: Genesis" was pretty straight forward. However, it wasn't a storyline that appealed much to me, especially since the whole killer-possessed-religiously-obsessed-children aspect of the franchise is nowhere to be found in writer and director Joel Soisson's 2011 movie.

"Children of the Corn: Genesis" goes one step further in terms of supernatural elements, and when the police officer was catapulted into orbit, I have to say that I was good and ready to call it quits. Yet I opted against quitting and carried on watching. And having sat through 80 minutes of this ordeal, I have to say that "Children of the Corn: Genesis" is a very weak addition to the franchise.

The acting performances in the movie were good. I was only familiar with Billy Drago, and he was actually the one carrying the movie with his performance as the very creepy and disturbing preacher character.

This 2011 movie just strayed too far from the essence of the franchise and hardly feels like it belongs in this particular franchise at all.

My rating of "Children of the Corn: Genesis" lands on a three out of ten stars.

Inspite of the dvd of this movie lying in my cupboard for almost a decade, i never felt the urge to play it.

Saw this 9th part recently.

This one started off very well. We get to see a soldier around the 70s return home to find his family massacred by kids and then the movie moves to the present time where a couple take refuge in a preacher's house situated in the middle of nowhere.

The film kept the suspense but the ending is rushed n doesnt make any sense. We are just left to scratch our heads.

Our preacher in this movie has a hot wife (the girl from Hostel). The way she seduces the main lead, viewers expected some nudity or sex scene but we are deprived of that due to low budget.

It has 2 very known faces, Duane Whitaker n Billy Drago.

This film begins in 1973 with a soldier returning from Vietnam and arriving at his old home town not far from Gatlin, Nebraska. But rather than being embraced by his family he is horrified to discover that they have recently been murdered. Not only that, but within minutes of finding their bodies he is soon attacked and severely injured by several children there as well. The scene then shifts to the present day with a young man by the name of "Tim" (Tim Rock) and his pregnant wife "Allie" (Kelen Coleman) driving somewhere along a deserted highway in California when their car breaks down. With very little money and no tow truck able to reach them that day they decide to walk to the nearest house several miles away. When they get there they are greeted by a very creepy man known simply as "Preacher" (Billy Drago) who reluctantly offers them the hospitality of his rundown home. They accept but they soon come to realize that there is much more to this man than they initially thought-and then the horror begins. Now rather than reveal any more I will just say that this turned out to be somewhat different than the other "Children of the Corn" pictures in that it had an adult as the primary nemesis rather than a group of children. And to that effect, I thought that Billy Drago performed quite well in that regard. Likewise, although I would have preferred a bit more horror, I must admit that I enjoyed the manner in which the suspense was kept at a rather low boil from start-to-finish. In any case, while this may not have been the best film in this series, it was good enough for the time spent and I have rated it accordingly. Average.