La vida de un desventurado padre de familia da un vuelco cuando millones de extraños empiezan a verle en sueños. Cuando sus apariciones nocturnas toman un cariz de pesadilla, Paul se ve obli... Leer todoLa vida de un desventurado padre de familia da un vuelco cuando millones de extraños empiezan a verle en sueños. Cuando sus apariciones nocturnas toman un cariz de pesadilla, Paul se ve obligado a lidiar con su nuevo estrellato.La vida de un desventurado padre de familia da un vuelco cuando millones de extraños empiezan a verle en sueños. Cuando sus apariciones nocturnas toman un cariz de pesadilla, Paul se ve obligado a lidiar con su nuevo estrellato.
- Premios
- 3 premios ganados y 18 nominaciones en total
- Claire
- (as Marnie McPhail Diamond)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
To an extent, this film can be seen as a satirical condemnation of social media fame and cancel culture, though that's secondary to the theme of mounting paranoia - both from Prof Matthews and the wider world.
The fact that this film started out as a project of Ari Aster is no surprise, as it has much in common with Beau is Afraid - notably the hapless and powerless central character and some surreal and blackly comic moments.
Then, in the last fifteen minutes or so, the film loses its way. A new element is brought in which pretty much undermines what had gone before. The result wasn't bad, exactly, but seemed to belong in a different film. I think it would've been better if the film had had the courage of its convictions and followed Prof Matthews to his logical fate.
For all that, it's an interesting film, and I would urge you to see it.
Talk about getting everything out of a concept. The movie starts and you think, okay this is a lot of fun, but where are they going to go from here? Have no fear, they have plenty of tricks up their sleeves and the wild ride continues throughout.
The film is hilarious. It contained some of the biggest theatre laughs I've heard in a long time. But it's more than that too. It actually gets quite touching and sad and has some real thought-provoking stuff going on. This was an excellent film. 8/10.
Uncomfortable with how his own image has been interpreted, Nicolas Cage is the ideal person for this. He plays the pitiful nature of Paul beautifully and brings none of the Cage rage he's synonymous with, in a nice change of pace. The film also feels aware of Cage's persona, understanding everything is funnier and weirder because it's Nic Cage specifically.
Kristoffer Borgli's direction really nails the dream sequences in particular. They're very surreal (obviously), brief and when they start to turn into nightmares they really don't hold back on the violence. It also has the second most hilariously awkward sex scene of recent memory, with Beau Is Afraid being number one which is so fitting since Ari Aster is a producer on this.
But i don't think it did nt he 2nd half of the movie, it kind of faded out, and missed such a massive oppotunity.
It's still a good movie, but it completely went in a different direction in the last half hour than i thought it would. Which was just such a shame.
Such a missed oppotunity in my book, but still worth a watch. When the dreams turn darker i think there was such a great set up for a better last half hour or so. Shame.
Worth watching but didn't reach it's potential.
Cage is Paul Matthews, an aging, balding (and apparently always cold because he wears gigantic, ill-fitting coats throughout the film) tenured professor at a modest college. His students pay little attention to him (even though, to be honest, it seems like he's a more interesting professor than many I experienced myself). He leads a frustrating professional life. Early in the film, he has lunch with an very distant colleague who is preparing to publish a paper that touches on subjects that Matthews worked on decades ago. He feels these topics still somehow belong to him, and wants some credit for the paper. He mentions that he's working on a book on the topic...but it turns out he hasn't actually started writing the thing. It's an idea he has and apparently has had for many years. He's a guy who imagines doing great or interesting things, but it will never happen for him. We meet his loving wife (Julianne Nicholson, always under-rated) and his doting daughters. From the viewer's perspective, he's a bit of schlub. An uninspiring instructor, eaten up by his own failures, and sadly unable to see that his great family really means he's got it pretty darn good. Nice house. Nice kids. Nice wife.
But he's a bit clueless. And when he suddenly starts appearing in the dreams of millions of people around the world, he becomes a clueless celebrity (or at least, cultural phenomena). His classroom is full of people who want a selfie with him. He's on the news. He's written about. He's beloved. And he's done nothing to deserve the positive accolades. For some strange reason, he is a background character in the dreams of millions of strangers. He just hovers there, really doing nothing. But just the fact that he's at the center of this weird thing makes him popular. And when talent agents come calling, he sees his opportunity to get a book deal.
But then, things go abruptly wrong, and he goes from saint to demon overnight. None of it is his fault, but he's suddenly a pariah. And he handles it very, very badly...putting at risk everything good in his life.
It's all so unfair. Paul did NOTHING to make these dreams happen. The "character" he is in the dreams bears no resemblance to his true persona. He is right to rail against his vilification. Yet his own unpleasant character traits tee us up to NOT sympathize with him. Does he have it coming? Did his own flaws somehow taint his benign dream persona? Why doesn't the public understand that the dream Paul and the real Paul have nothing to do with each other?
It's all very interesting, and Cage makes it all matter thanks to the best performance he's given in some time. With this movie and the excellent, over-looked PIG...Cage demonstrates his true acting chops. Yes, he's delightful in THE UNBEARABLE WEIGHT OF MASSIVE TALENT, but even in well-received films like THE COLOR OUT OF SPACE, his performances are over-the-top and even unhinged.
Enjoyable...absolutely. But fine acting? No. He's always a bit broad in his performances, but DREAM SCENARIO harnesses his energy and spins Paul Matthews into a complex character we can understand and feel things about. The script is tight and energetic and clever and funny. The supporting cast (again, special kudos to Nicholson) is on the right wavelength. And the questions the film asks are very relevant in our time of social media, overnight sensations and overnight demonizations. It's a fun film on the surface, very much worth it for Cage's well-done work...but it also rewards some reflection and discussion. I heartily recommend it.
¿Sabías que…?
- TriviaMarc Coppola: As Sidney, the bald party guest who looks like Nicolas Cage's character Paul. Coppola is Cage's older brother.
- ErroresContrary to what Prof Matthews says, a zebra's stripes do provide it with a degree of camouflage. Seen from a distance through the heat haze of an African plain, the zebra's outline becomes blurred and indistinct.
- Citas
Paul Matthews: Trauma is a trend these days. It is a joke. Everything is trauma. Arguing with a friend is trauma. Getting bad grades is trauma. They need to grow up.
- Bandas sonorasSay You'll Say So
Written by Geoffrey Landers
Performed by Geoffrey Landers
(c) Music from Memory
Courtesy of Music from Memory Records
Selecciones populares
- How long is Dream Scenario?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Dream Scenario
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 5,742,193
- Fin de semana de estreno en EE. UU. y Canadá
- USD 220,035
- 12 nov 2023
- Total a nivel mundial
- USD 12,488,124
- Tiempo de ejecución1 hora 42 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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