Diablo

"They call you Diablo. I asked the men what it meant. When they told me I learned something about you." Jackson (Eastwood) is a Civil War vet who is trying to put his past behind him. When he comes back to find his wife missing he sets out to get her back. This is a pretty good western with a few neat and original ideas but just never really lives up to its potential. There is so much that could have been done with this movie but it seemed to hold back to the point of becoming irritating. Eastwood is good in this but the movie seemed to rely on the fact that this is a western starring Clint Eastwood's son rather then trying to succeed on its own merit. All that said, it's not terrible and one of the better westerns to come out lately, but based on the last dozen or so in the genre that's not really saying a lot. Overall, a movie that had so much potential but left too much on the table to be as interesting as it could have been. I give it a B-.

Lawrence Roeck's second feature has the skeleton of an interesting symbolic western -- at times even a western psychological thriller -- but the screenplay never provides flesh or a beating heart. The attempt feels like a rough draft. Despite its short running time and dislike for extra details, it locks into a loose rhythm in the early going. Walton Goggins' character, played with a wicked spirit, brings a great deal of life to the film in his brief scenes. Goggins' presence begs for comparisons to The Hateful Eight, which wouldn't be in Diablo's favor. Eastwood, upstaged by Goggins and Glover, takes a bold move in his willingness to so directly invoke his father. The two look uncannily alike. His primary acting strengths lie elsewhere, but the flimsiness of his character here can be chalked up to poor writing. Technical credits are strong, and despite a somewhat foreboding score, the film looks excellent for its budget.

I only watched this film as I was interested to see what Clint Eastwoods son would be like in a western type film. I am a big Clint Eastwood fan and his son is nothing like him. I understand he shouldn't try and copy his dad but at the same time the acting was poor. Not one I would watch again.

Because of the poor reviews I didn't have many expectations for this western, but, having watched it, I wonder if others saw a different movie. I watched a smart thrilling movie that gave a fresh twist to the typical western genre and stereotypical hero - akin to Bone Tomahawk (another fantastic western with a modern edge of violence). Scott Eastwood is a bit boring at the beginning but once his character evolves, he is brilliant and believable. I had no trouble following the story line and I applaud Lawrence Roeck for using dialogue and action to reveal the twist instead of dragging out a boring detailed explanation.This is not your formulaic Clint Eastwood Western but rather a next generation western in both actor and plot. Well done.

Well, this might have been a good movie, with supporting actors Walton Goggins, Danny Glover and Adam Beach. Unfortunately, after a jump-started beginning with Eastwood's character off to rescue his kidnapped wife, the initial mood of dark foreboding quickly dissipates as the primary plot vehicle becomes too transparent.

I don't want to go into much further detail in case you watch it. But this movie is just plain under-developed, from the script to the characters, (Scott Eastwood is done a disservice here), through to an ending which is altogether unfulfilling.

Maybe I'm being too harsh, but I don't think so. A quick scan of the audience's faces showed a few who were captured by the action, yet many more who were bored, perplexed, and otherwise disengaged.

Again, it's a shame. Because this could have been a fantastic movie.