Lo and Behold. Ensueños de un mundo conectado
La exploración de Werner Herzog sobre el Internet y la conectividad mundial.La exploración de Werner Herzog sobre el Internet y la conectividad mundial.La exploración de Werner Herzog sobre el Internet y la conectividad mundial.
- Premios
- 2 premios ganados y 1 nominación en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Somehow, even after Werner's extensive resume, this was his most immersive and informative documentary yet.
The film doesn't just touch on the basic history and fundamentals of the Internet, but provides such a deep understanding of its past, present, and future. It dives into the wonders of what is possible while carefully reminding us about its dangers, all while Werner gives a very comedic voice-over.
It's a shame that Roger Ebert isn't around to view this film. I know he would've been proud of his friend for creating such an accomplishment in documentary filmmaking.
Herzog approaches the internet as if he is a stranger to it, leading to some very naive questions to the highly educated people he is interviewing. They are made to answer different questions than they are used to, and this leads to different answers. You can see Elon Musk being pulled out of his element by Herzog volunteering to go to mars.
Herzog has a gift of finding the peculiar in people and situations. I am a bit worried that some of the people he is interviewing is not aware of how he will present them. I'm sure Herzog does it with love, but it's still obvious that he pick moments in the interviews where they are at their most goofy.
When it comes to the subject itself, and it's interesting (though disjointed) exploration of the future of the internet and the connected world, but like any essay, it doesn't really answer any questions.
Wow, it kind of blew my mind to see the range of material that was covered. I was quite impressed that he managed to cover such a large canvas and each segment was fascinating. He created 10 segments, each focusing on a different perspective on tech. I really liked the fact that he started from the beginnings of the Internet and interviewed many of the earliest key people involved. This record of their experiences makes the film an invaluable document of history.
I also really liked the fact that he confronted some of the very serious problems that the Internet has created in our world and didn't just focus on the wonderful aspects.
Definitely check out this film, whether you love the Internet or hate it, there is great stuff here to ponder....
Herzog, who is a known non-tech guy, just seems ignorant and uninterested in technology, both the good and the bad of it. And we need him to pry forcefully into the moral morass that it's dragging us into. But he can't. He's just a baby boomer who is completely immersed in his real- world occupation that doesn't involve surfing the internet. He doesn't know, doesn't care. So unfortunately, he has gathered the most maddeningly thick-headed "scientific experts" to make bland, vapid observations about how amazing it all is. This is a huge disappointment. Werner is just not the man for this job -- so he's moved on to something more up his alley; volcanoes...
In the editing suite this was obviously reined in somewhat because the film is structured into broad chapters. This helps the film be watchable, but importantly does not lose the sense of drifting through the subject with plenty to think about but nothing too solid that would break the state of reverie. Whether or not this works for you will depend on the individual, but Herzog's style made it work for me because he drives this approach with his angles and his line of thought (although he often seems less present than in some other of his films). It doesn't all fit together neatly of course, and at times tonally it is uneven, but mostly it is a quite fascinating wander through the ideas and connections of the internet, and is well worth seeing for what it leaves you with as much as what it offers directly.
¿Sabías que…?
- TriviaHerzog says Elon Musk was very shy on camera, sometimes pausing for minutes at a time before replying to Werner Herzog's questions.
- Citas
Professor Leonard Kleinrock: [Recalling the first internet message] Now, what was that first message? Many people don't know this.
Professor Leonard Kleinrock: All we wanted to do was log in from our computer to a computer 400 miles to the north up at Stanford Research Institute.
Professor Leonard Kleinrock: To log in, you have to type "L O G" and that machine was smart enough to type the "I N".
Professor Leonard Kleinrock: To make sure this was happening properly, we had our programmer and the programmer up north connected by a telephone handset, just to make sure it was going correctly.
Professor Leonard Kleinrock: So Charlie typed the "L"
[Mimicking the conversation over the telephone handset]
Professor Leonard Kleinrock: and said "You get the 'L'?"
Professor Leonard Kleinrock: Bill said, "Yup, got the L."
Professor Leonard Kleinrock: Typed 'O'.
Professor Leonard Kleinrock: "You get the 'O'?"
Professor Leonard Kleinrock: "Yup, got the 'O'."
Professor Leonard Kleinrock: Typed in the 'G' and crash! The SRI computer crashed.
Professor Leonard Kleinrock: So the first message ever on the internet was "LO", as in "lo and behold". We couldn't have asked for a more succinct, more powerful, more prophetic message than "LO".
- ConexionesFeatured in Conan: Cobie Smulders/Werner Herzog/Lindsey Stirling (2016)
- Bandas sonorasDas Rheingold: Vorspiel
Composed by Richard Wagner
Performed by Hamburg Philharmonic Orchestra
Conducted by Simone Young
Courtesy of Naxos of America
Selecciones populares
- How long is Lo and Behold: Reveries of the Connected World?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Lo and Behold: Reveries of the Connected World
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 594,912
- Fin de semana de estreno en EE. UU. y Canadá
- USD 114,273
- 21 ago 2016
- Total a nivel mundial
- USD 765,796
- Tiempo de ejecución1 hora 38 minutos
- Color
- Relación de aspecto
- 1.78 : 1
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