La Verdad

Stellar performances all round, particularly Clémentine Grenier. A star in the making.

The story, such as it was, left to the viewer to try and work out and unravel.

On the whole it was slow and in the end, just stopped.

I stuck with it, my wife gave up.

6,3 is a little bit mean for this film. At least the acting is wonderful. Catherine Deneuve and Juliette Binoche have very successful performances. The subtle humor through the film makes it more lively. The plot is not super innovative but it is still interesting to see the dilemmas of an actress.

A lackluster screenplay from an otherwise a very talented director gives way to this underwhelming drama with actors of star levels on their own. The film is structured mostly as a drama but the comedic undertones point at such a wonderful potential for a straight out clever comedy, it's frustrating to see the film never goes there. With a few tweaks on the screenplay, adding a few smart jokes to the dialogues this film could have been a great heart warming comedy with deep dramatic undertones. 6/10

The Japanese filmmaker Hirokazu Koreeda is famous for focusing on some of the darker aspects of what it is to be Japanese. Some folks in his homeland (including some politicians) have criticized his films for exposing these problem....though many film buffs have loved these same films. It's surprising, then, when you watch "The Truth"....not just because it has an all French and American cast but because unlike his films such as "Like Father, Like Son" and "Shoplifters", he DOES pull his punches and more often than not avoids pushing boundaries! As a result, my daughter and I enjoyed the film but were also very disappointed.

The film stars Catherine Deneuve and Juliet Binoche as a self-absorbed mother and her frustrated daughter during a visit. And, amazingly, by the end of the story, nothing much happens....few sparks and the big confrontation scene you expect (because the daughter deservedly resents her mother) never really materialize and the mother somehow receives absolution though she did little to merit it....again, NOT like what you'd expect in a Hirokazu Koreeda movie.

Overall, the acting was good but the story itself a bit flat.

Catherine Deneuve without stretching plays a French cinema goddess, Fabienne, a diva who is the unremitting self-center of a family. All that and she underplays her to great effect that endears us to her as to her fans.

Although it's possible this comedy is a take on Deneuve's life, such an inference is unnecessary given Japanese director Hirokazu Koreeda's (Shoplifters) universal vision. Not only is Fabienne the essence of the superstar, she also represents the matriarch we all think of when we envision transcendent mom power.

Daughter Lumir (Juliette Binoche) and family visit mom in Paris to celebrate Fabienne's autobiography and role in a sci-fi where mother never grows old-now how fitting is that background? Given the scenery Deneuve could chew up, she has none of it. She softly throws in bits of sarcasm and bitchiness yet generally with an even temper, almost self-effacing, except she makes sure everything goes her way.

For cinematic reference points, strong mothers are countless; two come especially to mind: echoes of the mother's visit in Bergman's Autumn Sonata and an actress's moving in with mom in Postcards from the Edge. Koreeda's difference is the almost peaceful turns that could have been harrowing but end up being the natural flow of any family, not even an artistic one for that matter. You just need a strong mom.

Fabienne can't stop the aging process, which shows especially in her diffidence about her acting. However, none of this concern about aging detracts from her charm. To see the embodiment of an ageless French film icon and enjoy the central role a mother plays in all our lives, The Truth is, it's all true here with the work of a gifted Japanese director and a true film goddess.