Relic

I am so tired of horror movies where the characters move to a new house and walk in dark corridors for 80 minutes. What's that sound? Oh it's a washing machine. It doesn't matter. What's that sound? Oh it's just grandma being a weirdo. Go to bed grandma. What's that-- It's all a meaningless barrage of random nonsense. We need the first 80 minutes of the movie to get to the actual reason why this movie was made - the pretentious last 10 minutes. Just release that allegory for dementia/depression as a stand alone short film and don't waste my time with filler.

Another quality entry from a 21st century Australian filmmaker, it's a film which horror I don't think most young people can experience or recognize properly, because it gets real with age, and, as you grow older, it creeps into you as some sort of inheritance, a legacy where you find yourself thinking of dying not in those romantic terms where you'd decide your own fate, but in terms of personal diminishing and gradual demise as, next in line for it, you slowly but surely creep towards your own death. "Relic" is drama-first, horror-second, yet that doesn't spoil its genre effectiveness. The three women portraying the three generations within the same family are all great and, even more importantly - relatable. With so many movies right now having these perplexingly high metascore marks, "Relic" is the one where I actually think its rating is highly unfair. My bet is it'll age gracefully.

Making movies for today's horror audience is a tricky proposition, but Relic impressed me with it's commitment to telling an emotional story that resonates with issues which you may recognise from our lives outside of the "fantasy-horror" tropes. The movie is a slow burn which devotes the majority of its time to establishing the central 3 characters (impressive performances), who make up 3 generations of women from an old family in an old house in rural Victoria. If you enjoy thoughtful film-making with a "less is more" approach, you'll be rewarded by a masterfully disturbing and shocking third act climax with an emotional kick that will give you closure but leave you thinking. It should be noted though, just the like characters in Relic, you'll have to give attention to the people in front of you to reap the rewards.

Kay (Emily Mortimer) and her daughter Sam (Bella Heathcote) arrive to check on her mother Edna (Robyn Nevin) who has been responding to police checks. They find Edna in a disturbed state and slowly deteriorating.

This is a slow moody Australian horror. It's a little slow in the first half. Basically, this is tapping into the senior with dementia idea. The movie could do more with it earlier. Some of the photo album stuff can be done sooner. This needs to do more and faster. It does get to an interesting place and I like the ending. This is not the scariest horror but it's interesting.

This Australian horror never ceased to amaze me. The film started off very mysterious and rather spooky. As with so many horror films, I expected the mystery to subside by the second act, but it remained mysterious and creepy for the entire movie. It's been a while since I've experienced a movie like this.

Kay is asked to check up on her mother, Edna, who lives alone in a big house in the countryside, and haven't been seen in a few days. Kay's daughter, Sam, accompanies her. From the onset it is clear things are not what they seem. When Edna suddenly reappears, things get even creepier and more mysterious. Robyn Nevin is fantastic as Edna. Edna clearly has dementia, but there's something far more sinister going on ... or is there?

Bloody hell, this film was so much better than expected. Some moments - especially during the final act - will have you cringe in your seat. The effects were never over the top, but ever so effective. Wow, this was good - and also somewhat disturbing. Great ending!