Blonde Crazy
- 1931
- Tous publics
- 1h 19min
NOTE IMDb
7,1/10
2,5 k
MA NOTE
Ajouter une intrigue dans votre langueThe adventures of an egoistic con man and his glamorous accomplice.The adventures of an egoistic con man and his glamorous accomplice.The adventures of an egoistic con man and his glamorous accomplice.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires au total
Wade Boteler
- Detective
- (non crédité)
Ray Cooke
- Jimmy - Bellhop
- (non crédité)
Richard Cramer
- Cabbie
- (non crédité)
Bill Elliott
- Nightclub Patron under Title Credits
- (non crédité)
Peter Erkelenz
- Kansas City Dutch
- (non crédité)
Bess Flowers
- Nightclub Patron
- (non crédité)
Dick Gordon
- Nightclub Patron
- (non crédité)
Sherry Hall
- Tobacco Counterman
- (non crédité)
Avis à la une
This is the kind of film the Hays Office was established to prevent. Jimmy Cagney as a charming, likable con man. Adorable Joan Blondell in the bathtub. Glamourization of (still illegal) alcohol. Fraud, theft and assault all served up cool and bubbly as champagne. I loved it! If you ever wondered why Cagney became such a big star, just watch him in this early effort. He was truly one of the most magnetic personalities of early Hollywood. Turner Classic Movies print in pretty good shape, which can't be said of a lot of films of this vintage. Watch, enjoy!
"Blonde Crazy" was one of the first films James Cagney made after becoming a big star. The plot is pretty straightforward but Cagney and Joan Blondell push this film well above being average with their on-screen chemistry. They play a couple of hustlers who circulate amongst the more wealthy clientèle in various hotels. At one stage, both the leads are on the receiving end of a notorious card shark who steals their ill gotten gains. The way Cagney and Blondell exact their revenge is brilliant! Things get a bit more complicated between the two leads in the latter half of the film. Very entertaining.
Bellhop James Cagney and hotel maid Joan Blondell have a lot of ambitions during Depression Era America. They've seen the American dream go belly up on Wall Street, seen lots of people lose everything they have to crooks and chiselers and have decided if you can't beat 'em, join 'em. And Cagney has entitled what he considers the Depression to be, the age of chiselry.
These two are obviously so suited for each other. But for what each considers practical reasons they hook up with other people. Cagney hero worships noted confidence man Louis Calhern and Blondell takes a shine to polished and dapper Ray Milland, a wall street broker. Each becomes quite disillusioned.
This is a good piece of historic Americana, depression era. People like Cagney and Blondell lost a lot of ideals in that period and it rings true even today. Later on Preston Sturges would take some of the same themes in Blonde Crazy and use them in a more comedic way. But this film is still pretty good on its own merits.
These two are obviously so suited for each other. But for what each considers practical reasons they hook up with other people. Cagney hero worships noted confidence man Louis Calhern and Blondell takes a shine to polished and dapper Ray Milland, a wall street broker. Each becomes quite disillusioned.
This is a good piece of historic Americana, depression era. People like Cagney and Blondell lost a lot of ideals in that period and it rings true even today. Later on Preston Sturges would take some of the same themes in Blonde Crazy and use them in a more comedic way. But this film is still pretty good on its own merits.
Aside from an ending that just seemed too vague and too abrupt, this is a very little enjoyable film from Warner Brothers. In some ways, it's very much a Pre-Code style film but it's not as salacious as some of the more extreme films during the era. Sure, there is a some sexual innuendo and the main characters are awfully amoral, but it other ways things are bizarrely chaste--and it's something you really need to see to appreciate.
The film begins with Ann (Joan Blondell) looking for a job at a hotel. A slick bellboy, Bert (James Cagney) helps her get a job and almost immediately begins pawing at her. He's also a guy who is a bit of a huckster--and he schemes and pulls off petty grifter schemes for extra money. Want an example of the sort of dialog in this part of the film?
Bert Harris: Now, you play ball with me... and your worrying days will be over.
Ann Roberts: Yeah? How about the nights?
Bert Harris: (smirks) Well, I'll see what I can do about those too, honey!
As I said, there is a lot of innuendo. However, unlike films like "Red- Headed Woman" and "Platinum Blonde", the leading lady in this one seems to have her virtue intact throughout the film. Ann is willing to go along with some of Bert's schemes but keeps him at a distance throughout the film.
Eventually, the pair get tired of penny ante stakes and quite their jobs to travel the country cheating boobs here and there. The trouble is that in the process, the pair obviously become quite fond of each other. But Ann doesn't want this sort of life forever and eventually falls for a stockbroker (Ray Milland). What's in store for Bert? Well, watch the film for the super-bizarro ending to see for yourself. I don't want to give it away but suffice to say it seems to come from out of no where and the ending of the film is incredibly vague and a bit unsatisfying-- hence my score of only 7 when it easily could have earned a higher rating up until then.
The overall moral of the film seems to be EVERYONE is corrupt and what you get out of life is what you can take--a thoroughly Pre-Code moral in every way! Still, despite its dubious life lesson, the film is well acted and paced, quite enjoyable to watch and offers Cagney a part to play one of his strangest characters. This isn't the nasty criminal sort he played in "Public Enemy" nor the heroic sort he played in Post- Code films, that's for sure.
The film begins with Ann (Joan Blondell) looking for a job at a hotel. A slick bellboy, Bert (James Cagney) helps her get a job and almost immediately begins pawing at her. He's also a guy who is a bit of a huckster--and he schemes and pulls off petty grifter schemes for extra money. Want an example of the sort of dialog in this part of the film?
Bert Harris: Now, you play ball with me... and your worrying days will be over.
Ann Roberts: Yeah? How about the nights?
Bert Harris: (smirks) Well, I'll see what I can do about those too, honey!
As I said, there is a lot of innuendo. However, unlike films like "Red- Headed Woman" and "Platinum Blonde", the leading lady in this one seems to have her virtue intact throughout the film. Ann is willing to go along with some of Bert's schemes but keeps him at a distance throughout the film.
Eventually, the pair get tired of penny ante stakes and quite their jobs to travel the country cheating boobs here and there. The trouble is that in the process, the pair obviously become quite fond of each other. But Ann doesn't want this sort of life forever and eventually falls for a stockbroker (Ray Milland). What's in store for Bert? Well, watch the film for the super-bizarro ending to see for yourself. I don't want to give it away but suffice to say it seems to come from out of no where and the ending of the film is incredibly vague and a bit unsatisfying-- hence my score of only 7 when it easily could have earned a higher rating up until then.
The overall moral of the film seems to be EVERYONE is corrupt and what you get out of life is what you can take--a thoroughly Pre-Code moral in every way! Still, despite its dubious life lesson, the film is well acted and paced, quite enjoyable to watch and offers Cagney a part to play one of his strangest characters. This isn't the nasty criminal sort he played in "Public Enemy" nor the heroic sort he played in Post- Code films, that's for sure.
Pre-Coder starring James Cagney as a hotel bellboy with a knack for conning people who falls for Joan Blondell and gets more than his fair share of trouble for it. Mixed bag but enjoyable enough. Jimmy's the main reason to recommend this one. He's delightfully cocky and energizes every scene. The way he moves and talks throughout the picture is fascinating to watch. He was still relatively new to movies but you would never know it by how confident his performance is here. Starts out like a comedy but turns more serious when Louis Calhern and Ray Milland enter the picture. It's not quite as enjoyable from that point on.
Le saviez-vous
- AnecdotesWhen Jerry (Russell Hopton) shows Bert (James Cagney) his money-making scam of selling "swastika charms", there is an abrupt edit, probably a closeup of what the charm looked like. Swastikas were considered good-luck charms until the advent of the Nazis two years after this movie was released, and the edit almost certainly took place between then and 1941 when other war-related edits took place in Hollywood (e.g., anything relating to Italy in The Marx Brothers' Une nuit à l'opéra (1935)).
- GaffesAt the start, a hotel elevator is indicated moving up more than three floors in one second - an impossibly fast speed. Its return down is shown at a more realistic pace.
- Citations
Bert Harris: Oh, that dirty, double-crossin' rat! I'd like to get my hooks on him. I'd tear him to pieces!
- ConnexionsFeatured in Hollywood and the Stars: How to Succeed as a Gangster (1963)
- Bandes originalesWhen Your Lover Has Gone
(1931) (uncredited)
Written by E.A. Swan
Played and sung during the credits by an uncredited tenor
Played by an orchestra at a nightclub
Played as background music when Bert proposes to Anne
Played as background music at the end
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- How long is Blonde Crazy?Alimenté par Alexa
Détails
- Durée1 heure 19 minutes
- Couleur
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By what name was Blonde Crazy (1931) officially released in India in English?
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