Le Voleur de Bagdad

"The Thief of Bagdad" is impressive in the shape of the evil magician Jaffar (Conrad Veidt). He plots with lies and magic spells to obtain the kingdom from its rightful ruler the young King Ahmad, and a gorgeous princess from her father...

He falls victim in the end, as all tyrants do (in books and legends) to love and of the common man whom he ignored, here embodied by the little thief (Sabu).

The armies of good and evil, black and white, are superbly realized in both visual and literary terms...

The script is poetic, simply and very beautiful... The costumes of the magician and his men rising and falling like the wings of black birds, attacking suddenly in the night to inflict destruction and create terror...

The radiant hero wears white turbans and robes, and his princess is dressed in pinks and pale blues...

For spectacular scenes it matched all that had gone before, while through its use of color, it brought to life a world such as had not seemed possible before...

With flying carpet and flying white horse, with a giant genie (excellently played by Rex Ingram), with evil wizards, and with the good acting of Sabu and Veidt, "The Thief of Bagdad" captures the quality and true atmosphere of the Arabian Nights...

The 1940 version remains the screen's finest fairy tale!

The first time I saw this movie, I was blown away by it's sheer fantasy content. I am a fan of fantasy anyway, and for a film of this time (1940) I was impressed by Alexander Korda's ability to completely immerse one so completely in the story. I believe that during the war-time period these films were especially important for a lot of people in order to distract them, in a positive way, and allow them a brief respite from the harsh realities and depressing aspects of the war. I think that this film had probably fit the bill at that time and even nowadays, it does take you away from the everyday and allows you to indulge in a wonderful tale of fantasy, romance, magic, throughout. June Duprez was stunning and otherworldly in her looks and performance. John Justin played a wonderfully enchanting Ahmed, although I found Sabu's character a bit tedious at times, the rest of the movie, for it's time, was top-notch. A great escapist, put your feet up and enjoy the afternoon, movie. I give it a 7.8 out of 10.

Few movies appeal to both adults and children.This one does .Although there are three directors,it is most likely Michael Powell who's the brains here,his later work proves it in a definite way.There are already the incredible color search and the fabulous settings which will emerge again in such works as "a matter of life or death"(1946).Magic is everywhere and there are plenty of visual strokes of inspiration :every picture is magic itself.The script writers adapt stories from the Thousand and one Nights but make them their own .The special effects ,although absolutely extraordinary for 1940,remain tasteful ,which is not often the case today when they mainly serve to hide the weakness of the screenplays.

Conrad Veidt is a delightful villain,who might have inspired Walt Disney for "Aladdin" .June Deprez,whose talent is essentially decorative ,will play the part of Vera Claythorne in "and then there were none" (René Clair,1945).Sabu is certainly one of the best young actors of the era. John Justin is the perfect virtuous hero.

Compares favorably to Jean Cocteau's "la Belle et la Bête" (1945).

Remake by Arthur Lubin with muscle man Steve Reeves in 1961:although it's a far cry from this version,it's not bad .

After 60 some odd years THE THIEF OF BAGDAD is still one of the most

wondrous movies ever made. Filmed in wartime England and without the

use of digital imagry, the film soars and makes believers of us all.

From Rex Ingram's memorable Genie, (has any laugh been better than his

rumbling "BoohooHAHAHAH"?) to the Flying Horse, the six armed murderous

doll, the immense spider and on and on, the film excites in a visceral

way that no FX person could duplicate today. Though we can see through

the primitive special effects, the genius of this film is that the story

is told so well that we suspend our disbelief and fly along on a magic

carpet ride that never flags for all of its almost two hour running

time. Miles Malleson's script (he also plays the heroine's father in a

delightful turn), is filled with what we now see as cliches, but they

still bring a silly grin to our faces as we acknowledge them, and love

them all the same. The acting is WAY over the top and absolutely delightful. Sabu is

perfect as the little thief Abhou, John Justin stalwart as the hero

Ahmed, Conrad Veidt all snarly and despicable as the evil Jafar and June

Duprez all gauzy and creamy as the princess. The real star of the film, the glue that holds all the pieces

together,however, has to be Miklos Rozsa whose musical score evokes

every Arabian Nights fantasy that we have ever dreamed. What glorious

music, what a wondrous fim! (I was lucky enough to get an advance copy

of the new DVD of THIEF OF BAGDAD. What a great print. Wait till you

see it! It will knock your socks off.) I love Spielberg and I love

Lucas, but oh THE THIEF OF BAGDAD!!!!!!!!!!!!!!!!!

Most of the genre of "Arabian Nights" films were silly, cheesy, low-budget things, like "The Prince Who Was A Thief" starring Tony Curtis as an Arabian prince with a Brooklyn accent. This is an exception: A genuinely magical film, one of the best fantasy films ever made.

A beautiful film made in the most glowing of technicolors, it tells the simple story of a boy thief (Sabu) meeting a dethroned prince (the gorgeous John Justin), and helping him defeat the wonderfully evil usurper Conrad Veidt. Like "The Wizard of Oz" made the year before, the performances are so good that you believe in what you see on the screen. Flying carpets and horses, towering genies, dancing idols, it all seems perfectly believable and exiting. A classic.