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Ce long-métrage est une anthologie de dix courts-métrages musicaux. Chacune des séquences, dont le titre s'anime dans le plus pur style des devantures des cinémas et théâtres des années 40, ... Tout lireCe long-métrage est une anthologie de dix courts-métrages musicaux. Chacune des séquences, dont le titre s'anime dans le plus pur style des devantures des cinémas et théâtres des années 40, est chantée par un artiste de l'époque.Ce long-métrage est une anthologie de dix courts-métrages musicaux. Chacune des séquences, dont le titre s'anime dans le plus pur style des devantures des cinémas et théâtres des années 40, est chantée par un artiste de l'époque.
- Récompenses
- 1 victoire et 1 nomination au total
Nelson Eddy
- Narrator
- (voix)
- …
Laverne Andrews
- Andrews Sisters
- (voix (chant))
- (as Andrews Sisters)
Maxene Andrews
- Andrews Sisters
- (voix (chant))
- (as Andrews Sisters)
Patty Andrews
- Andrews Sisters
- (voix (chant))
- (as Andrews Sisters)
Benny Goodman
- Bandleader
- (générique uniquement)
Tatiana Riabouchinska
- Silhouetted Dancer
- (as Riabouchinska)
David Lichine
- Silhouetted Dancer
- (as Lichine)
Ken Darby
- The King's Men
- (voix (chant))
- (as King's Men)
- …
Jon Dodson
- The King's Men
- (voix (chant))
- (as King's Men)
Bud Linn
- The King's Men
- (voix (chant))
- (as King's Men)
Rad Robinson
- The King's Men
- (voix (chant))
- (as King's Men)
John Brown
- Umpire
- (voix)
- (non crédité)
Avis à la une
Chocolate-box potpourri of Disney-animated shorts became Walt Disney's eighth animated theatrical feature, one that plays like a middling excuse to allow the studio's animators to blow off some creative steam. Divvied up into separate musical suites (utilizing pop, jazz, Big Band, and the Russian classical piece "Peter and the Wolf"), "Make Mine Music" is musically of its time, featuring the talents of Benny Goodman, Dinah Shore, Nelson Eddy, etc. In that regard, it dates far worse than "Fantasia", and comes to a virtual halt in the middle of an overstretched slapstick baseball satire, but there are incidental pleasures. The popular "Peter and the Wolf" segment, which was later serialized on Disney's TV program and found a large following, is the only segment that feels fully thought-out (and has involving animation), while "The Whale Who Wanted To Sing At The Met" is an interesting idea (with beautiful flourishes) in search of a narrative (the hero actually ends up in Heaven...complete with angel's wings!). Followed by "Melody Time", which featured more storytelling and less abstract whimsy. ** from ****
Animated anthology movie from Disney. They made several of these during and after World War II. It's a fun movie with cartoons of varying quality but none are bad. Many of these cartoons were released later as theatrical shorts. There are ten segments. The most popular of them is probably "Casey at the Bat," a recitation by Jerry Colonna of the famous poem. It's a funny, wacky baseball cartoon that was one of my favorites as a kid (seen on a compilation video). Other well-known parts include the Disney version of "Peter and the Wolf," "The Martins and the Coys," which is now considered politically incorrect by those who make such determinations, and "The Whale Who Wanted to Sing at the Met," featuring Nelson Eddy. These are all fine cartoons, though the last one has a surprisingly downbeat ending. The 'worst' shorts are the ones that have no real story, just offer a few minutes of animation to some song, almost like a music video of sorts. "Blue Bayou," "Without You," and "Two Silhouettes," for example. They aren't bad shorts, just slight. They feel like time filler. My two favorite shorts in the whole movie are "All the Cats Join In" and "Johnnie Fedora and Alice Bluebonnet." 'Cats' is an energetic big band number with Benny Goodman music playing while a pencil draws the action as it happens. It's creative and cute with a surprisingly sexy part. You'll have to watch it to see what I mean. 'Fedora' is a sweet story about two hats (yes, hats) falling in love and becoming separated. This is narrated through song by the great Andrews Sisters. Overall, some nice little shorts that should please old-school Disney fans. Good animation and music. A very pleasant movie that will leave you with a smile on your face.
"Make Mine Music" is a beautifully crafted binding of Disney shorts, and I think it is an improvement over "Melody Time". "Melody Time" did have some memorable parts especially "Once Upon a Wintertime", "Bumble Boogie" and "Johnny Appleseed", but what made "Make Mine Music" better was that it had a somewhat better variety of music and that it contains some of my all time favourite Disney moments. But like it is with "Melody Time" the success of the shorts is variable.
"The Martins and the Coys"(10/10)-Man I loved this! Probably the most underrated of all the shorts featured in this film. It mayn't be to everyone's tastes now, and it does stereotype the Appalachians, but what makes it so enormously entertaining is the fluid and colourful quality of the animation, the rollicking soundtrack and the vocals.
"Blue Bayou"(10/10)- I don't know where to begin praising "Blue Bayou". Whether it was the stunning animation, with the pristine and perfect blue backgrounds, the poetic lyrics and the lyrical, sensual melody of the song. And the music is sublimely sung.
"All the Cats Join In"(10/10)-One cool and jazzy cartoon. I am not always that fond of jazz admittedly, but the music courtesy of Benny Goodman and his orchestra is wonderful. Topped with clever and sophisticated animation and the story, even for a combination cartoon, works effectively.
"Without You"(9/10)- I liked this, the animation is gorgeous in this sequence and the song itself is sweet and memorable. Andy Russell does a good job with the singing. I will say though it doesn't rank as a favourite, and I can't put my finger on why, maybe it was to do with where it was placed in the film.
"Casey at the Bat"(8/10)-The pace is rushed here, but this cartoon is entertaining. I for one liked Jerry Colonna's mini-commentary-like vocals here, and I liked the animation too. "Casey at the Bat" is also very funny, certainly makes a game of baseball entertaining.
"Two Silhouettes"(8/10)-Don't get me wrong, I really liked this sequence. It is sentimental and sappy of course, but it looked beautiful, with graceful dancing, and the song was lovely, sensitively sung by Dinah Shore.
"Peter and the Wolf"(9.5/10)-Easily one of the better shorts of the film. Not my personal favourite by all means, but definitely memorable. The animation is beautiful here, the music is outstanding and the story is effective. Not to mention the characters are very well done, in fact the Wolf when my sister and I were little was so scary for us, my sister still refuses to see this cartoon, as she got nightmares from the Wolf and the French horn motif played to signify his entrance.
"After You've Gone"(8/10)- I do prefer "All the Cats Join In" but this is full of jazz and pizazz. It's running time though is disappointingly scant, and it is a tad rushed. The artwork is beautifully done though, and the music is wonderful. Another example of a combination cartoon, and works well at it.
"Johnnie Fedora and Alice Bluebonnet"(10/10)- I love how beautiful, simple and poignant this is. Coupled with nice animation, lovely music and beautifully blended vocals from the Andrews Sisters, this is a definite must.
"Willie the Operatic Whale"(or "The Whale Who Wanted to Sing At the Met")(10/10)-Save the best until last I'd say. Along with "Peter and the Wolf" this is the only other cartoon from the film I was familiar with before watching. This one is unforgettable, truly unforgettable with a truly special whale. The animation is gorgeous and charming, and the singing from undervalued Nelson Eddy is outstanding. What made this though was the opera music, it was wonderful to hear "Largo Al Factotum" from "Barber of Seville" and "Sextet" from "Lucia Di Lammermoor" to name a few. This was the cartoon that introduced me to the wonderful world of opera, that's why it is so special to be.
Overall, while there are one or two sequences that aren't as good as others, "Make Mine Music" is beautifully crafted, and I would recommend it. 8/10 Bethany Cox
"The Martins and the Coys"(10/10)-Man I loved this! Probably the most underrated of all the shorts featured in this film. It mayn't be to everyone's tastes now, and it does stereotype the Appalachians, but what makes it so enormously entertaining is the fluid and colourful quality of the animation, the rollicking soundtrack and the vocals.
"Blue Bayou"(10/10)- I don't know where to begin praising "Blue Bayou". Whether it was the stunning animation, with the pristine and perfect blue backgrounds, the poetic lyrics and the lyrical, sensual melody of the song. And the music is sublimely sung.
"All the Cats Join In"(10/10)-One cool and jazzy cartoon. I am not always that fond of jazz admittedly, but the music courtesy of Benny Goodman and his orchestra is wonderful. Topped with clever and sophisticated animation and the story, even for a combination cartoon, works effectively.
"Without You"(9/10)- I liked this, the animation is gorgeous in this sequence and the song itself is sweet and memorable. Andy Russell does a good job with the singing. I will say though it doesn't rank as a favourite, and I can't put my finger on why, maybe it was to do with where it was placed in the film.
"Casey at the Bat"(8/10)-The pace is rushed here, but this cartoon is entertaining. I for one liked Jerry Colonna's mini-commentary-like vocals here, and I liked the animation too. "Casey at the Bat" is also very funny, certainly makes a game of baseball entertaining.
"Two Silhouettes"(8/10)-Don't get me wrong, I really liked this sequence. It is sentimental and sappy of course, but it looked beautiful, with graceful dancing, and the song was lovely, sensitively sung by Dinah Shore.
"Peter and the Wolf"(9.5/10)-Easily one of the better shorts of the film. Not my personal favourite by all means, but definitely memorable. The animation is beautiful here, the music is outstanding and the story is effective. Not to mention the characters are very well done, in fact the Wolf when my sister and I were little was so scary for us, my sister still refuses to see this cartoon, as she got nightmares from the Wolf and the French horn motif played to signify his entrance.
"After You've Gone"(8/10)- I do prefer "All the Cats Join In" but this is full of jazz and pizazz. It's running time though is disappointingly scant, and it is a tad rushed. The artwork is beautifully done though, and the music is wonderful. Another example of a combination cartoon, and works well at it.
"Johnnie Fedora and Alice Bluebonnet"(10/10)- I love how beautiful, simple and poignant this is. Coupled with nice animation, lovely music and beautifully blended vocals from the Andrews Sisters, this is a definite must.
"Willie the Operatic Whale"(or "The Whale Who Wanted to Sing At the Met")(10/10)-Save the best until last I'd say. Along with "Peter and the Wolf" this is the only other cartoon from the film I was familiar with before watching. This one is unforgettable, truly unforgettable with a truly special whale. The animation is gorgeous and charming, and the singing from undervalued Nelson Eddy is outstanding. What made this though was the opera music, it was wonderful to hear "Largo Al Factotum" from "Barber of Seville" and "Sextet" from "Lucia Di Lammermoor" to name a few. This was the cartoon that introduced me to the wonderful world of opera, that's why it is so special to be.
Overall, while there are one or two sequences that aren't as good as others, "Make Mine Music" is beautifully crafted, and I would recommend it. 8/10 Bethany Cox
The segments included in this anthology film are very good. I just think it's ridiculous that Disney would release a movie with the first chunk missing. The way it was done made it seem like they thought people wouldn't notice. I have to admit, I'm glad they released it even in part on DVD so we could enjoy the rest, but on the Walt Disney Treasures collection they have released several short subject cartoons on DVD with a disclaimer from Leonard Maltin beforehand. I think they could re-release 'Make Mine Music' in it's entirety with such a disclaimer because the segment is actually very entertaining. I remember seeing it as a kid and it left no impression whatsoever that I should grab a gun and start shooting. Maybe because I had smart parents that had a greater influence on me than what I saw on TV.
One of Walt's early package films and not bad at that! Some segments are cloyingly hokey, of course, but most shorts are surprisingly playful and charming. The highlights: "The Martins and the Coys" is full of stereotyping and comic gunplay and simply fun to watch; "Casey at the Bat" is a whirlwind of poem recitation; the two Benny Goodman segments feature nice tunes and "Peter and the Wolf" and, particularly, "The Whale Who Wanted To Sing At the Met" are two of Disney's best cartoons.
Just skip the padding and enjoy this compilation!
7 out of 10 triple-voiced Nelson Eddys
Just skip the padding and enjoy this compilation!
7 out of 10 triple-voiced Nelson Eddys
Le saviez-vous
- AnecdotesPierre et le Loup (1946) has an explicitly Russian setting and Russian characters who are portrayed sympathetically. It is an example of the period it was produced. For much of World War II, the United States and the Soviet Union were allies. Pro-Russian/Soviet works such as the film L'étoile du Nord (1943) were regularly produced by American creators. By 1946, when "Make Mine Music" came out, the War had recently ended and the two countries were still nominally allied. The tensions that would lead to the Cold War were already present, but major actions of hostility did not take place until 1947. It was only then than Anti-Soviet sentiment became the norm in the United States.
- GaffesWhen newspapers announcing the discovery of Willie the Whale are shown, one compares him to the "Lock Ness Monster." The correct spelling is "Loch".
- Versions alternativesIn 2000 Disney cut the entire "Martins & Coys" sequence from the film due to the comic gunplay which they feared could be confused with reality by children.
- ConnexionsEdited from Si vous m'aimiez autant (1946)
- Bandes originalesMake Mine Music
(1946) (uncredited)
Music and Lyrics by Ken Darby and Eliot Daniel
Sung by an offscreen chorus during the opening credits
Meilleurs choix
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- How long is Make Mine Music?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Make Mine Music
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 15 minutes
- Rapport de forme
- 1.37 : 1
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