Sissi impératrice

Romy Schneider is "Sissi: The Young Empress," Empress Elisabeth of Austria, in this 1956 film, the second of the popular trilogy. Schneider was nearly 18 at the time, and absolutely beautiful and charming in the role.

I need to say here, for anyone non-European or anyone who has not spent time in Austria, Germany, Hungary, etc., Sissi was the Princess Diana of her day and in fact, remains popular. Her face is on everything from candy wrappers to pins, pocket watches, necklaces - she's everywhere. She's been the subject of musicals, countless books, TV miniseries, plays, and films.

As others have pointed out, this is an idealized story of Sissi, with lots of facts left out as well as the more negative aspects of Sissi's personality - her anorexia, for one. Here, she is still in the honeymoon phase with her husband, the Emperor Franz Josef; and she is also anxious to help to build a good relationship with Hungary.

Sissi runs into problems when she becomes pregnant with her daughter Sophie, and her mother-in-law, convinced that Sissi is too young to be a good mother, takes the child from her in order to raise her. Angry that Franz will not stand up to his mother and instead, takes her side, Sissi leaves him and returns home to her family. It's pointed out to her that she has duties as a royal that must be fulfilled.

In actuality, Sissi's mother-in-law was worse to her than shown in the film. Also, by the time she becomes Queen of Hungary, she has three children but the film only speaks of one, Sophie, who by then is deceased.

These films are incredibly popular in Europe and I believe are shown at Christmas. The color is beautiful, the costumes and furnishings are gorgeous - these films are truly a treat for the eyes.

Read up on Sissi to get the real story, and enjoy these romanticized films for what they are: Sissi-lite.

This movie continues the tall tale begun in SISSI as the adorable Imperial lovebirds move into the Schonbrunn Palace and all is hunky-dory for a year. When their daughter is born, however, up pops the Evil Mother-in-Law Trope, as Archduchess Vilma Degischer moves the baby to her wing of the palace. Maternal love cannot bear this, so Sissy flees back to Bavaria.

Will the Emperor follow? Will the Archduchess admit she's made a mistake? Will the Hungarians walk out on the Spanish Reception when they think they've been snubbed, threatening the Dual Monarchy?

Given the rough relationship of actual history to this spun-sugar confectionery, the best one can hope for is an exercise for old people tired of devastation by two World Wars talking about how it was better back in the Good Old Days. That's what one gets here in spades, with beautiful actors in beautiful clothes in beautiful settings, gemutlichkeit family relationships and beer and ham hocks at formal dinners, because under it all, that's what people really like. As a follow-up to the earlier movie, it's fine, but breaks little fresh ground on its own.

The movie created a romantic and loving story between the king and queen, although in history she didn't really enjoy herself in the court nor had intimate relationship with her husband and children.

Whenever I see this part, it seems to me that Ernst Marischka wanted to show Sissi as a gentle woman who is exposed to the hardship of royal life. In spite of the fact that the film is full of sweet images (like other parts) which may seem to some people "out of date", it has a certain message conveyed.

In fact, this part's content is built upon two issues: politics and the family life in imperial palace. Sissi, as a young empress, has to get used to the lifestyle in the palace. She finds it difficult, especially due to the attitude of her mother in law, archduchess Sophie. The problems grow when Sissi gives birth to her daughter and the baby is taken from her. Sophie thinks that Sissi is too young to be a good mother. She has to choose: be an empress and forget about mother's feelings or escape from the golden cage...

Another interesting fact about the movie is the political situation of Hungary. Sissi loves this nation and aims at uniting it with Austria. Obstacles, however, are huge. Nevertheless, she does not give in and, in the long run, her goals are achieved.

I loved the scene when she thinks of leaving Vienna due to family problems, but the Hungarians are waiting for the meeting. She decides to take part in it. Here, Marischka shows the price she had to pay. The duty of an empress is more important than the family, the beloved baby and personal happiness. As her mother Ludovika says to her that she has a duty and has to be strong to fight her emotions.

At the end, I must admit that I cried when Sissi becomes the queen of Hungary, swears to fulfill her duties and the Hungarian anthem is being sung (so much forbidden in the time when this nation was persecuted): "Isten, Aldd Meg A Magyart, Jo Kedvvel Boeseggel..." Sissi cries. This is the love for the nation. This is the right attitude of a queen. Sacrifice even her happiness for the sake of fulfilling her duties.

I love this part of Sissi. It has much to say to our times, in which the feeling of duty and a good motherhood have been distorted and lost. Especially, young mothers should see it. Marischka shows the love of a mother to her child and the love of a queen or empress to her nation.

WORTH WATCHING. CLASSIC!!!

I grew up with the Sissi movies and was a big fan of Romy Schneider in my youth. Later in life I researched the life of the Empress and the life of King Ludwig II a little bit more thoroughly. Of course I found out that the multiple movies made about these two popular royalties were all sugarcoated and in many aspects far from reality. This said, up to today I put on the Sissi movies to relax. I enjoy just about everything in it and like them as a fairy tale. A fairy tale with castles, kings, princesses and the wicked mother in law. I never visited Hungary and thoroughly get pleasure from the scenes showing this beautiful land. In many ways the movie is also realistic.

My father grew up under a Kaiser, so the lifestyle is not too far removed from what I experienced. Children of influential families were nearly always brought up by governesses and saw their parents only at "audiences". Duty to the Fatherland was something which was taught to everybody and of course even more so to the royalties. Marriages in high circles were always arranged and a marriage out of love practically unheard of. So the film paints also a picture of the time these people were living in.

I think the Sissi trilogy may be the only movies which stayed with me all my life.