Sur un arbre perché

Consider this: Three people in a car, driving of a cliff that goes a thousand feet

into the ocean. Halfway down the precipice there is a pine. That car

lands in this tree - mid ways between the world and ocean. No

one has seen the accident. No one know they are there. How can they survive? This is a sit-com of incredible humorous value.

a nice story. tension and humor. love, French irony, Louis de Funes and Geraldine Chaplin, Olivier de Funes, a car, a pine and too many details. a lot of clichés. but, far to be memorable, it is a decent comedy about media, revenge and survive. and good occasion to discover, again, a great actor not in one of his high roles but in an exercise to use the nuances of his stereotypes character. a film about family, business and religion, about adventure and relations in crisis, not very credible but nice and almost useful. one of easy films who reminds old fashion humor recipes. and who has the right dose of nostalgic emotion. so, see it !

Louis de Funes. Geraldine Chaplin. and Olivier de Funes. a car. an accident. and a lot of adventures. a film who remains great for the gift to be almost perfect. politic and business system, mass media and marriage, religion and public image, youth and exotic refuge each is discovered by viewer in brutal light. a film about honesty. and a spectacular comedy. Perched on a Tree is one of film who reminds more than present. entertainment of high class, it is, in essence, painful honest reflection about society and its different masks. and , more important, one of Louis de Funes's comedy, with the same smart use of clichés and the great man who becomes detail for the others. and, sure, the wise end, who is memorable. a film who remains inspired option for understand contemporary events in the right light.

'Sur un arbre perche' is the original title of a De Funes film and when saying De Funes, one thinks comedy relying basically on grimaces, silly noises etc... Well, this isn't quite the case here.... Louis de Funes does what he does best-the above mentioned- but the film comes as a surprise in which that it is more than a comedy- the end proves it ! It's a satire at all that makes today's society's entertainment : church, family values, onerous business, TV reality shows, politicians, public services like police, fire fighters, first aid; it's all there in the spotlight and none is given a sweet pat on the head- far from it ! The film being shot in the early 70's, the satire addressing all the mentioned areas is so much more compelling. The silly accident which leads to three strangers being literally perched on a 'pin parapluie' in a car above the sea for a week is still a good starting point for some gentle humour 'De Funes style', but when the protagonists are finally discovered there's a load of not so humorous, yet immensely funny reactions from all the concerned authorities or people , none of them actually doing much to rescue our heroes. And when they are finally rescued... well... A film to watch at least for one reason: it is not what you might expect.

Perched on a Tree (L'Arbre, le Maire et la Médiathèque) is a 1971 French comedy starring the legendary Louis de Funès. While de Funès is typically known for his energetic and hilarious performances, this film unfortunately doesn't quite hit the mark for me.

One of the main issues with the film is its pacing. The story, which revolves around a man who finds himself stuck in a tree after a car accident, drags on and feels overly long. The plot lacks the dynamic energy and quick wit that usually characterize de Funès' films, making it feel somewhat tedious and drawn-out.

Despite these flaws, Louis de Funès still manages to deliver a commendable performance. His unique brand of physical comedy and expressive facial expressions provide some genuinely funny moments, which is a testament to his talent. However, even his performance can't fully compensate for the film's lackluster storyline and slow progression.

In conclusion, Perched on a Tree has its moments of humor thanks to Louis de Funès, but the overall experience is marred by its slow and drawn-out plot. It's a film that might appeal to die-hard fans of de Funès, but it's not one that I would watch again. I give it a 6/10 for the occasional laughs and de Funès' performance, though it falls short of his more memorable works.