They Call It Murder

Do we have a misleading system here? I'm talking about this "weighted vote" process. Guess I'll have to read up on that. Other ratings don't often sway me. But I am, at least, curious about opposing viewpoints. So, after I thoroughly enjoyed They Call It Murder, I investigated its low "weighted" evaluation because it's so different from my own. Imagine my astonishment when I saw NO overall bad comments, and more than five times as many positive votes as negative ones. Now that I've further trivialized opinions, here's mine: I highly regard this film; consider that many familiar faces herein perform quite capably; and am thankful for the four-minute concluding summation because the script was too intelligent for me, as is often the case when I try to follow a thoughtful mystery. Henceforth, "weighted" numbers will have even less significance to me; and, perhaps, they shouldn't be too terribly meaningful to you, either.

This 1971 TV movie appears to have been a pilot for a proposed series based on "Perry Mason" creator Erle Stanley Gardner's much lesser known "Doug Selby D.A." novels. It's a shame this never made it because "They Call It Murder" shows a good bit of promise. Jim Hutton is excellent in the title role as the earnest young D.A. (His son Timothy's resemblance is remarkable) and he was always an underrated actor.

The supporting cast is also strong an notably features Ed Asner as a bumbling and blustering small town chief of police. In this episode the "guest stars" are Jessica Walter (who was intriguingly distant yet seductive) and Leslie Nielsen (was this guy EVER young?) and while it wasn't real difficult to finger the culprits the motive and means were creative yet not so far-fetched as to be beyond the rules of "fair play."

TCIM, of course, appears dated now with a very early 70s look (and outlook)and pacing that is several gears slower than contemporary mystery/suspense. It could be said that the movie drags in places but it could also be argued that that the languid pace adds to the atmosphere. . As with all mysteries it is a formula driven show but it is a well done one. This has more in common with 40s film noir than formula dramas of today such as the L&O faux realism template.

TCIM relies more on plotting and character psychology and less on fist fights and car chases than the typical 60s/70s era shows of this genre did. (Although there is a little of that it appears superfluous and forced; that would be my only complaint.)

I came across this in a $1 bin of overstock DVDs. It's a very low budget DVD that appears to have been transferred from second generation (or worse) tape and has uneven sound and almost no packaging but it's well worth the dollar.

Jim Hutton, the district attorney of a small county some place in southern California (with some exteriors shot in San Anselmo in Marin County) is confronted with a puzzling murder: a man shot in a pool by two guns -- so it's unclear which one killed the man -- with lots of suspects, no motive, an annoying defense attorney among them, played by Lloyd Bochner, and a growing pile of corpses.

Erle Stanley Gardner started out as a lawyer, but was bored by the practice of law. He started writing in 1921. When he became a full-time writer in 1933, he felt that any year in which he wrote fewer than 1,200,000 words was a bad year, and he used eight or so pen names to avoid flooding the market. That may seem like a lot of books, short stories, radio scripts, travel books, and articles on forensics. In the 1940s, he founded the Court of Last Resort, a forerunner of such organizations as the Innocence Project. He died in 1979, at the age of 80.

He's best remembered for creating Perry Mason, who appeared in more than 80 novels, a dozen movies, and hundreds of episodes of the TV series and succeeding TV movies. This TV movie is from a lesser known series. In an inversion oft he Perry Mason formula, District Attorney Doug Selby, confronted with a puzzling mystery, faces off in court against defense attorney A. B. Carr, This is the only screen version of the characters; doubtless it was intended for a series, but after Raymond Burr, who could believe such a thing. Nonetheless, it has a fine and confusing plot, Ed Asner as a brutish police chief, Leslie Nielson with an Irish accent, and Vic Tayback as an insurance investigator. Very watchable.

This made for TV movie predates the Jim Hutton version of the Ellery Queen TV series by a few years. However, Hutton obviously used this role as his model for playing Queen in the series. He has a lot of fun with his role as DA and it is contagious. I thoroughly enjoyed watching Hutton as he appeared in virtually every scene as the relentless DA, investigating a murder that soon expands to even more homicides. This film is based on an Erle Stanley Gardner work and contains all of the elements of fine mystery writing which we would expect from Mr. Gardner. A good cast of names and faces familiar to TV watchers serves to keep up the interest and suspense as this excellent mystery unfolds. I would have preferred another actor in the role of the defense attorney played by Lloyd Bochner. But, I admit that I am nit picking here. I simply don't like Mr. Bochner since he plays every single role in exactly the same manner, smug and arrogant. Just once I would like to see him exhibit some semblance of warmth or humor. For me his performance was the only negative in this most enjoyable movie.

District Attorney Doug Selby (competently played by Jim Hutton) faces a unique murder case involving a dead body in a pool with two bullets in its heart. After some detailed examination and theory debunking as to which of those bullets might have gone in first, it becomes clear that the D. A. is not helped by the blundering Police Chief Otto Larkin, who keeps stupidly disrespecting the very law he is supposed to uphold - it could be a comic relief, but does not quite work - and in time comes under attack himself from a vehicle trying to bump him off a cliffy road.

Standout performance from Lloyd Bochner as lawyer A B Carr, self-effacing but effective in his legal assistance.

Well, all is not bad news: Selby is surrounded by pretty women: the elegant Jessica Walter, who in 1971 also played an evil part in PLAY MISTY FOR ME; Nita Talbot, absolutely gorgeous as a second rate movie star who keeps undergoing rejuvenating surgery; and Jo Ann Pflug, simply to die for.

The explanation as to how all the murders took place struck me as lengthier than necessary, but otherwise I enjoyed it all. 7/10.