Un futur idyllique de science-fiction présente un inconvénient majeur: la vie doit se terminer à l'âge de 30 ans.Un futur idyllique de science-fiction présente un inconvénient majeur: la vie doit se terminer à l'âge de 30 ans.Un futur idyllique de science-fiction présente un inconvénient majeur: la vie doit se terminer à l'âge de 30 ans.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Oscars
- 7 victoires et 5 nominations au total
- Holly
- (as Farrah Fawcett-Majors)
- Cub
- (as Gregg Lewis)
- Runner
- (as Glen Wilder)
Avis à la une
I think its a brilliant story, the old man in the building in Washington, it is really believable.
The models are really well made and used, and this reminds me of old Dr Who episodes (which I love more than the recent, for the models and badly made suits).
A must see if you like sci-fi films, like the ones mentioned before.
While the acting is average (or perhaps its the lousy script) there are exceptions, thankfully mostly among the main cast. Richard Jordan is just great as the relentless and unremorseful sandman. And Ustinov is a lot of fun as the kooky old man. Michael York, who've I've always liked, is servicable as our hero (thankfully they don't ask him to stretch his acting skills too much here). But without a doubt the real jewel is Jenny Agutter as Jessica-6. I can't recall a part more perfectly cast. Ms. Agutter is the epitome of beauty, youth and doe-eyed innocence. And her underlying sensuality is impossible to miss in every scene she is in. And as if that weren't enough she can act to boot!
Of course there's a lot that I don't like about the movie, it's quite easy to pick apart. But again, I don't know how, "Logan's Run" is much better than the sum of its parts.
I hope they get the rumored remake off the ground, there's some good underlying sci-fi to be explored here and with a tightened up script, upgraded effects, better direction and editing you could have *real* winner. I just don't think they'll ever match the original casting job for Jessica-6.
Before "Stars Wars" enraptured audiences with its stunning special effects and created a precedent for a string of similarly effects-laden knock-offs and genre wanna-be's (mirroring what "The War of the Worlds" had done for audiences in the 50's), true science fiction films such as "Logan's Run" were giving us stories simply complimented by special effects, not about them. I say "true" because "Star Wars" is of the fantasy genre; it is not a science fiction story, though it does share some common elements.
"Logan's Run" presents us with a vivid, somewhat horrifying vision of a possible future. It doesn't take place "a long time ago in a galaxy far, far away." It happens on earth in a believable time frame. It doesn't ask us to greatly suspend disbelief by accepting alien races and magic powers. Instead, it presents us with a chilling fast forward of our own technology, attitudes, and policies. Concerning the latter, the film includes an almost creepy euthanasia undertone to it.
Though, in all honesty, I care more about and become more closely associated with the characters in "Star Wars," the disassociation I feel for LR's characters somewhat aids the lack of individuality that the story tries to convey. The actors, however, give great performances.
Beautiful cinematography and settings greatly compliment the film's mood and timeframe, from the sterile domed city to the decimated Washington D.C., which still provides one of (if not) the best visuals of a post-apocalyptic world that I've ever seen. It's right there with "The Planet of the Apes'" Statue of Liberty.
Another thing that SW does well is disassociate itself from the decade in which it was created. You have to overlook this aspect in LR because like so many films of the 70's, it carries its decade's time stamp.
Though minor, another thing I, in particular, enjoy about LR are the weapons. Unlike every other weapon in and out of science fiction history, LR's "blasters" do not actually shoot anything. There is simply an explosion at their designated target. It may be campy (or corny), but it's definitely different and a fine example of real, working props.
Another interesting note: the film varies greatly from the original novel, but most people agree that the film is much better. I tend to agree with them.
For me, in terms of science fiction, "Logan's Run" takes its place among such decade-defining films as "The War of the Worlds" (50's) and "The Planet of the Apes" (60's) and among such thought-provoking science fiction as "Soylent Green" and "Gattaca."
Ask yourself this: what or where is "sanctuary?" Isn't that what we're all looking for? Answer both, and you'll have the film's theme.
Well, not too badly. Many of the IMDb reviewers of Logan's Run hit the nail on the head when they say that this film is definitely a product of its time. Yes, the special effects are sort of laughable now (the teeny tiny maze cars zipping through the a model of the city that looks about six inches tall), but you have to judge those sorts of things in the context of the time they were made. As strange as it may seem to people who now expect Lord of the Rings-quality special effects, Logan's Run was cutting edge in its day. And a few of the special effects still stand up fairly well. The light envelope that comes down over the Carousel or the matte shots of Washington. Not great for twenty-first century film-making, but a minor miracle for 1976.
The story has more holes than a piece of swiss cheese and the acting is a bit touch and go, but that doesn't get in the way of a fairly entertaining movie. Seeing the movie all these years later I suppose the few moments of bad acting hit me more than anything else. As a kid I thought that Peter Ustinov's old man was brilliant, but now it just seems like awkward overacting. Which isn't to say that his character isn't somewhat endearing.
Michael York, a really wonderful actor, misses the mark a few times, but generally he and Jenny Agutter do a fine job.
Listen, this isn't a brilliant movie, but it does have its moments. Most science fiction movies made in the 1970s haven't endured the test of time especially well. With the purple mascara, pastel-coloured costumes and hair feathered like a great phoenix. But all in all I still found Logan's Run to be an entertaining and enjoyable trip back to the strange world of 1976.
Le saviez-vous
- AnecdotesIn the original novel, the colors of the Life Clock change every seven years: yellow (birth-6), blue (7-13), red (14-20), red and black on Lastday, and black at 21. According to the audio commentary, the movie changed it to 30 because it wasn't realistic to have a cast with all of the characters under 21.
- GaffesWhen Francis jumps down from the balcony, he is obviously headed for a spot at least ten feet from where Logan is standing, but when the shot changes we see him landing directly on Logan.
- Citations
Box: Regular storage procedure. The same as the other food. The other food stopped coming. And they started.
Logan: What other food?
Box: Fish, and plankton. And sea greens, and protein from the sea. It's all here, ready. Fresh as harvest day. Fish and sea greens, plankton and protein from the sea. And then it stopped coming. And they came instead. So I store them here. I'm ready. And you're ready. It's my job. To freeze you. Protein, plankton...
- Versions alternativesScenes edited out:
- The Francis Hunt: The original opening scene had Francis 7 hunting a runner and shooting him backwards into a water fountain to applause from the onlookers. this was because it was deemed too violent for PG and would have got a R Rating in the US and either a AA (14 and over)/2021 15 or X (18 and over)/2021 18 in the UK
- Box carving an ice sculpture of Logan and Jessica. This was removed as they were fondling each other in a lovers' embrace and this would have meant an R rating in the USA and possibly a AA (14 and over)/ 2021 15 or even a X certificate/ 2021 18 ( Adults Only 18 and over) in the UK
- Francis and Logan meeting a woman on Lastday. They casually chat about it and this illustrates the society's indifference to death.
- Longer, racier version of sequence involving characters passing through an orgy shop. again this would have been R rated in the US and AA (14 and over)/2021 15 or X (Adults Only 18 and over)/2021 18 in the UK
- ConnexionsEdited from Cargaison dangereuse (1959)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Fuga en el siglo 23
- Lieux de tournage
- Houston & West Lancaster Streets, Fort Worth, Texas, États-Unis(Water Gardens; the place with lotsa cats)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 9 000 000 $US (estimé)
- Durée1 heure 59 minutes
- Mixage
- Rapport de forme
- 2.39 : 1
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