Arthur

Whenever I remember Arthur, a movie released over 40 years ago, Christopher Cross's theme comes to mind. Anyway, Dudley Moore quite hilarious in Arthur and Liza Minelli gave the soft edge needed to round out the movie.

The sequel was so and so.

Directed by the Late Steve Gordon, 'Arthur' is a Funny and Charming Romantic-Comedy, that turns out to be a memorable watch. Even the performances here are super!

Dudley Moore stars as 'Arthur', A drunken millionaire playboy from New York City who is on the brink of an arranged marriage to a wealthy heiress, but ends up falling for a common working-class girl from Queens, played by Liza Minnelli.

Steve Gordon's Writing is solid, at most places and offers some really entertaining & interesting moments. But, the pacing is a bit slow. Especially, in the first hour. Gordon's direction is as good as his writing. Cinematography & Editing are fine. Music by Burt Bacharach, is lovely.

Performance-Wise: Late Dudley Moore has a blast playing 'Arthur'. Liza Minnell is convincing. The Late Great, John Gielgud, is amazing, in an Oscar-Winning performance. He is the real scene stealer here! Jill Eikenberry is efficient. Others lend good support.

On the whole, If your looking for some Neat and Clean Humor, pinched with some Romance, then 'Arthur' is meant for you.

This 1981 comedy still sparkles thanks to the combined efforts of writer/director Steve Gordon and stars Dudley Moore and John Gielgud. Sadly, Gordon, only in his early forties, died soon after completing this, his only feature film. It's an especially unfortunate loss since he shows a truly deft hand at character-driven farce that makes the whole film irresistible. It plays almost like a 1930's-style screwball comedy revamped for contemporary tastes. The plot centers on Arthur Bach, a drunken, diminutive millionaire playboy who is at risk of losing his $750 million inheritance if he doesn't marry the dowdy and boring Susan Johnson, an heiress handpicked by his old-money father and dotty grandmother. Of course, he doesn't love her and by chance, runs into Linda Marolla, a working-class waitress (and of course, aspiring actress) after she pilfers a Bergdorf Goodman tie for her father.

The standard complications ensue but in a most endearing way with loads of alcohol-fueled slapstick executed with classic élan by Moore. That he makes such a spoiled character likable is a credit not only to his comic talents but to Gielgud's feisty, acidic turn as Hobson, Arthur's devoted but reality-grounded valet. It's the type of role he could play in his sleep, but Gielgud makes Hobson such a truly memorable character that his fate in the film brings a welcome injection of poignancy in the proceedings. In probably her most likable film role, Liza Minnelli hands the picture to her male co-stars by toning down her usual razzle-dazzle personality and making Linda quite genuine in motivation.

A pre-"LA Law" Jill Eikenberry plays Susan just at the right passive-aggressive note, while Barney Martin (Jerry's dad on "Seinfeld") steals all his scenes as Linda's slovenly father Ralph. The one fly in the ointment is veteran actress Geraldine Fitzgerald, who overdoes the eccentricities of the grandmother. And I have to admit that I still can't stand the very dated, overplayed Christopher Cross song that inevitably won the Oscar for that year's best song. Unfortunately, the 1997 DVD, certainly in need of remastering, has no extras worth noting except some photos and production notes.

The late Dudley Moore had the most famous role of his too-short career in 1981's ARTHUR, a raucously funny and alternately touching tale that generates warm smiles, big belly-laughs, and an occasional tear if you're in the right mood. Moore received a Best Actor Oscar nomination for his performance as Arthur Bach, a drunken playboy who "races cars, plays tennis, fondles women, but he has weekends off and he's his own boss." Arthur is destined to inherit 750 million dollars when he marries a snooty society girl named Susan Johnston (Jill Eikenberry)who is the spoiled daughter of an undercover gangster. Things get sticky when Arthur meets Linda Morolla (Liza Minnelli) a waitress/struggling actress from Queens who steals neckties for her father's birthday. Moore lights up the screen in one of the single funniest performances of the last 50 years. The late Sir John Gielgud won a Best Supporting Actor Oscar for his flawless turn as Arthur's acid-tongued butler and best friend, Hobson, whose outward disdain for Arthur's behavior covers more paternal feelings. There are other funny contributions by Barney Martin as Linda's father. Stephen Elliott as Susan's father, and Geraldine Fitzgerald as Arthur's demented grandmother. The film was directed with a keen eye for comedy by a first time director named Steve Gordon, who, sadly, died the following the year. There was also a forgettable sequel several years later, but this instant classic is not to be missed.

Arthur (1981)

I'm no Dudley Moore fan, but this grew on me and I found him not only hilarious but, as intended, touching. He is supported by two very different kinds of actors—John Gielgud and Liza Minnelli—but they form a wonderful trio.

The story is a timeless one—the rich man who is out of touch with what really matters in life. This isn't pushed very far, and the end is pretty inevitable, but the journey is great fun mostly because Moore is relentlessly funny. Minnelli plays a great strong woman foil to him, and is obviously what he needs in life. The "romance" between them is never very convincing because it remains a bit practical—they don't have that great scene where we expect them to truly "fall in love," and that's just fine. (The closest is the scene in the horse barn, which has one of the funnies lines in the movie, which almost feels like a Moore ad lib, you'll see.)

The aging butler played by Gielgud is more nuanced and funny than the cliché of the English butler in so many movies. It's weird to see him play this kind of role when his repertoire ranges more to Shakespeare (he's one of England's great 20th Century stage actors).

So love this not for the story, which is lovable but plain, but for the three actors and their ongoing wit and verve. A fun fun movie.