Une jeune femme simule sa propre mort pour tenter d'échapper à son mariage cauchemardesque, mais découvre qu'elle ne peut échapper à son mari dominant.Une jeune femme simule sa propre mort pour tenter d'échapper à son mariage cauchemardesque, mais découvre qu'elle ne peut échapper à son mari dominant.Une jeune femme simule sa propre mort pour tenter d'échapper à son mariage cauchemardesque, mais découvre qu'elle ne peut échapper à son mari dominant.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 4 nominations au total
Bonnie Johnson
- Mrs. Nepper
- (as Bonnie Cook)
John Ward
- Theater Student
- (as John David Ward)
Patt Noday
- Amusement Park Guy #2
- (non crédité)
Avis à la une
Right off of the runaway success of Pretty Woman, Julia Roberts starred in Sleeping With the Enemy as a battered housewife who fakes her death to escape from her psychotic husband. She changes her name and starts a new life in a small town where everything seems to be better for her...until her husband discovers she's still alive.
Sleeping With the Enemy is fairly by the numbers as thrillers go. It's inoffensive and fairly predictable, but Roberts is incredibly likable in the leading role and director Joseph Rubin knows how to craft suspense which goes a long way in making the film work. Jerry Goldsmith's music score is lush and hauntingly beautiful.
Sleeping With the Enemy is the kind of movie you can relax on the couch with on a Saturday afternoon and it has a great rewatchable quality.
Sleeping With the Enemy is fairly by the numbers as thrillers go. It's inoffensive and fairly predictable, but Roberts is incredibly likable in the leading role and director Joseph Rubin knows how to craft suspense which goes a long way in making the film work. Jerry Goldsmith's music score is lush and hauntingly beautiful.
Sleeping With the Enemy is the kind of movie you can relax on the couch with on a Saturday afternoon and it has a great rewatchable quality.
I have this movie on tape also. Come to think, I have a lot of Julia Roberts' movies. Anywho, I liked how she used her timidity to get the hell out of a crazy psyho relationship with a guy who thought he was entitled to beat his wife. She planned everything down to the T, and I liked that. However, you knew he was gonna find her again and wreak havoc on her new life. It grew a little wasteful at that point because the poor guy had only that abusive husband turned psycho side to play with. Not much to chew on really when you're in the movie about 5 times in 20 minutes. You understood she had to see him at least and the point was she had to move on and assert her independence. Sucks that psycho was rich with a nice pad. Plus, why didn't she just pawn the ring instead of attempting to flush hard gold down? Or take it with? Even a toilet isn't that stupid. Maybe she should have eaten it first and it would have been disguised better. I mean, that was the only thing that tipped him off for goodness sakes. She was smart to a point like most chicks in these types of movies. Guess there wouldn't be much of a movie otherwise.
Unlike some, I LIKE this lady and this is my favourite film of hers. After watching it for the nth time I was moved to buy the book on which it is based and this is a far more complex affair than the film, which simplifies everything and leaves out several characters altogether. I think Nancy Price did a far better job of studying an abused wife, who never really stopped loving her brute of a husband, than the makers of the film. It depicts Sara/Laura as a far more interesting character than the somewhat insipid Julia Roberts version.
If you have read the book, then some little touches in the film (i.e. - African Violets) become clearer.
If you have read the book, then some little touches in the film (i.e. - African Violets) become clearer.
I found this movie, if not terribly believable, very moving and emotional when I saw it some years back. Julia Roberts brings a real vulnerability to all her roles, and is perfect here as the affluent but both mentally and physically abused wife.
The sad tale revolves around an apparently perfect upper middle class couple who share a beach home...the beautiful young Laura (who has every material comfort) and her obsessive and abusive husband, Martin. Laura lives in terror of her abuser, finally seizing a chance to escape by faking her own death and and fleeing to another town, where she assumes an entirely new identity. Meanwhile, Martin becomes ballistic when he discovers that his wife is not really dead and goes after her...
I admit it, the plot is pretty far fetched, a lot of holes in the story, some events depicted not very believable. Leave your logic behind. Still, I was able to overlook all this and focus my attention on Laura's plight, hoping she could evade (or eliminate) this intellectual brute, and build a new life for herself with a new love.
The portrayal of Laura's terror is vivid as she tries to appease her obsessive husband, who becomes violent if she fails to keep the pantry shelf items in perfect alignment. The most chilling scene of all is the rape, with its accompaniment of Martin's favorite classical music, a piece which thereafter haunts his young wife. No sympathy here for the husband, whose unfolding actions simply go from unspeakable to unthinkable.
Not a particularly believable plot but engrossing, nevertheless, and a pair of vividly drawn characters who elicit strong emotions. However, the best part of this movie is definitely its message. Contrary to the typical image, spousal abuse is no respecter of social class. It would have been much more difficult for me before this film than it is now to picture an affluent, educated, sophisticated abuser.
The sad tale revolves around an apparently perfect upper middle class couple who share a beach home...the beautiful young Laura (who has every material comfort) and her obsessive and abusive husband, Martin. Laura lives in terror of her abuser, finally seizing a chance to escape by faking her own death and and fleeing to another town, where she assumes an entirely new identity. Meanwhile, Martin becomes ballistic when he discovers that his wife is not really dead and goes after her...
I admit it, the plot is pretty far fetched, a lot of holes in the story, some events depicted not very believable. Leave your logic behind. Still, I was able to overlook all this and focus my attention on Laura's plight, hoping she could evade (or eliminate) this intellectual brute, and build a new life for herself with a new love.
The portrayal of Laura's terror is vivid as she tries to appease her obsessive husband, who becomes violent if she fails to keep the pantry shelf items in perfect alignment. The most chilling scene of all is the rape, with its accompaniment of Martin's favorite classical music, a piece which thereafter haunts his young wife. No sympathy here for the husband, whose unfolding actions simply go from unspeakable to unthinkable.
Not a particularly believable plot but engrossing, nevertheless, and a pair of vividly drawn characters who elicit strong emotions. However, the best part of this movie is definitely its message. Contrary to the typical image, spousal abuse is no respecter of social class. It would have been much more difficult for me before this film than it is now to picture an affluent, educated, sophisticated abuser.
Sleeping with the Enemy is a 1991 American romantic psychological thriller film directed by Joseph Ruben and starring Julia Roberts, Patrick Bergin and Kevin Anderson. The film is based on Nancy Price's novel of the same name of 1987. Roberts plays a woman who escapes from her abusive husband, from Cape Cod to Cedar Falls, Iowa, where she captures the attention of a kindly college drama teacher.
Le saviez-vous
- AnecdotesJulia Roberts, who was 22 when the film was shot in the spring of 1990, became the youngest actress to earn a seven-figure fee for a single performance.
- Gaffes(at around 14 mins) When Laura throws a stone at the street light by the beach, the stone clearly misses the bulb, yet it breaks anyway.
- Crédits fousThe 20th Century Fox logo plays without the fanfare.
- Versions alternativesWhen Laura first goes to Ben's house for dinner and the pot roast is on fire she knocks and says "Fire Department." In an alternate cut she knocks and asks "Is this what they mean by warm welcome?".
- Bandes originalesRunaround Sue
Written by Dion DiMucci and Ernie Maresca
Performed by Dion DiMucci (as Dion)
Courtesy of Laurie Records
Meilleurs choix
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Détails
Box-office
- Budget
- 19 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 101 599 005 $US
- Week-end de sortie aux États-Unis et au Canada
- 13 777 943 $US
- 10 févr. 1991
- Montant brut mondial
- 174 999 005 $US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the streaming release date of Les nuits avec mon ennemi (1991) in Canada?
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