NOTE IMDb
5,9/10
53 k
MA NOTE
Un joueur de baseball All star devient la cible malsaine d'un vendeur qui lui porte mal chance.Un joueur de baseball All star devient la cible malsaine d'un vendeur qui lui porte mal chance.Un joueur de baseball All star devient la cible malsaine d'un vendeur qui lui porte mal chance.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 3 nominations au total
Patti D'Arbanville
- Ellen Renard
- (as Patti D'Arbanville-Quinn)
Brad William Henke
- Tjader
- (as Brad Henke)
Avis à la une
Sports and Robert DeNiro together. I was in heaven...until I saw the movie It seemed like a great idea, but it just didn't quite work. A bit of a combination of an ordinary, if not over-necessarily creepy storyline, and an ordinary script. The movie revolves around Robert DeNiro's character, Gil, an over obsessed sports fan who decides he wants to play an active role in the career of Bobby (Wesley Snipes), in a performance that will be mentioned in the same sentence as "Passenger 57". Gil cracks when problems with his family and job explode, causing him to focus all his energies in Bobby. How far will Gil go to get what he wants? See it to find out.
Pretty disappointed with this movie, although it features one of my favourite scenes ever when Gil and Bobby have a little game of baseball near the end.
Pretty disappointed with this movie, although it features one of my favourite scenes ever when Gil and Bobby have a little game of baseball near the end.
Gil Renard (Robert De Niro) is a failing knife salesman, a SF Giants fanatic, a divorced father of a boy, and a very angry guy. Bobby Rayburn (Wesley Snipes) is a new sign to the ball club, and the hope for savior. Both men's lives go downhill.
Director Tony Scott has made a movie filled with flash and sizzle. It doesn't accentuate as much as distract. When there is a master thespian like Robert De Niro, all the extra fireworks just take the focus away from the real show. And Wesley Snipes isn't likable enough. A less stereotypical selfish black athlete may help. His scenes with his agent Manny (John Leguizamo) are annoying and tiresome. This could have been a creepy character study like the iconic 'Taxi Driver'. But it never allows De Niro any peace and quiet to do his work properly.
Director Tony Scott has made a movie filled with flash and sizzle. It doesn't accentuate as much as distract. When there is a master thespian like Robert De Niro, all the extra fireworks just take the focus away from the real show. And Wesley Snipes isn't likable enough. A less stereotypical selfish black athlete may help. His scenes with his agent Manny (John Leguizamo) are annoying and tiresome. This could have been a creepy character study like the iconic 'Taxi Driver'. But it never allows De Niro any peace and quiet to do his work properly.
Gil Renard is an unemployed knife salesman who has one burning ambition in life -- to be exposed as baseball's biggest fan, or, more accurately, as hitting sensation Bobby Rayburn's biggest fan. He will go to any length to protect his hero from the media and all other ramifications that stem from being paid an excessive $40,000,000 a year to play with the Giants. And this dedication to perfection, as his ex-boss puts it, is what leads to his partial schizophrenia and almost complete absorption into the world of an over-hyped celebrity. But when Renard realizes that his efforts and 'kindnesses' are not appreciated by his #1 idol, he turns on his role-model and viciously hunts him and his family down to the film's final climax.
7/10
7/10
While I agree with some of the previous comments about the lack of attention to detail and the confusing cinematography, I really did enjoy this movie. The story itself is not particularly original and the ending is weak -- but I thought the build-up of Gil's (De Niro) character to be quite effective. Although Gil was what one would typically label a loser, I couldn't help but feel for the guy. Many movies about psychos/stalkers fail to give you any insight into why he's doing all these bad things -- all you know is that he's not a nice guy. This movie did a great job of portraying how Gil's volatile personality, his obsession with the baseball and with Bobby (Snipes) in particular, and his loss of everything else that mattered to him, ultimately led him to do what he did.
6ga41
Is it just me or does this film share so many of the aspects that the King of Comedy made over ten years earlier? Both of De Niros characters are losers who have a dream, both are unlucky in love, both have short tempers when pushed, both have obvious disorders within their mind and both are obsessive 'fans' of bobby rayburn and jerry langford, respectively. Stalking and kidnapping occurs in each film by De Niro, of his respective hero but neither hero actually gets hurt. Though in the King of comedy he is funnier and probably a nicer guy!
Le saviez-vous
- AnecdotesWesley Snipes originally wanted to play the role of Gil Renard (Robert De Niro).
- GaffesMany baseball scenes were clearly pieced together from different clips. Near the beginning, the Giants are at bat and the Braves are pitching, but the catcher is wearing a Colorado Rockies uniform. The Giants wear road uniforms at home numerous times. A few overhead shots show a football game at Candlestick Park. One scene shows fans in the seats at Candlestick Park, but the next shot is at Coors Field in Colorado.
- Citations
[Gil talks to his son while listening to Mick Jagger in his van]
Gil Renard: I remember when Mick recorded this in '78, we had a wild party afterwards.
Richie Renard: Jason Pelligrino's dad says Mick Jagger's gay.
Gil Renard: [Gil sarcastically replies] Yeah? Well, Jason Pelligrino's dad takes it up the ass.
- ConnexionsEdited into The Green Fog (2017)
- Bandes originalesSympathy for the Devil
Written by Mick Jagger & Keith Richards
Performed by The Rolling Stones
By Arrangement with ABKCO Records
Published by ABKCO Music, Inc.
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- El fanático
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 55 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 18 626 419 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 271 406 $US
- 18 août 1996
- Montant brut mondial
- 18 626 419 $US
- Durée1 heure 56 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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