Trois ans auparavant, l'entomologiste Susan Tyler a génétiquement créé un insecte pour tuer les blattes porteuses d'une maladie virulente. Les insectes veulent désormais détruire leur seul p... Tout lireTrois ans auparavant, l'entomologiste Susan Tyler a génétiquement créé un insecte pour tuer les blattes porteuses d'une maladie virulente. Les insectes veulent désormais détruire leur seul prédateur, l'homme.Trois ans auparavant, l'entomologiste Susan Tyler a génétiquement créé un insecte pour tuer les blattes porteuses d'une maladie virulente. Les insectes veulent désormais détruire leur seul prédateur, l'homme.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 8 nominations au total
- Yang
- (as Glen Bang)
Avis à la une
This is an atmospheric thriller from Guillermo del Toro, director of The Devil's Backbone and Cronos. He manages to mix great director with good old fashioned monster horror to great effect. The concept itself is clever, even if the idea of bugs evolving to look very like humans is a little far fetched. However, once the action moves to the subway the fact that the bugs are clearly lethal no matter what they look like, makes this less important. The film is quite short and makes the action come quicker and seem more urgent. Several people get killed by the bug that wouldn't usually get killed in this sort of horror (children for example), this is very effective as it is quite scary to see the unexpected happen.
The mood is dark throughout and Del Toro uses the sewers and subway to great effect, creating a real sense of claustrophobia - like the humans have entered the bug's world and not the other way round. The bugs are shown early on in the film - usually not a good idea (keep it hidden in the Jaws way), but here the special effects are good enough to make the bug really believable. However the horror is not in seeing the bugs but in they way they hunt and kill - the fear is in what could happen. That's why seeing them doesn't take anything away.
The cast are great, Sorvino especially is very good in the lead. Jeremy Northam and Charles S. Dutton are good in support and Abraham Murray adds a bit of cameo class (though his role is quite unnecessary). But the director is the real star adding some genuine scares and real mood to a film that could have easily been just another creature-feature that goes straight to video and straight to the back of your mind.
Overall a superior creature horror film.
The Underground scenes with the cast being trapped inside a stationary train and being attacked by giant roaches were by far the film's best scenes. Charles S. Dutton had a small role, but delivered! There are a few genuinely disturbing scenes as the giant roaches attack young children. The little boy constantly clapping spoons was a bit annoying, though, although I understand the relevance of this character. The film's visual effects are very good.
The ending leaves the door wide open for a sequel. (Just a pity the original characters and cast did not reprise their roles in the sequel).
Le saviez-vous
- AnecdotesDirector Guillermo del Toro disowned the film after constant clashes with Harvey Weinstein and Bob Weinstein. The latter complained that early footage of the film wasn't scary enough, and would frequently visit the set to make unreasonable demands about what should be shot, deviating away from the script. When that did not solve the matter, Weinstein threatened to fire del Toro and replace him with another director. However, del Toro was saved by the intervention of Mira Sorvino, who was a recent Oscar winner for Maudite Aphrodite (1995) (produced by Weinstein's company Miramax). She threatened to quit the film if del Toro's vision wasn't respected, and she received support from her then-boyfriend Quentin Tarantino, who has made several films for Miramax. The Weinsteins finally agreed to let del Toro stay on, but they oversaw the final cut of the film. Since then, del Toro has never worked with the Weinsteins again, but he made his peace with the film after creating a Director's Cut that was closer to his vision.
- GaffesWhen Susan goes into the abandoned subway office looking for Manny, she calls out "Chuy?" and not "Manny?" Chuy is hiding in the office, but at that point in the film she doesn't know it yet; she has no reason to expect to encounter Chuy and no reason to call his name. In fact, as far as we know, she shouldn't even know his name.
- Citations
Peter Mann: Leonard, have you ever seen anything like this before?
Leonard: Why you asking me if I've seen some shit like this before? Do I look like I've seen some shit like this before? Hell, no I a'int never seen no shit like this before. Who the fuck would wanna climb up one of these walls and hang one of these? Musta been a big elephant-ass motherfucker.
- Versions alternativesGuillermo del Toro released a director's cut in 2011. It runs at 112 minutes.
- ConnexionsEdited into The Blood Pact: The Making of 'Blade II' (2002)
- Bandes originalesGive Me Central 209
By Robert Ellen
Used with permission by Molique Music
c/o Warner Chappell Music Canada
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Judus
- Lieux de tournage
- Lower Bay Station, Toronto, Ontario, Canada(subway station)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 25 480 490 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 818 208 $US
- 24 août 1997
- Montant brut mondial
- 25 480 803 $US
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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