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Sans complexes

Titre original : How Stella Got Her Groove Back
  • 1998
  • R
  • 2h 4min
NOTE IMDb
5,7/10
8,7 k
MA NOTE
Angela Bassett in Sans complexes (1998)
Home Video Trailer from 20th Century Fox Home Entertainment
Lire trailer2:21
1 Video
36 photos
Romantic ComedyComedyDramaRomance

Ajouter une intrigue dans votre langueStella is a highly successful, forty-something San Francisco stock broker who is persuaded by her colorful New York girlfriend Delilah to take a well deserved, first-class vacation to Jamaic... Tout lireStella is a highly successful, forty-something San Francisco stock broker who is persuaded by her colorful New York girlfriend Delilah to take a well deserved, first-class vacation to Jamaica.Stella is a highly successful, forty-something San Francisco stock broker who is persuaded by her colorful New York girlfriend Delilah to take a well deserved, first-class vacation to Jamaica.

  • Réalisation
    • Kevin Rodney Sullivan
  • Scénario
    • Terry McMillan
    • Ron Bass
  • Casting principal
    • Angela Bassett
    • Taye Diggs
    • Whoopi Goldberg
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,7/10
    8,7 k
    MA NOTE
    • Réalisation
      • Kevin Rodney Sullivan
    • Scénario
      • Terry McMillan
      • Ron Bass
    • Casting principal
      • Angela Bassett
      • Taye Diggs
      • Whoopi Goldberg
    • 57avis d'utilisateurs
    • 32avis des critiques
    • 56Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 4 victoires et 8 nominations au total

    Vidéos1

    How Stella Got Her Groove Back
    Trailer 2:21
    How Stella Got Her Groove Back

    Photos36

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    Rôles principaux40

    Modifier
    Angela Bassett
    Angela Bassett
    • Stella Payne
    Taye Diggs
    Taye Diggs
    • Winston Shakespeare
    Whoopi Goldberg
    Whoopi Goldberg
    • Delilah Abraham
    Regina King
    Regina King
    • Vanessa
    Suzzanne Douglas
    Suzzanne Douglas
    • Angela
    Michael J. Pagan
    • Quincy Payne
    Sicily Johnson
    Sicily Johnson
    • Chantel
    • (as Sicily)
    Richard Lawson
    Richard Lawson
    • Jack
    Barry Shabaka Henley
    Barry Shabaka Henley
    • Buddy
    Lee Weaver
    Lee Weaver
    • Nate
    Glynn Turman
    Glynn Turman
    • Dr. Shakespeare
    Phyllis Yvonne Stickney
    Phyllis Yvonne Stickney
    • Mrs. Shakespeare
    Denise Hunt
    • Ms. Thang
    Lisa Hanna
    • Abby
    James Pickens Jr.
    James Pickens Jr.
    • Walter Payne
    Philip Casnoff
    Philip Casnoff
    • Kennedy
    Lou Myers
    Lou Myers
    • Uncle Ollie
    D'Army Bailey
    • Minister
    • Réalisation
      • Kevin Rodney Sullivan
    • Scénario
      • Terry McMillan
      • Ron Bass
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs57

    5,78.7K
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    Avis à la une

    Michael_Pilkington

    'Stella' lacks groove

    Angela Bassett ("Waiting to Exhale") is talented and buff as Stella, a single mother/career woman who's in need of a vacation. Stella decides to head for Jamaica with her best friend, Delilah (Whoopi Goldberg in a fine supporting role). Stella meets 20-year-old Winston (Taye Diggs). They fall in love, in-spite of Stella's emotional insecurities. Terry McMillan adapted from her novel based on her real-life experience. I hate to say this, but unlike "Waiting to Exhale," this overlong movie barely holds up to the book, because of too many plot holes and too many unnecessary characters. On the contrary, Diggs turns in an impressive performance as well. My evaluation: ** out of ****.
    7xavrush89

    Nice and lighthearted, but stay away from Jamaica.

    It's typical of IMDb to have mindless action films earn an average of 7 or better, but for some reason a light film like this suffers from anti-romance, anti-female-lead bias that permeates this site. It is an enjoyable film with good music and the usual good acting from Angela Bassett. There are some good comedic moments, and good dialogue among the female friends in the movie. If you put aside the baggage of what happened with McMillan's real life marriage, you should like it.

    Now that I've gotten my review out of the way, I have to say the one thing that bothered me about the film is that it makes Jamaica look like a great place to visit--when in fact it is an island guilty of gross human rights violations, where gay people live in fear for their lives and sexism is de rigeur. I cannot get past that simple injustice even when watching a movie, especially this one where a woman who could afford to go anywhere in the world chooses to give her travel dollars to the place that deserves them the least!
    8DrkHartGrl

    A Truly Romantic yet Kinda Corny Movie...

    The first time I saw this movie I wanted to immediately hop a plane to Jamaica! I don't think it was the "meet the man of my dreams" part, but the scenery. It was just breathtaking (although the men aren't too bad to look at either!). As for the story, it was a good distraction from typical reality, because, let's face it ladies, we believe that doesn't happen everyday (especially to ourselves). The soundtrack was another good part of the movie, I just loved it. This movie is the kind that gives you hope for true romantic love, but in this cynical day and age most people don't let themselves be pulled in, or fooled, by the seemingly unrealistic situation. For those of us with a little romance still left, this is a wonderful movie. For those without, I'm sorry. (These are my thoughts excluding the latest headlines, I don't want to spoil my original feeling toward the movie).
    skillz

    Follow McMillan's Lead

    "How Stella Got her Groove Back" was a refreshing change from the legion of "Hood" movies that have infested the 1990's. The movie; based on the Terry McMillan novel by the same name; stars: Angela Bassett as a fortyish six-figure income, single mom that falls for a young stud while vacationing in Jamaica.

    "Stella" did not have a plot that revolved around: violence, guns and drugs. It effectively portrays the stigma attached to a older woman-younger man relationship, without pandering to a lot of ethnic stereotypes! It showed what a fine actress Angela Bassett was. It also showed Angela Bassett in skivvies!

    Every woman that has been accused of "Robbing the Cradle" can relate to this motion picture! How Stella got Her Groove Back effectively portrayed an age gap love story. It takes character to see beyond the age difference in a romantic relationship.
    10DevilDoll

    Pushing the envelope, social commentary and a wonderful romantic comedy

    Stella pushed the envelope-- and in that, if only that, it has merit. By showing that an all black cast can attract a wider audience (and interestingly, it's usually white folks who don't like the movie.. one begins to wonder why?) and a black actress, Angela Bassett, prodigiously talented, brilliant, and as a bonus, beautiful, can convincingly portray a woman who is torn between what she has always been taught is right, and what her heart is telling her is right.. is a timeless story.

    Add to that the crackling comic relief of Whoopi Goldberg, and two very funny sisters representing opposing views and lifestyles, and you have a nice mix. More envelope pushing? One of the sisters is married to a white guy -- nothing is made of it, it just is. The point made, of course, is that interracial marriage isn't something odd or different or in need of explanation or commentary. One of the better ways to attack institutionalized racism, racism that is bred into us as we grow up, is to show images that combat those assumptions and to make those images as nonchalant and matter of fact as possible. This was done very well in Stella.

    Of course, if one doesn't like romantic comedy, or if one nurses prejudice, consciously or subconsciously, the movie won't be appealing.

    I, however, found it charming, funny, enjoyable, and delightful. I loved Angela Bassett's performance, I am in awe of her talent and her beauty (yes, a woman can appreciate another woman's beauty.. we need not attack each other, we can be sisters, can we not?) and I loved Whoopi Goldberg's comic relief. Taye Diggs? Well, we shall see. He's certainly easy on the eye, and he did a credible job with his role. I'd like to see him in more before I decide if he's good, great, or somewhere in between. Based solely on Stella, I think he's good, and very promising.

    The movie did not track the book as much as I would have liked -- I don't want to say in what ways because I don't want to ruin it for those of you who are going to go and read the book.

    Do read the book if you haven't -- it's excellent, wonderful reading. My favorite, in fact, of Terry McMillan's work.

    Another point; Stella is depicted a stock broker. Some found that to lack credibility. Why? Are those folks trying to suggest that there are no women or black women stock brokers? I can tell you that there are, and introduce you to a few if you'd like -- I know several of them. And money? Yes, there actually are well to do, single, black, mothers who are professionals in a number of fields including law, medicine, academia, business, government -- everywhere. Not enough, but they're there, and they're forging the way for more to come.

    Someone else said that it wasn't credible that the Winston character would fall so quickly in love with the Stella character. Why not? Stella was portrayed as beautiful, intriguing, very intelligent, she looked no older than 25 -- why would a 20 year old not want to be with a woman like that? Why would any man not want to be with someone like that? Of course it was credible.

    The movie was humorous (remember Ms. Thang "How nice that you're visiting with your mother." rofl, that was hysterical.. "oh yes, I've missed my mother very much".. (pause)(wicked grins followed by a long kiss that had nothing maternal about it) .. as Ms. Thang flounces away, having received her comeuppence very nicely. I guffawed and loved it.

    I'm truly mystified by those who didn't like the movie. I admit to its flaws, and the fact that it didn't track the book in some ways.. but it had so very much going for it.. everything from the envelope pushing of interracial marriage, and the age difference.. where usually it is the man who is older and professional, and the woman who is younger, and no one finds that odd or different. How many men are married to women 20, 30, years their junior? Society says nothing about that.. A 20 year difference? How often do you see a 45 year old man with a 25 year old woman? Every day, everywhere. It's something that goes without comment.

    Here we have it reversed, and we see how hard it is for the female character to break the bonds of that double standard. But she does. Isn't that a role model, a positive break from the typical older male/younger female scene that we usually see and take in stride as completely acceptable and quite normal. Reverse it and everyone gasps.. "Isn't she old enough to be his MOTHER?!?!" While the men who are old enough to be their wives' fathers (and grandfathers) pass without a blink of the eye, without a comment.

    But the social commentary, the envelope pushing -- it was there and it was good, but the movie's humor, the love story, the laughter.. that's what made the movie great fun. It could have just won points on social commentary, but it didn't.. it won them on purely cinematic/acting grounds. The fact that it also contained social commentary was simply a huge bonus.. and we know that psychologically, folks are more likely to absorb social commentary when it is presented in a way that isn't a polemic, a lecture, a heavy-handed "after school special."

    My vote.. On the book- 9/10 On the movie 8/9 or better.

    Comments on this overly long review? > I don't usually come back to see how my comments are received. Flame mail? Please don't, because it's a negative waste of time.. but real discussion I always welcome, whether the other person agrees or disagrees, as long as the issue is discussed, and personal attacks are not made.

    Someone suggested watching White Palace, and said that it is the same story, but grittier, with Susan Sarandon (a great actress) and James Spader. I think I'll rent that next ;)

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Originally cast as the old man who hits on Stella Payne during her initial stay in Jamaica, all of Danny Glover's scenes were deleted from the final cut. He's seen briefly in this movie during the scene where Stella, submerged in a pool, is talking to Winston Shakespeare (who's standing poolside), and points out an older man who's been hitting on her during her stay. In a quick long shot, Glover can be seen in old age make-up holding a flower he intends to give to Stella.
    • Gaffes
      When Winston is going to show Stella the room he made her for building furniture it is dark, but when Winston opens the door you can easily see that there is sunlight coming through the doorway.
    • Citations

      Stella Payne: This from the guy who makes a midnight run to the video store and comes back with Booty Call and the Lion King!

    • Connexions
      Featured in Siskel & Ebert & the Movies: How Stella Got Her Groove Back/Return to Paradise/Snake Eyes/The Rat Pack/Full Tilt Boogie (1998)
    • Bandes originales
      Free Again
      Performed by Soul II Soul featuring Caron Wheeler & Jazzie B

      Written by Jimmy Jam (as James Harris III), Terry Lewis, Caron Wheeler and Jazzie B (as Beresford Romeo)

      Produced and Arranged by Jimmy Jam and Terry Lewis for Flyte Tyme Productions, Inc.

      Caron Wheeler appears courtesy of Airtight Records

      Jazzie B. appears courtesy of Funki Dred Records

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    FAQ20

    • How long is How Stella Got Her Groove Back?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 14 août 1998 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Volver a Amar
    • Lieux de tournage
      • Montego Bay, Cornwall, Jamaïque
    • Société de production
      • Twentieth Century Fox
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 20 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 37 672 941 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 11 318 919 $US
      • 16 août 1998
    • Montant brut mondial
      • 39 278 722 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 4 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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