Houdini

It is not a biographic movie. It is not homage to a great artist. It is only exploration of a myth. With errors, good intentions and a lot of exaggerations. A film for Johnathon Schaech's charm and for beginning of childhood dreams taste. Delicate and sweet, for who knows than magic is an ingredient of existence. For dreamers. And for remember a name. Old, lost, fascinating. It is not a film about Houdini. It is a short story about a character with his name but others ways of life and different nuances of facts. May be a Rider Digest material. About a shadow of a strange time for who the limits are fiction. "Houdini" is not a bad movie. And not a masterpiece. Only a show, very delicate with details but , in fact, a beautiful stamp, it is first step to discover a impressive science to broke the limits and to understand the days more than a summer rain.

In this 1998 tv biography of Houdini, Johnathon Schaech passionately, and incidentally attractively, stars in the title role. "Houdini" is the perspective of his life by his wife, Bessie Houdini, 10 years after his death during a publicized "last seance," through which she hopes to communicate with him. It is an emotional, love-stricken wife's memories of her obsessed, but loving, late husband. As such, this movie is not a detailed documentary of his life, but an emotionally, romantic reminiscing of the life of the man. As a love-story, Houdini has effectively worked its magic.

It is filled with much admiration, sentiment, and emotional angst as expected from a loving, but emotionally-conflicted widow at the time of her husband's death. Bessie's portrayal seems focused on her mounting discomfort and tension over the course of decades of their marriage due to her late husband's obsessesive life's work to entertain with death-defying feats and his driven attempts to unmask spiritual charlatans as he attempts to communicate with his late mother.

"Houdini" does little to educate us on the many details and exploits of the late master magician, as I had originally expected. I realized, in hindsight, that this interpretation of Houdini's life makes no attempt to provide a significant and detailed retelling of his life's obsessions, but provides just enough information to provide a background to the relationships with the significant women in his life, primarily with his wife and secondly with his mother.

Compared to two other Houdini biographies I remembered from watching on tv many years ago (namely, 1953 or 1957 "Houdini" starring Tony Curtis and 1976 "The Great Houdini" starring Paul Michael Glaser) I find it a more passionate portrayal of the great illusionist and escape artist and offers greater emotional depths that the other two films did not provide; in those portrayals, they attempt to pack in as much information as possible, but unfortunately, some erroneous info. as well. "Houdini" fortunately debunks a popular myth that he did died on stage immediately after failing to escape during an act; in reality, he had died days after his last performance in a hospital, on Halloween of 1926.

Pen Densham, director, writer, & executive producer, turned out an interesting and entertaining & romantic biography. Johnathon Schaech gives a newly alluring and passionate dimension to Houdini, and possibly the most multi-dimensional role, as well, he has yet portrayed. Stacy Edwards sympathetically portrays the worriedly tormented, alcoholic, at times shrewish, but loving wife. Other supporting cast members, Paul Sorvino as Blackburn (radio show host), Rhea Perlman as Esther (spiritualist), George Segal as Martin Beck (Houdini's manager), Mark Ruffalo as Theo (Houdini's brother), and Grace Zabriskie as Cecelia Weiss (Houdini's, a.k.a. Erich Weiss', mother) turned in from suitable to quite good performances, particularly for a tv film.

This is a TV movie covering the career, life and afterlife of the illusionist Harry Houdini. It is a romanticized skeletal treatment, covering the basics of the man (raised in poverty, self taught magician, life long mother issues, medium debunker) without any real depth or showing anything new. It is a well done enough production, recreating some of Houdini's daring feats, and the acting is decent (and Jonathon Schaech certainly looks fit enough to pull off Houdini's escapes and high tolerance for pain) but ultimately it is a frame without a portrait, non revealing of the Ehrich Weiss behind the Harry Houdini.

Favorite Line: "I fell in love with Ehrich Weiss; I put up with Harry Houdini."

Worth a rent if you have a mildly curious about Houdini itch to scratch and an hour and a half free.

I give this movie a 9 out of 10 for accuracy. The movie was not accurate but it was an awesome entertainment film. If you watch this movie like a movie and not a biography you'll love it. If you watch it the other way around you'll hate it. It was nothing more than a fictional story that had great romance, death defying escapes and personal screw ups with his brother, mother, and wife that ended terrificly. I would encourage anybody that likes magic, escape acts, and romance in a movie to watch it. Houdinit is a movie that I have watched several time and would watch again. I love the song "Rosebell" that happens to play all throughout the movie.

When Tony Curtis played Harry Houdini in the 1953 George Pal movie, the fact that it wasn't historically accurate wasn't of serious concern, and the movie is entertaining for what it is.

The TV movie THE GREAT HOUDINIS was a hasty little film of no particular interest; it's hardly memorable. But by the time 1998 rolled around, the opportunity existed to tell an accurate version of Houdini's life -- and Pen Densham not only wildly blows this, he made a movie that's actually insulting to Houdini's memory, which wasn't true of the earlier versions.

The movie falsifies every relationship it depicts; Houdini's brother wasn't a whining ingrate, Houdini's wife Bess was steadfast and loyal, Houdini knew Sir Arthur Conan Doyle for many years, not for the single lunchtime meeting shown in the movie.

But the insulting aspect is the element of spiritualism; Houdini spent years debunking it, and NOT just because mediums couldn't put him in touch with his mother. For the movie to show that survival after death is REAL is a betrayal of one of the main aspects of Houdini's life.

And they also treat his career all wrong. Where was the Handcuff King? Where was the magician who created gigantic illusions, like walking through a wall or making an elephant disappear? Like the George Pal version, this one also invents a lot of malarkey involving the Chinese Water Torture.

Houdini was a very interesting and colorful performer, and he deserves a reasonably accurate biography instead of more claptrap like this.