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The Wood

  • 1999
  • Tous publics
  • 1h 46min
NOTE IMDb
7,0/10
11 k
MA NOTE
The Wood (1999)
While dealing with a friend's cold feet on his wedding day, a writer reminisces about his youth with his best friends.
Lire trailer2:30
2 Videos
70 photos
Coming-of-AgeComedyDramaRomance

Beaucoup d'hommes ont souvent des doutes en ce qui concerne le mariage. Trois hommes avant le sien, Roland en a beaucoup. Heureusement pour lui, il a des amis comme Slim et Mike qui l'épaule... Tout lireBeaucoup d'hommes ont souvent des doutes en ce qui concerne le mariage. Trois hommes avant le sien, Roland en a beaucoup. Heureusement pour lui, il a des amis comme Slim et Mike qui l'épaulent dans cette épreuve.Beaucoup d'hommes ont souvent des doutes en ce qui concerne le mariage. Trois hommes avant le sien, Roland en a beaucoup. Heureusement pour lui, il a des amis comme Slim et Mike qui l'épaulent dans cette épreuve.

  • Réalisation
    • Rick Famuyiwa
  • Scénario
    • Rick Famuyiwa
    • Todd Boyd
  • Casting principal
    • Elayn J. Taylor
    • Omar Epps
    • Richard T. Jones
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    11 k
    MA NOTE
    • Réalisation
      • Rick Famuyiwa
    • Scénario
      • Rick Famuyiwa
      • Todd Boyd
    • Casting principal
      • Elayn J. Taylor
      • Omar Epps
      • Richard T. Jones
    • 57avis d'utilisateurs
    • 22avis des critiques
    • 52Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 7 nominations au total

    Vidéos2

    Official Trailer
    Trailer 2:30
    Official Trailer
    The Wood: You're the New Kid
    Clip 4:29
    The Wood: You're the New Kid
    The Wood: You're the New Kid
    Clip 4:29
    The Wood: You're the New Kid

    Photos70

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 63
    Voir l'affiche

    Rôles principaux40

    Modifier
    Elayn J. Taylor
    Elayn J. Taylor
    • Roland's Mother
    • (as Elayn Taylor)
    Omar Epps
    Omar Epps
    • Mike
    Richard T. Jones
    Richard T. Jones
    • Slim
    Sean Nelson
    Sean Nelson
    • Young Mike
    Duane Finley
    Duane Finley
    • Young Slim
    Trent Cameron
    • Young Roland
    Malinda Williams
    Malinda Williams
    • Young Alicia
    Patricia Belcher
    Patricia Belcher
    • Mrs. Hughes
    Taye Diggs
    Taye Diggs
    • Roland
    Tamala Jones
    Tamala Jones
    • Tanya
    De'aundre Bonds
    De'aundre Bonds
    • Stacey
    • (as De'Aundre Bonds)
    Cynthia Martells
    Cynthia Martells
    • Mike's Mother
    Wyking Jones
    • Cashiers in Mini Mart
    Geoffrey Blackshire
    • Cashiers in Mini Mart
    Jascha Washington
    Jascha Washington
    • Mike's Brother
    Aiysha Sinclair
    • Tracey
    Melvin Lyons
    • Gang member
    Sam Hiona
    • Cashier in mini-mart 1986
    • (as Samuel Hiona)
    • Réalisation
      • Rick Famuyiwa
    • Scénario
      • Rick Famuyiwa
      • Todd Boyd
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs57

    7,010.7K
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    Avis à la une

    bob the moo

    Light and low on plot but an enjoyable little film with charm

    Three hours before his wedding and Roland is nowhere to be found. His best friends, Mike and Slim, are both stressed trying to work out where they could be when they both get pages from his ex-girlfriend. They go to her house to find him drunk and experiencing doubts. As they drive around, sober him up and dry clean their suits for the wedding, they take time to uncover why he has doubts and also take a trip down memory lane and where they grew up in Inglewood.

    Having seen several films on the trot where race is used to `comic' effect in a string of endless racist jokes it was refreshing to sit and watch a film where the cast were almost 100% black but the story was not told in relation to the colour of it's characters. Instead the story is a straight story of childhood memories and it could easily have been any culture telling it. Of course there is a thread of black culture running through the film but it is simply there as opposed to being the focus.

    The story is slight and not totally together but it is interesting. The reasons for Roland's doubts are not made totally clear by the end of the film and there is a suggestion that it is really just a frame for the memories to occur within. This isn't too bad as the memories are really more of the story than the modern day trigger is. Both strands work quite well as long as you don't expect too much, it has a gentle humour that is pleasant and enjoyable and both strands seem to be able to carry it. The `to-camera' narration was a bit of a risk that I thought it didn't totally carry off but, happily, after the first 10 minutes it is pretty much absent for the rest of the film. Some of the strands don't totally come to a close and the fact that the main plot (Roland going missing on his wedding day) is mostly a side issue is a distraction but not to a detrimental point.

    The cast are all pretty good. Epps is a good lead and is a likeable character. Diggs is good looking but he doesn't act as well as he can for much of the movie – his `drunk' acting is pretty poor although he gets better as he sobers up. Jones is a bit of a comedy figure but does his job well despite being the least developed of the three. The teenage actors all carry themselves well, although in this modern tabloid world of hysteria it is a little uncomfortable to watch two young teenagers have sex (although I was relieved to find that the sexy one of them, Malinda Williams, was actually 24 when she played a 14 year old). The women are all very good looking but have lesser roles as the males take the meat of the story – Tamala Jones is good and Epps' co-star from Love & Basketball (Sanaa Lathan) joins him for a brief role.

    Overall it is a very light film that has a plot in a very basic sense but is really more of a nostalgic trip down the teenage years that is told with honesty and humour. It may not resemble any life I ever had but there were themes I could relate to. Slight but fun and, after seeing National Security, Undercover Brother and Bringing Down the House (where race is used for humour, rather than being a side issue) The Wood was also a breath of fresh air.
    8barbaracormeny

    wonderful movie and even better soundtrack

    I am searching for the soundtrack and a particular song which has a refrain Higher. I thought it was by Teddy Pendergast but am not sure. And I need to find the album which contains the song. The cast and script was great for it showed how men grow up together and support each other through some tough times. It also developed the character of the parents,the bride and groom,and the close friends around the Wood. Fortunately, the picture of the close families helps keep the movie on track.The mistakes of the bride and groom seem normal in this modern world.The forceful father made it far more realistic. The diting of the scenes helped it move faster as it began to drag during the scene outside the door when he is being held by the father with his head on the door. At the end when the groom throws out the arm band it was well done and effective.
    kotruckin

    A great movie of African American friendship in the 80's.

    I really liked this movie, and I think many teens and adults, particularily African-Americans will like this movie. All those young adults who grew up will really like this movie, too.

    I thought it was excellent, and many parts made me laugh so hard I cried. All the actors did a very good job, too.
    whoTheFuqRyou

    Not only a warming comedy but a great, realistic and positive 'childhood to manhood' story

    The Wood starring Omar Epps, Taye Diggs, Sean Nelson, Melinda Williams, De' Aundre Bonds and Antwon Tanner was a perfect positive black film that deserves alot of credit. Unlike The Best Man, it doesn't have a boring pre-wedding story - actually it's a lot of fun as the three friends talk about their fun childhood in 'The Wood' a.k.a Inglewood, California. The flashback scenes are done so nicely and the characters are written in detailed fashion and come across very realistically.

    When I first seen the trailer I was like it would probably be an O.K. movie but it was alot better than I could possibly expect and turns out to be a big winner, this is a sleeper for 1999

    10/10
    7jaronnimo

    A simple film

    This is the type of film that you can just sit back and enjoy. The male leads(Diggs, Epps and Jones) have chemistry as well as their young counterparts. The plot is simple and easy to follow. Roland(Diggs) is about to get married, but chickens out and goes over an old girlfriends house instead.Then Mike(Epps) and Slim(Jones) are sent over there to go get him before the wedding. While getting him sobered up, Mike reminisced on when they first met. This movie is better than movies of the same theme(The Best Man, The Brothers, etc.) because the male leads are more likable and less one dimensional, although Rolands reasons for not wanting to get married aren't explained enough. Also, the girl that plays young Alicia is way too old for the role.

    Bottom line, the narrative by Epps is good and it's not riddled with stereotypes. Also, the 80's soundtrack is great and this is an entertaining movie. 7/10

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In a recent visit to USC, his alma mater, Rick Famuyiwa revealed that Paramount executives wanted the character of Mike to pinch Alicia's buttocks in the end scene for added laughs. Needless to say, Famuyiwa balked at this idea, and never shot the requested scene.
    • Gaffes
      When Stacy is driving the boys to the dance, Too $hort's "Freaky Tales" can be heard playing in the background. The setting for this part of the movie is 1986, and "Freaky Tales" wasn't released until July 20, 1987.
    • Citations

      Young Roland: You might fuck around and say some shit that'll get you shot.

      Young Mike: Shot?

      Young Roland: Shot? Ya know? Guns? Bang-bang? This nigga don't know nothin'!

    • Connexions
      Featured in Dope (2015)
    • Bandes originales
      Back in the Day (Remix)
      by Ahmad Lewis, Stefan Gordy (as Stefan Kendall Gordy), Cecil D. Womack (as Cecil Womack), Gip Noble and Linda M. Womack (as Linda Womack)

      Performed by Ahmad Lewis (as Ahmad)

      Courtesy of Giant Records

      By arrangement with Warner Special Products

      Contains sample from "Love TKO"

      by Cecil D. Womack (as Cecil Womack), Gip Noble and Linda M. Womack (as Linda Womack)

      Performed by Teddy Pendergrass

      Courtesy of Philadelphia International Records

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    FAQ20

    • How long is The Wood?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 16 juillet 1999 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Le bois
    • Lieux de tournage
      • Inglewood, Californie, États-Unis
    • Sociétés de production
      • Bona Fide Productions
      • MTV Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 6 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 25 059 640 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 8 515 223 $US
      • 18 juil. 1999
    • Montant brut mondial
      • 25 059 640 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 46 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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