Un agent expérimenté du FBI poursuit Frank Abagnale Jr. qui, avant son 19e anniversaire, avait réussi à faire des chèques de plusieurs millions de dollars tout en se faisant passer pour un p... Tout lireUn agent expérimenté du FBI poursuit Frank Abagnale Jr. qui, avant son 19e anniversaire, avait réussi à faire des chèques de plusieurs millions de dollars tout en se faisant passer pour un pilote de la compagnie Pan Am, un médecin et un procureur.Un agent expérimenté du FBI poursuit Frank Abagnale Jr. qui, avant son 19e anniversaire, avait réussi à faire des chèques de plusieurs millions de dollars tout en se faisant passer pour un pilote de la compagnie Pan Am, un médecin et un procureur.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Oscars
- 16 victoires et 46 nominations au total
Résumé
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Based on a true story, although it doesn't rely on `and it really happened' to be a good film - although that this guy could even do half of this stuff is impressive, this film is a slick bit of entertainment even if it left me feeling a little bit like it was too much presentation. The plot starts at the end and jumps back to see the whys and the hows of the tale. It is told with a slick energy that keeps the story moving and never really lingers on any scene longer than it has to. It is for this reason that the two hours goes by relatively quickly.
The presentation is good. Williams' score is not as memorable as his usual work but it is what the film needs it to be - unobtrusive and slick. Just like the opening credits, this film is very much a chase movie with a nice sense of period. The only downside of this slickness is that it feels like eating a sweet - it is very nice while it lasts but it doesn't fill you up. I enjoyed the film but it did leave me wondering what else there was; even if I did still have a sugary taste in my mouth. But to be fair - this is a minor compliant as the film didn't set out to be some massive thought provoking film; it was a chase movie and it was a very stylish and enjoyable one at that.
The cast is good even if they aren't all used well. If anyone can tell me why Jennifer Garner even bothered to show up I'll be happy to listen. DiCaprio is very good. I'm not a massive fan of his but he was engaging here and looked about the right age to play the part - sort of between man and boy. Hanks does good work in support. Because his character is quite drab it is easy to forget him but I really enjoyed him and thought he brought more to the film than DiCaprio. Walken is good in support and Sheen adds another famous name to the end credits but it is very much a two hander with Hanks and DiCaprio more than able.
Overall this film is a slick, stylish chase movie which should be enjoyed as such and is slightly more enjoyable for being a true story. If anything it is a little too slick for it's own good, but that is a petty complaint to make against a film that kept me pleasingly entertained for the past two hours!
Frank Abagnale Jr. is an astounding and interesting character. The real life Abagnale originally said that he did not believe Dicaprio to be 'suave' enough to play the role, but he certainly does pull it off. Dicaprio's acting is superb, and totally believable as a man who could lie to, deceive, and con everyone he met without once losing any of his charisma or charm. Hanks is also excellent, he plays the role of the obsessed FBI agent well, and also with a likable quality. The interaction between these two characters was great, it was interesting to see a budding relationship slowly build between two characters who were actually positioned against one another.
I loved the look of the film. It was a refreshing blast to see the 60s portrayed in such a vivid and colorful way. The whole setting and atmosphere of the film gave it a wonderful and almost (I hesitate to use the word) 'magical' sense. This tone appealed to me much more than a darker tone might have.
However, the film is rife with moral ambiguity. As much fun as it is to watch Dicaprio jumping from one place (and identity) to the next, forging checks and spending inordinate amounts of money at a whim, the film never really focuses on the morally bankrupt side of the story. The portion of the film devoted to this at the end still seems to skim over the fact that this man has stolen millions of dollars. It ends on a high note for Frank Abagnale Jr., never fully spelling out the wrongs he committed. Still, this would probably bring the whole film down, and sometimes it's fun just to enjoy a bit of escapism without being told off for desiring such things. I mean, it's hard to be totally strict and upright - you have to love it when Dicaprio's character swindles Jennifer Garner's prostitute for $400!
Overall, this is a fun film and really enjoyable. Not as much of an epic masterpiece as some of Spielberg's other movies, but still a great film!
Mr. Spielberg has found a perfect actor to fill the shoes of the con man with the perfect casting of Leonardo DiCaprio. It's very easy to see why all the women fall prey of this charmer. He was a fast talker and a slick operator. He exudes charisma to fill another couple of movies.
It's a welcome sight to have Mr. DiCaprio working in a vehicle that shows his talent as Frank Abagnale, a man of many faces. He plays a game of hide-and-seek throughout the movie with Hanratty, the FBI agent that is in his trail. Tom Hanks shows great assurance and gusto with this character. Of course, the DiCaprio magnetism dominates the action with the many ironic twists and the miraculous and narrow escapes he pulls with an aplomb that's bewildering to the Feds, who are on his tail all the time.
The minor roles are equally important. Christopher Walken as the father starts out as the prototype of the con man, but he's too decent to do wrong; his business fails eventually. His marriage to Natalie Baye, the fine French actress, ends in divorce because obviously she hates being married to a loser.
The action doesn't stop for one moment. This film is great fun to watch with the winning combination Mr. Spielberg assured hand gives us this time out. Mr. Spielberg can thank the genial Mr. DiCaprio who responds obviously to his direction and makes this con man endearing even when he is committing crimes.
It's hard to believe that people were so naive, that they allowed Frank Abagnale to achieve what he did, but i have give the guy credit for pushing the system, and riding the high life for as long as he did.
Leonardo DiCaprio does a great job of capturing the character of Frank Abignale Jr. (strange i didn't picture him in the role of a jet setting Gigalo) and the rest of the cast although only little more than fringe characters, are all very well cast and give typically fine performances, as you would expect with the calibre of Hanks and Walken.
All in all this is a fine film, that most people will enjoy watching 8/10
But if he could be nominated for his 'Aviator' performance, DiCaprio must be doing something right. And here he shows us what he is capable of. Especially when Frank Jr. is conning people, and most of all when he tries to outwit Hanatty. I am reminded of Harrison Ford and Tommy Lee Jones in "The Fugitive", or perhaps Burt Reynolds and Jackie Gleason in "Smokey and the Bandit". The strange but enjoyable chemistry between these two characters goes a long way toward making this movie work.
Frank Jr. showed a lot of intelligence, and DiCaprio effectively showed us what this man could do. Imagine what he could have accomplished if he had stayed on the right side of the law. But his life on the run was more fun to watch.
Tom Hanks, as popular as he is, can be commended for his willingness to play second banana for a change. And he did a fine job. Martin Sheen and Christopher Walken also made an impact here.
I loved the old cars and the even older songs. The clip from 'To Tell the Truth' was a nice touch. The theme song still gives me a craving for vanilla ice cream after nearly 30 years (I didn't feel I had time to watch the new version).
This was Oscar-caliber. Too bad the Academy Awards people didn't seem to agree.
Le saviez-vous
- AnecdotesFrank Abagnale Jr.: The French officer that arrests Frank on Christmas Eve, 1967.
- GaffesWhile Frank and Carl are flying back to the US Frank looks out the window and tells Carl that they are over Fiorello LaGuardia Airport and runway Number 44. All runway ends are painted/labeled based on the compass direction or bearing it is facing or heading. A Due North is runway "36", meaning 360 degrees and the opposite end marked "18", for 180 degrees. Runway numbers include 1 to 36. No runway 44 exists.
- Citations
Frank Abagnale Sr.: Two little mice fell in a bucket of cream. The first mouse quickly gave up and drowned. The second mouse, wouldn't quit. He struggled so hard that eventually he churned that cream into butter and crawled out. Gentlemen, as of this moment, I am that second mouse.
- Crédits fousDuring the first thirty seconds of the credits we hear the FBI typewriters.
- Versions alternativesIn the French language version of the film, Frank teaches his high school Spanish class instead of French.
- ConnexionsEdited from To Tell the Truth (1969)
- Bandes originalesTo Tell the Truth
Written by Paul Alter and Robert Israel
Meilleurs choix
- How long is Catch Me If You Can?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Atrápame si puedes
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 52 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 164 615 351 $US
- Week-end de sortie aux États-Unis et au Canada
- 30 053 627 $US
- 29 déc. 2002
- Montant brut mondial
- 352 114 312 $US
- Durée2 heures 21 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1