Père et flic

2002's 'City By the Sea' was a film that slipped by me when it first came out. I was living overseas and missed it completely. Having finally had a chance to watch it, I think it is the best film that Robert DeNiro has been in since 'Ronin' and up to 2006, his last great dramatic performance. He stars in 'City By the Sea' as the absentee father of James Franco. DeNiro is a decorated homicide cop who, while investigating a murder, finds uncomfortable evidence that concretely links his son to the murder. The film becomes a redemptive tale as DeNiro's character tries to make up for the damage of the lost years and save his son from a series of rapidly expanding catastrophes.

'City By the Sea' borrows from the noir tradition with a gritty locale, seedy characters and two male leads who have unlocked a series of events that are bigger than they are. DeNiro and Franco are both excellent here. Franco is tremendous for the entire film as a junkie who is trying (perhaps not very hard) to escape from his current life for one mixed of fantasy and memory. His final scenes with De Niro are powerful.

The DeNiro performance? I think that he played it perfectly. His character in the film tends to be very restrained and controlled. He analyzes and then makes his move. Part of this has to do with the background of the character. He hides his past because he's trying to protect his own vulnerabilities. By the time we reach the climactic scene towards the end of the film with his son, the restraint and control are gone. He is trying to save his son and the impassioned speech he gives is some of the best work I've seen him do. 'City By the Sea' is more of a redemptive drama than a crime drama and I think that the way the film was packaged and marketed may have confused that. In the climactic scene with Franco, you see the culmination of a great performance by a great actor. I was more impressed by the emotion and power of that scene than I was by anything else I've watched in quite a while.

'City By the Sea' is slow, but worth the journey. Very good acting all around and you might very well be a James Franco fan after seeing this if you weren't before.

This is a somewhat run-of-the-mill modern-day crime movie elevated by the presence of actor Robert De Niro. He plays a policeman who is a father to his druggie son, who is accused of murder.

"Vincent LaMarca" (De Niro) is torn between the guilt of being an absentee father to his kid ("Joey," played by James Franco) but still loving him enough to help him and yet still be a good, honest cop.

This is a gritty film, a bid sordid in spots. The locale is a grimy Atlantici City-type on-the- skids town by the ocean. It isn't pretty. As tough as the story can be, it's still interesting and recommended as a decent crime film. Actually, it's much more of a drama than an action-crime film....but I liked it. It's an interesting character study, as well.

"City by the Sea" is all about De Niro as a New York homicide detective who views the world as black and white and has trouble dealing with the grays of interpersonal relationships. Adrift between a broken home history, an ex-wife, a companion and bed mate (McDormand), and a adult son junkie (Franco), the aging cop protag finds that forging needed reconciliations is more difficult than busting the scumbags on his beat. A solid three star drama, "City by the Sea" is a must see for De Niro fans and a good watch for anyone into gritty dramas. (B+)

"City by the Sea" starring Robert DeNiro and Frances McDormand (Fargo & Almost Famous) is an exciting and heartfelt melodrama. Director Michael Caton-Jones proves himself with one of his greatest efforts to date, bouncing back from his previous disappointing and misdirected film "The Jackal." Caton-Jones displays a style all his own with stunning atmospheric poignancy. The city by the sea, to which the film refers to is Long Island, N.Y., a wonderfully lonely and dilapidated city to where junkie Jimmy Nova, (DeNiro's son) calls home.

DeNiro plays a well-respected cop with a terribly troubled past that seems to constantly haunt him. His ex-wife, played by Patti Lupone, struggles to get over the violence of their past relationship while his son, played by James Franco, is headed down the same path as DeNiro's father once was, that of an (alleged?) murderer. Jimmy Nova, as he's known around town mixes with the wrong crowd, as do most junkies, and one night finds himself struggling for his life, and before he knows it, stabbing and killing a high profile drug dealer. This relatively small act of self-defense cascades a sequence of irreversible events, which never seem to let up until the end. DeNiro, of course, is assigned to the case and unknowingly hunts down his own son who he hasn't seen or heard from in several years. Both father and son have moved on with their lives since their seperation, but still harbor intense emotional feelings for each other that seem to slowly emerge further and further into the film. To top it all off the two men are involved in complex relationships of their own which naturally complicates things further.

DeNiro's relationship with Frances McDormand seems quite convenient at times, but nonetheless shows the tenderness and compassion of both characters, while Franco's relationship feels more like a fling with multiple strings attached. In the end, both DeNiro and his son must face the issues that have plagued them for three generations and make one of the hardest decisions of their life.

Similar topics and themes in "City by the Sea", were explored in "Road to Perdition", however it is the way that they are explored that keeps the film feeling fresh and unique. Similar themes explored are the father-son relationship, the destructive path of violence and crime, and most importantly the will and courage to fight for a second chance at life. I was particularly impressed with the atmospheric mood of New York that Caton-Jones set from the beginning, reminiscent of Scorcese's "Taxi Driver", thus giving the film the reality that many recent Hollywood films tend to lack. The acting in this film is of the highest quality and will not be overlooked, contending with so

Drug addict Joey LaMarca (James Franco) defends himself and kills dealer Picasso. He is injured and goes home to his skeptical mother (Patti LuPone). His estranged father NYPD homicide detective Vincent LaMarca (Robert De Niro) and his partner Reg Duffy (George Dzundza) are given the case of the dead drug dealer. Spyder (William Forsythe) is also after his associate's killer. Michelle (Frances McDormand) is Vincent's girlfriend. Gina (Eliza Dushku) is Joey's girlfriend and baby mama. Fellow addict Snake rats out Joey.

There are good actors doing solid work. This material could be given a more grim style. This represents a slow slide in the quality of director Michael Caton-Jones. This should be a more intense thriller and a more heart-breaking tragedy. I keep thinking that this movie should be better. The biographical nature does muddy the story. There is an overall lack of intensity.