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Les jeunes frères Abby et Ethan sont adoptés par des parents apparemment parfaits, Eve et Raymond Goode, mais ils découvrent que le manoir isolé de leurs nouveaux tuteurs est loin d'être la ... Tout lireLes jeunes frères Abby et Ethan sont adoptés par des parents apparemment parfaits, Eve et Raymond Goode, mais ils découvrent que le manoir isolé de leurs nouveaux tuteurs est loin d'être la demeure idyllique qu'il semble être au départ.Les jeunes frères Abby et Ethan sont adoptés par des parents apparemment parfaits, Eve et Raymond Goode, mais ils découvrent que le manoir isolé de leurs nouveaux tuteurs est loin d'être la demeure idyllique qu'il semble être au départ.
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Having lived with an abusive stepparent, this hit the nail bang on the head. DAMNED scary. Soundtrack was nice, acting superb all around, and the photography lush and brilliantly planned.
Actually, I'd rate this as an 8.5, because the enabling stepfather was just a little TOO accommodating, although the writing is otherwise well-crafted. The reason I gave this a ten is to offset the overly biased previous postings which don't give this movie its due. The visuals are truly stunning, the sets gorgeous, and the camera-work clever and innovative.
Oh, and the actresses are unbelievably beautiful. The "stepmother" is a latter-day Ali McGraw, and it's testament to her talent that she can go from dazzlingly, breathtakingly sexy to skin-crawlingly scary within a matter of seconds.
The "stepdaughter" is also great, absolutely believable and so pretty and vulnerable you know she's going to be a major heartbreaker as she matures.
Don't listen to the negative voices. Judge for yourself. A solid, high-tension, superbly-crafted thriller.
(And no, I have no connection whatsoever to anyone involved.)
Actually, I'd rate this as an 8.5, because the enabling stepfather was just a little TOO accommodating, although the writing is otherwise well-crafted. The reason I gave this a ten is to offset the overly biased previous postings which don't give this movie its due. The visuals are truly stunning, the sets gorgeous, and the camera-work clever and innovative.
Oh, and the actresses are unbelievably beautiful. The "stepmother" is a latter-day Ali McGraw, and it's testament to her talent that she can go from dazzlingly, breathtakingly sexy to skin-crawlingly scary within a matter of seconds.
The "stepdaughter" is also great, absolutely believable and so pretty and vulnerable you know she's going to be a major heartbreaker as she matures.
Don't listen to the negative voices. Judge for yourself. A solid, high-tension, superbly-crafted thriller.
(And no, I have no connection whatsoever to anyone involved.)
I rent a lot of movies. I find some unexpected gems, a lot that get categorized as idle entertainment, and some that make me curse myself for renting movies in the first place. This movie solidly fits into the idle entertainment category, as I could see the end result taking shape way too early in the viewing process. Without giving away anything, the one thing that stands out in this movie is the acting of Jordan Hinson. She was cast as what she is...a teenager. But throughout the entire movie, she goes above and beyond what (I would think) would normally be expected, and delivers an outstanding performance. I think she was the true star of the movie, though you have to look at the fine print on the back of the DVD to find her name. If you want to see a diamond in the rough, look here. She makes the movie worth viewing.
I must admit i did think this might be just another of those dreary drag along movies. But I can honestly say its not. Angie Harmon plays a very convincing role as a troubled mother & keeps you squirming in your seat. Shes backed up well by Joel Gretsch as her doting husband, with a very fine performance from unknown Jordon Hinson. The plot it self is a very simple one & its been seen before in a number of good movies, but this doesn't take anything away from the excitement or suspense. The characters all develop well as the story unfolds, & still gives you a ending with a surprise twist. Its a very entertaining effort, its no blockbuster but I,m sure it will be well received in video stores.
An orphaned teen girl (Jordan Hinson) & her little brother start a new life in remote Simi Valley, Ca, with their adoptive parents (Angie Harmon & Joel Gretsch), a seemingly-ideal couple who tragically lost their son a year earlier. Jason London is on hand as the kid's acting-godfather.
"Glass House: The Good Mother" (2006) naturally has a similar plot to the first film, but the kids are a little younger here and, as the title implies, the mother is now the key adversary. Being a direct-to-video release it lacks the budget of the first film with Leelee Sobieski and Stellan Skarsgård (2001) and therefore lacks the theatrical pizazz thereof, having a Lifetime movie vibe.
As with that first movie, the awesome mansion itself is a highlight, located just a dozen miles north of the Glass manor used in the previous flick (in real-life). Unlike the first film, however, the actors are all no-names. Yet they rise to the challenge, especially Harmon as the increasingly not-good mother and Hinson as the formidable girl, who essentially becomes the "final girl" à la slasher flicks.
Not that this is a horror movie, but there is that element. It's more realistic than the conventional slasher, which typically involve some eye-rolling psycho wearing a mask and brandishing a machete, etc. Here, the diabolic individual is more every-day and perfectly harmless on the surface, which somehow makes it more chilling.
The flick effectively addresses the mental illness factitious disorder imposed on another (FDIA), aka Munchausen syndrome by proxy (MSbP). These types of psychos actually exist, unfortunately.
The film runs 1 hour, 34 minutes, and was shot in Simi Valley, Ca, with some stuff done in Hollywood.
GRADE: C
"Glass House: The Good Mother" (2006) naturally has a similar plot to the first film, but the kids are a little younger here and, as the title implies, the mother is now the key adversary. Being a direct-to-video release it lacks the budget of the first film with Leelee Sobieski and Stellan Skarsgård (2001) and therefore lacks the theatrical pizazz thereof, having a Lifetime movie vibe.
As with that first movie, the awesome mansion itself is a highlight, located just a dozen miles north of the Glass manor used in the previous flick (in real-life). Unlike the first film, however, the actors are all no-names. Yet they rise to the challenge, especially Harmon as the increasingly not-good mother and Hinson as the formidable girl, who essentially becomes the "final girl" à la slasher flicks.
Not that this is a horror movie, but there is that element. It's more realistic than the conventional slasher, which typically involve some eye-rolling psycho wearing a mask and brandishing a machete, etc. Here, the diabolic individual is more every-day and perfectly harmless on the surface, which somehow makes it more chilling.
The flick effectively addresses the mental illness factitious disorder imposed on another (FDIA), aka Munchausen syndrome by proxy (MSbP). These types of psychos actually exist, unfortunately.
The film runs 1 hour, 34 minutes, and was shot in Simi Valley, Ca, with some stuff done in Hollywood.
GRADE: C
One year after losing their son David, Eve Goode (Angie Harmon) and her husband Raymond Goode (Joel Gretsch) adopt the orphan Ethan Snow (Bobby Coleman) and his teenager sister Abby Snow (Jordan Hinson) and bring them to their mansion nearby a lake. Abby faces difficulties of adaptation in her new home, and she confronts Eve, who proves to be deranged and unstable. When Ethan gets sick, Abby tries to contact their friend, detective Ben Koch (Jason London), and she realizes that her brother and she are trapped in the house.
"The Good Mother" is predictable, full of clichés, but still a reasonable B-movie. The story has a tense beginning, but there is no previous development of the characters Abby and Ethan Snow or Ben Koch. The viewer does not know who they are or their relationship. The attitude of Abby when she moves to her foster house is totally ungrateful and unfair with her stepparents that gives a magnificent room in a wonderful house, triggering the insanity of Eve. It is difficult to understand teenagers most of the times, but there is no explanation for the feelings of Abby when she moves to the Goode's house without a previous development of her character. In the end, the forgettable "The Good Mother" is an enjoyable entertainment. My vote is six.
Title (Brazil): "A Casa de Vidro 2" ("The House of Glass 2")
"The Good Mother" is predictable, full of clichés, but still a reasonable B-movie. The story has a tense beginning, but there is no previous development of the characters Abby and Ethan Snow or Ben Koch. The viewer does not know who they are or their relationship. The attitude of Abby when she moves to her foster house is totally ungrateful and unfair with her stepparents that gives a magnificent room in a wonderful house, triggering the insanity of Eve. It is difficult to understand teenagers most of the times, but there is no explanation for the feelings of Abby when she moves to the Goode's house without a previous development of her character. In the end, the forgettable "The Good Mother" is an enjoyable entertainment. My vote is six.
Title (Brazil): "A Casa de Vidro 2" ("The House of Glass 2")
Le saviez-vous
- AnecdotesJoel Gretsch had to be persuaded into taking his shirt off in the sex scene as he felt that his body wasn't in good enough shape. (As can be seen by his excellent physique in the final edit, Gretsch needn't have worried.)
- GaffesWhen Abby goes to check on Ethan right after he gets sick, her wrist isn't wrapped in the bandages, though it is in the scenes directly before and after.
- ConnexionsFollows La Prison de verre (2001)
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Détails
- Durée1 heure 34 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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